<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-6588353545863124970</id><updated>2012-01-26T00:38:34.511+01:00</updated><category term='THEN AND NOW Beyond Borders and Differences'/><category term='Exhibitions'/><category term='Video Gallery'/><category term='Awards'/><category term='Press'/><category term='Stories on Human Rights'/><category term='Interviews'/><category term='Festivals'/><category term='Open Care'/><category term='Publications'/><category term='Exhibitions on Islands'/><category term='Commitment for Human Rights'/><category term='Playgrounds and Toys'/><category term='Hangar Bicocca'/><category term='Jafar Panahi'/><category term='SESC'/><title type='text'>ART for The World</title><subtitle type='html'>Activities from Today to Yesterday                        



www.artfortheworld.net</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default?start-index=101&amp;max-results=100'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>168</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-3120141828049722843</id><published>2012-01-26T00:38:00.000+01:00</published><updated>2012-01-26T00:38:34.520+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Exhibitions'/><title type='text'>The Mediterranean Approach opening in Marseille on February 16, 2012</title><content type='html'>&lt;span style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span style="background-color: white; line-height: 14px; text-align: left;"&gt;After Palazzo Zenobio, during the Venice Biennale, and before traveling to Brazil at SESC Pinheiros in Sao Paulo next fall, &lt;b&gt;&lt;i&gt;The Mediterranean Approach &lt;/i&gt;&lt;/b&gt;will be opened at &lt;b&gt;[mac]&lt;/b&gt;&amp;nbsp;&lt;b&gt;Musée &amp;nbsp;d'Art Contemporain&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;span style="background-color: white; line-height: 14px; text-align: left;"&gt;&lt;b&gt;in Marseille&lt;/b&gt; on &lt;b&gt;February 16, 2012&lt;/b&gt;.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: white; font-family: Verdana, sans-serif; font-size: x-small; line-height: 14px; text-align: left;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-y1tisKQRG68/TyCR7ixL8JI/AAAAAAAABY8/qsBGAKYtLqU/s1600/The+Mediterranean+Approach_Marseille+%25281%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://1.bp.blogspot.com/-y1tisKQRG68/TyCR7ixL8JI/AAAAAAAABY8/qsBGAKYtLqU/s320/The+Mediterranean+Approach_Marseille+%25281%2529.jpg" width="224" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="background-color: white; font-family: Verdana, sans-serif; font-size: x-small; line-height: 14px; text-align: left;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: white; line-height: 14px; text-align: left;"&gt;&lt;span style="font-family: Verdana, sans-serif; font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-family: Verdana, sans-serif; font-size: x-small;"&gt;&lt;span style="line-height: 14px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-3120141828049722843?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/3120141828049722843/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2012/01/mediterranean-approach-opening-in.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/3120141828049722843'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/3120141828049722843'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2012/01/mediterranean-approach-opening-in.html' title='The Mediterranean Approach opening in Marseille on February 16, 2012'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-y1tisKQRG68/TyCR7ixL8JI/AAAAAAAABY8/qsBGAKYtLqU/s72-c/The+Mediterranean+Approach_Marseille+%25281%2529.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-4099089775997540437</id><published>2012-01-19T13:34:00.000+01:00</published><updated>2012-01-19T13:34:20.280+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='THEN AND NOW Beyond Borders and Differences'/><title type='text'>La longue marche du caméléon  by Idrissa Ouedraogo</title><content type='html'>&lt;i&gt;&lt;b&gt;La longue marche du caméléon&lt;/b&gt;&lt;/i&gt; by the renowned director from Burkina Faso &lt;b&gt;Idrissa Ouédraogo&lt;/b&gt; is a segment of the long feature &lt;b&gt;THEN AND NOW &lt;i&gt;Beyond Borders and Differences&lt;/i&gt;&lt;/b&gt;, produced by ART &lt;i&gt;for The &lt;/i&gt;World in 2010 under the auspices of the Alliance of Civilizations and the Council of Europe.&lt;br /&gt;&lt;br /&gt;Inspired by the art. 18 of the Universal Declaration of Human Rights, "&lt;i&gt;Everyone has the right to freedom of thought, conscience and religion&lt;/i&gt;", the short movie is focused on the theme of syncretism of beliefs.&lt;br /&gt;&lt;br /&gt;Idrissa Ouedraogo won the Silver Bear at the Berlin Film Festival (1993)&amp;nbsp;and the Grand Jury Prize at the Cannes Film Festival (1990), besides many other recognitions in worldwide festivals. He also participated with the short movie &lt;i&gt;La Mangue&lt;/i&gt; in our film project &lt;i&gt;Stories on Human Rights&lt;/i&gt;&amp;nbsp;(2008).&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;object width="320" height="266" class="BLOGGER-youtube-video" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" data-thumbnail-src="http://0.gvt0.com/vi/Qk9DBULNpIA/0.jpg"&gt;&lt;param name="movie" value="http://www.youtube.com/v/Qk9DBULNpIA&amp;fs=1&amp;source=uds" /&gt;&lt;param name="bgcolor" value="#FFFFFF" /&gt;&lt;embed width="320" height="266"  src="http://www.youtube.com/v/Qk9DBULNpIA&amp;fs=1&amp;source=uds" type="application/x-shockwave-flash"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="p1"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-4099089775997540437?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/4099089775997540437/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2012/01/la-longue-marche-du-cameleon-by-idrissa.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/4099089775997540437'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/4099089775997540437'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2012/01/la-longue-marche-du-cameleon-by-idrissa.html' title='La longue marche du caméléon  by Idrissa Ouedraogo'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-1470312398297257831</id><published>2011-12-21T18:03:00.000+01:00</published><updated>2011-12-21T18:03:14.383+01:00</updated><title type='text'>ART for The World's Season Greetings</title><content type='html'>ART &lt;i&gt;for The&lt;/i&gt; World's offices are closed from December 23, 2011 until January 9, 2012.&lt;br /&gt;We wish you nice holidays and a Happy New Year!&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-UDUIbTShADA/TvIRIvDgMkI/AAAAAAAABY0/j8-1CQ4KcVA/s1600/Season%2527s+Greetings.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="265" src="http://1.bp.blogspot.com/-UDUIbTShADA/TvIRIvDgMkI/AAAAAAAABY0/j8-1CQ4KcVA/s400/Season%2527s+Greetings.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-1470312398297257831?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/1470312398297257831/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2011/12/art-for-worlds-season-greetings.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/1470312398297257831'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/1470312398297257831'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2011/12/art-for-worlds-season-greetings.html' title='ART for The World&apos;s Season Greetings'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-UDUIbTShADA/TvIRIvDgMkI/AAAAAAAABY0/j8-1CQ4KcVA/s72-c/Season%2527s+Greetings.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-8119415951427783550</id><published>2011-12-16T13:41:00.010+01:00</published><updated>2011-12-18T11:34:05.042+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='THEN AND NOW Beyond Borders and Differences'/><category scheme='http://www.blogger.com/atom/ns#' term='Video Gallery'/><title type='text'>Carnaval dos Deuses by Tata Amaral</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;object class="BLOGGER-youtube-video" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" data-thumbnail-src="http://0.gvt0.com/vi/KtOV6W7B_wA/0.jpg" height="266" width="320"&gt;&lt;param name="movie" value="http://www.youtube.com/v/KtOV6W7B_wA&amp;fs=1&amp;source=uds" /&gt;&lt;param name="bgcolor" value="#FFFFFF" /&gt;&lt;embed width="320" height="266"  src="http://www.youtube.com/v/KtOV6W7B_wA&amp;fs=1&amp;source=uds" type="application/x-shockwave-flash"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span lang="EN-GB"&gt;&lt;i&gt;&lt;b&gt;Carnaval dos Deuses&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;span lang="EN-GB"&gt;&lt;b&gt; &lt;/b&gt;by &lt;b&gt;Tata Amaral&lt;/b&gt; is a short movie produced&amp;nbsp;&lt;/span&gt;&lt;span lang="EN-GB"&gt;by &lt;b&gt;ART &lt;i&gt;for The&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;span lang="EN-GB"&gt;&lt;b&gt; World &lt;/b&gt;and co-produced by &lt;b&gt;SESC Sao Paulo&lt;/b&gt; in 2010.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span lang="EN-GB"&gt;&lt;br /&gt;The short is a segment of the collective film project&lt;/span&gt;&lt;/span&gt;&lt;span lang="EN-GB" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;&lt;b&gt;THEN AND NOW&amp;nbsp;&lt;i&gt;Beyond Borders and Differences&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;span lang="EN-GB" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;produced by ART &lt;i&gt;for The&lt;/i&gt; World&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: Georgia, 'Times New Roman', serif;"&gt;under the auspices of the Alliance of Civilizations and the Council of Europe&lt;/span&gt;&lt;span lang="EN-GB" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;and inspired by &lt;b&gt;article 18 of the Universal Declaration of Human Rights&lt;/b&gt;, "Everyone has the right to freedom of thought, conscience and religion".&amp;nbsp;&lt;/span&gt;&lt;span lang="EN-GB" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;br /&gt;The short movie by Tata Amaral focuses on the topic of the&lt;/span&gt;&lt;span lang="EN-IE" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&amp;nbsp;&lt;b&gt;syncretism of beliefs and tolerance&lt;/b&gt; investigating how it is possible to represent the cultural and religious mixtures and the multiple forms of belief which come from diverse sources and which emerge from a completely different historical background.&lt;/span&gt;&lt;span lang="EN-GB" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;br /&gt;&lt;b&gt;&lt;br /&gt;Interviewed on &lt;/b&gt;&lt;i style="font-weight: bold;"&gt;Carnaval dos Deuses&lt;/i&gt;&lt;/span&gt;&lt;span lang="EN-GB" style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;b&gt;, Tata Amaral said&lt;/b&gt;:&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-family: Georgia, 'Times New Roman', serif;"&gt;&lt;span lang="EN-GB"&gt;“&lt;/span&gt;&lt;span lang="EN-IE"&gt;I worked with children ages 6 to 8 that, gathered in a middle class or lower middle class school in São Paulo, get to know and deal with religious differences.&amp;nbsp;&lt;/span&gt;These children have diverse cultural and religious origins, as happens a lot in Brazil: Catholics, Jews, Umbanda and Santo Daime practitioners live in harmony. But how do the children understand religion and/or religious practices of their parents?&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span lang="EN-IE"&gt;&lt;span style="font-family: Georgia, 'Times New Roman', serif;"&gt;The fuse of my movie is Leon’s narrative to his friends about the Jewish ceremony Brit Milah (circumcision) for his newborn brother. Impressed, the boys discover evenness and differences in religious practices to which they came in contact with: Christmas, Hanukkah, Twelfth Night, Umbanda rituals and Buddhism. Leon reveals, at his manner, that his father is Jewish and his mother is Catholic, and both attend Ayahuasca ritual. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span lang="EN-IE"&gt;&lt;span style="font-family: Georgia, 'Times New Roman', serif;"&gt;In a small microcosm such as a children’s school, we find the presence of different religions and rituals, narrated and meaning through the eyes and comprehension of such children. To them, differences are curiosity and not a reason for disagreements. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span lang="EN-IE"&gt;&lt;span style="font-family: Georgia, 'Times New Roman', serif;"&gt;Children’s narrative is punctuated with images of the rites described. Such images, half-fantasy half-reality, end up in a big pantheism party, almost like a Carnival”.&lt;/span&gt;&lt;span style="font-family: Arial;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-8119415951427783550?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/8119415951427783550/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2011/12/blog-post.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/8119415951427783550'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/8119415951427783550'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2011/12/blog-post.html' title='Carnaval dos Deuses by Tata Amaral'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-9106878609402583187</id><published>2011-12-16T12:52:00.001+01:00</published><updated>2011-12-16T12:54:25.769+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='THEN AND NOW Beyond Borders and Differences'/><category scheme='http://www.blogger.com/atom/ns#' term='Festivals'/><title type='text'>No darkness will make us forget: Best Short Film at the Pomegranate Film Festival</title><content type='html'>We are pleased to announce that &lt;i&gt;&lt;b&gt;No darkness will make us forget &lt;/b&gt;&lt;/i&gt;by &lt;b&gt;Hüseyin Karabey&lt;/b&gt; won the &lt;b&gt;Best Short Film Award &lt;/b&gt;at the Pomegranate Film Festival in Toronto.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-7Z0M_8CfOkc/Tuswt0quS5I/AAAAAAAABYs/EmG380lhWr0/s1600/best-short.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="160" src="http://2.bp.blogspot.com/-7Z0M_8CfOkc/Tuswt0quS5I/AAAAAAAABYs/EmG380lhWr0/s200/best-short.png" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://www.pomegranatefilmfestival.com/index.php/winner-movies/pom-2011-winners"&gt;http://www.pomegranatefilmfestival.com&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-9106878609402583187?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/9106878609402583187/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2011/12/no-darkness-will-make-us-forget-best.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/9106878609402583187'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/9106878609402583187'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2011/12/no-darkness-will-make-us-forget-best.html' title='No darkness will make us forget: Best Short Film at the Pomegranate Film Festival'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-7Z0M_8CfOkc/Tuswt0quS5I/AAAAAAAABYs/EmG380lhWr0/s72-c/best-short.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-3805232346146760063</id><published>2011-12-13T10:58:00.002+01:00</published><updated>2011-12-16T12:54:44.772+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Jafar Panahi'/><category scheme='http://www.blogger.com/atom/ns#' term='THEN AND NOW Beyond Borders and Differences'/><category scheme='http://www.blogger.com/atom/ns#' term='Festivals'/><title type='text'>The Accordion at Exit Art in New York</title><content type='html'>&lt;div class="p1"&gt;&lt;i&gt;&lt;b&gt;The Accordion&lt;/b&gt;&lt;/i&gt; by &lt;b&gt;Jafar Panahi&lt;/b&gt; will be screened at &lt;b&gt;Exit Art&lt;/b&gt;, a non profit arts center in Manhattan. The screening will be part of a program of shorts films made for Cine Foundation International's Campaign to protest &amp;nbsp;the sentence and ban from filmmaking of Panahi and Mohammad Rasoulof.&lt;/div&gt;&lt;div class="p1"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-vQx_SbygGtM/TuchSNVJwsI/AAAAAAAABYk/Exc0RkDiBsM/s1600/The+Accordion_005.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="180" src="http://1.bp.blogspot.com/-vQx_SbygGtM/TuchSNVJwsI/AAAAAAAABYk/Exc0RkDiBsM/s320/The+Accordion_005.jpeg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="p1"&gt;&lt;/div&gt;&lt;div class="p1"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="p1"&gt;Exit Art is an interdisciplinary cultural center founded in 1982 &amp;nbsp;that &amp;nbsp;presents innovative exhibitions, films and performances that reflect a commitment to contemporary issues and ideas. &lt;br /&gt;&lt;a href="http://www.exitart.org/digimovies/upcoming_screenings/accordian.html" style="text-align: left;"&gt;http://www.exitart.org&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="p1"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-3805232346146760063?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/3805232346146760063/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2011/12/accordion-at-exit-art-in-new-york.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/3805232346146760063'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/3805232346146760063'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2011/12/accordion-at-exit-art-in-new-york.html' title='The Accordion at Exit Art in New York'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-vQx_SbygGtM/TuchSNVJwsI/AAAAAAAABYk/Exc0RkDiBsM/s72-c/The+Accordion_005.jpeg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-7977359820566240157</id><published>2011-11-23T14:11:00.000+01:00</published><updated>2011-11-23T14:11:45.175+01:00</updated><title type='text'>THEN AND NOW Beyond Borders and Differences at the Festival des Libertés, Brussels</title><content type='html'>&lt;div class="p1"&gt;&lt;b&gt;THEN AND NOW &lt;i&gt;Beyond Borders and Differences&lt;/i&gt;&amp;nbsp;&lt;/b&gt; will be screened at the&amp;nbsp;&lt;b&gt;Festival des Libertés&lt;/b&gt; in Brussels on &lt;b&gt;November&amp;nbsp;17-26&lt;/b&gt;.&lt;/div&gt;&lt;div class="p1"&gt;The Festival aims to&amp;nbsp;mobilise all forms of expression in order to offer an overview of the state of rights and freedoms around the world, to encourage tolerance and to promote solidarity.&lt;/div&gt;&lt;div class="p1"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="p1"&gt;THEN AND NOW&amp;nbsp;&lt;i&gt;Beyond Borders and Differences&lt;/i&gt;&amp;nbsp;has been selected&amp;nbsp;for the screening organized for the Commissioning Editors of television stations within the European Union and for international distributors, a special program organized by the Festival for professional audience.&lt;/div&gt;&lt;div class="p1"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-qEvs-uy2G_g/Tszwt3uFQxI/AAAAAAAABYc/Hq5BCUWqrdw/s1600/PastilleBIL.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://3.bp.blogspot.com/-qEvs-uy2G_g/Tszwt3uFQxI/AAAAAAAABYc/Hq5BCUWqrdw/s200/PastilleBIL.jpeg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.festivaldeslibertes.be/index2011_3.php"&gt;www.festivaldeslibertes.be&lt;/a&gt;&lt;/div&gt;&lt;div class="p1"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-7977359820566240157?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/7977359820566240157/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2011/11/then-and-now-beyond-borders-and.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/7977359820566240157'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/7977359820566240157'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2011/11/then-and-now-beyond-borders-and.html' title='THEN AND NOW Beyond Borders and Differences at the Festival des Libertés, Brussels'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-qEvs-uy2G_g/Tszwt3uFQxI/AAAAAAAABYc/Hq5BCUWqrdw/s72-c/PastilleBIL.jpeg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-1689622985782946147</id><published>2011-11-16T10:24:00.001+01:00</published><updated>2011-11-16T10:26:21.986+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Jafar Panahi'/><category scheme='http://www.blogger.com/atom/ns#' term='THEN AND NOW Beyond Borders and Differences'/><title type='text'>The Accordion at Interfilm Short Film Festival in Berlin</title><content type='html'>&lt;b&gt;&lt;i&gt;The Accordion&lt;/i&gt; by Jafar Panahi&lt;/b&gt; has been selected for the competition "Confrontations-Making a Difference" at the &lt;b&gt;27th Interfilm Short Film Festival in Berlin&lt;/b&gt;, one of the most important short film  festivals in Europe and the oldest international film festival in Berlin after the Berlinale.&lt;br /&gt;The competition "Confrontations-Making a Difference" features short movies focusing on social injustice, intolerance and violence, just some of the themes  that confront us every day in the  media. The  aim of the competition  is to present stories - such as &lt;i&gt;The Accordion &lt;/i&gt;- focusing on people on the  margins of society, everyday heroes and  those whose lives are dominated by  external influences. &lt;br /&gt;&lt;br /&gt;The short will be screened on &lt;b&gt;November 17 and 18, 2011&lt;/b&gt;&lt;br /&gt;For more info:&amp;nbsp;&lt;a href="http://www.interfilm.de/en/festival2011/programs/competitions.html?items[film]=70108&amp;amp;cHash=3aefc7bb0f704e7a1b5eca333d9881c2"&gt;http://www.interfilm.de&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-5ZeUl7QGDhM/TsN8fW74cVI/AAAAAAAABYU/vgY4lDV2sjI/s1600/if27_plakat_klein160_01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://2.bp.blogspot.com/-5ZeUl7QGDhM/TsN8fW74cVI/AAAAAAAABYU/vgY4lDV2sjI/s200/if27_plakat_klein160_01.jpg" width="167" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-1689622985782946147?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/1689622985782946147/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2011/11/accordion-at-interfilm-in-berlin.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/1689622985782946147'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/1689622985782946147'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2011/11/accordion-at-interfilm-in-berlin.html' title='The Accordion at Interfilm Short Film Festival in Berlin'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-5ZeUl7QGDhM/TsN8fW74cVI/AAAAAAAABYU/vgY4lDV2sjI/s72-c/if27_plakat_klein160_01.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-7405996391858487716</id><published>2011-10-20T11:25:00.000+02:00</published><updated>2011-10-20T11:25:37.991+02:00</updated><title type='text'>"From ruins of Greek debt rises art, eager and blunt", New York Times, World News Europe, October 15-16, 2011</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-Gg8WvDZPLcw/Tp_nU3zfI8I/AAAAAAAABWc/tBL7fpJyAic/s1600/Schermata+2011-10-20+a+11.17.59.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="36" src="http://4.bp.blogspot.com/-Gg8WvDZPLcw/Tp_nU3zfI8I/AAAAAAAABWc/tBL7fpJyAic/s200/Schermata+2011-10-20+a+11.17.59.png" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;i&gt;From ruins of Greek debt rises art, eager and blunt&lt;/i&gt; is an interesting article by Rachele Donadio on art in Greece, where the debt crisis has created an intriguing bright spot: "a burst of&amp;nbsp;  artistic activity in&amp;nbsp; response to the national identity crisis it has  provoked".&amp;nbsp;&amp;nbsp;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;You can read the article published in the New York Times, World News Europe on October 15-16, 2011 at the following link:&amp;nbsp; &lt;a href="http://www.nytimes.com/2011/10/15/arts/in-athens-art-blossoms-amid-debt-crisis.html?_r=1&amp;amp;sq=rachel%20donadio&amp;amp;st=cse&amp;amp;scp=3&amp;amp;pagewanted=all"&gt;http://www.nytimes.com/World News&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-7405996391858487716?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/7405996391858487716/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2011/10/from-ruins-of-greek-debt-rises-art.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/7405996391858487716'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/7405996391858487716'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2011/10/from-ruins-of-greek-debt-rises-art.html' title='&quot;From ruins of Greek debt rises art, eager and blunt&quot;, New York Times, World News Europe, October 15-16, 2011'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-Gg8WvDZPLcw/Tp_nU3zfI8I/AAAAAAAABWc/tBL7fpJyAic/s72-c/Schermata+2011-10-20+a+11.17.59.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-575504173193470497</id><published>2011-10-17T17:59:00.001+02:00</published><updated>2011-10-17T18:02:29.102+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Stories on Human Rights'/><title type='text'>"What About Me?" at the Théatre de l'Odéon, Paris</title><content type='html'>&lt;div style="font-family: Verdana,sans-serif;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: small;"&gt;The short movie &lt;i&gt;&lt;b&gt;What About Me?&lt;/b&gt;&lt;/i&gt; by the renowned Israeli filmmaker and writer &lt;b&gt;Etgar Keret&lt;/b&gt; will be screened at the presence of the author at the &lt;b&gt;&lt;a href="http://awurl.com/Y7iUQ8EQn#first_awesome_highlight"&gt;Théatre de l'Odéon&lt;/a&gt;&lt;/b&gt; in &lt;b&gt;Paris&lt;/b&gt; on &lt;b&gt;October 17&lt;/b&gt;. The screening has been organized on the occasion of the presentation of Keret's new book "Au pays des mensonges".  &lt;br /&gt;What About Me? was shot in 2008 within our collective film project Stories on Human Rights and co-directed with his wife &lt;b&gt;Shira Geffen&lt;/b&gt;.&lt;br /&gt;&lt;br /&gt;Etgar Keret is one of the most internationally acclaimed Israeli writer. He earned international recognition  in  2007  with his film Jellifish, co-directed with Shira Geffen, and winning the Caméra d'or at the Cannes Film Festival.&lt;/span&gt; &lt;/div&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;span class="messageBody translationEligibleUserMessage" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-7YEdgLtpfSU/TpxPHre5dmI/AAAAAAAABWM/QR3Jexzk0o0/s1600/KeretGeffen-Stills-010.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="225" src="http://3.bp.blogspot.com/-7YEdgLtpfSU/TpxPHre5dmI/AAAAAAAABWM/QR3Jexzk0o0/s400/KeretGeffen-Stills-010.jpg" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;still from &lt;i&gt;What About Me?&lt;/i&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;h6 class="uiStreamMessage" data-ft="{&amp;quot;type&amp;quot;:1}" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-weight: normal;"&gt;&lt;span style="font-size: small;"&gt;&lt;span class="messageBody translationEligibleUserMessage" data-ft="{&amp;quot;type&amp;quot;:3}"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/h6&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-575504173193470497?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/575504173193470497/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2011/10/what-about-me-at-theatre-de-lodeon.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/575504173193470497'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/575504173193470497'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2011/10/what-about-me-at-theatre-de-lodeon.html' title='&quot;What About Me?&quot; at the Théatre de l&apos;Odéon, Paris'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-7YEdgLtpfSU/TpxPHre5dmI/AAAAAAAABWM/QR3Jexzk0o0/s72-c/KeretGeffen-Stills-010.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-5219460876742362750</id><published>2011-10-12T16:13:00.006+02:00</published><updated>2011-10-12T16:29:41.080+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Stories on Human Rights'/><category scheme='http://www.blogger.com/atom/ns#' term='Festivals'/><title type='text'>'Black Breakfast' at the Festival du Film de la Roche-sur-Yon</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-5GST3EVU1x0/TpWg9IZldLI/AAAAAAAABV8/cQ87zx_e6Xg/s1600/logo_FIF_noirblanc1.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="93" src="http://4.bp.blogspot.com/-5GST3EVU1x0/TpWg9IZldLI/AAAAAAAABV8/cQ87zx_e6Xg/s200/logo_FIF_noirblanc1.JPG" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;The short movie &lt;i&gt;&lt;b&gt;Black Breakfast&lt;/b&gt;&lt;/i&gt; (2010) by &lt;b&gt;Jia Zhang-ke&lt;/b&gt; will be screened at the &lt;b&gt;Festival International du Film de la Roche-sur-Yon&lt;/b&gt; (France) on &lt;b&gt;Octobre 13-18, 2011&lt;/b&gt;.&lt;br /&gt;The short movie will be part of the extensive retrospective dedicate to the Chinese director.&lt;br /&gt;&lt;br /&gt;Jia Zhang-ke is considered a leading figure of the "Sixth Generation" of Chinese directors. He has received critical praise and has been recognized   internationally, notably winning the Venice Film Festival's Golden Lion   for &lt;i&gt;Still Life&lt;/i&gt; in 2006. His films treat themes of alienated youth, contemporary Chinese history and globalization, and are characterized by the usage of a long-take, colorful digital video and a minimalist style.&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Black Breakfast&lt;/i&gt; was shot in 2008 in China, as part of the collective film project &lt;b&gt;&lt;i&gt;Stories on Human Rights,&lt;/i&gt;&lt;/b&gt; inspired by the articles of the Universal Declaration of Human Rights and focusing in particular on the theme of environment. &lt;br /&gt;&lt;br /&gt;For more info:&amp;nbsp;&lt;a href="http://www.fif-85.com/index.php?option=com_content&amp;amp;view=category&amp;amp;layout=blog&amp;amp;id=68&amp;amp;Itemid=99&amp;amp;lang=en"&gt;http://www.fif-85.com&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-TO4cX08OPXA/TpWe8O-WEWI/AAAAAAAABVs/GrSrf3URIeY/s1600/Jia+Zhang++Ke+-+Black+Breakfast+-+Still+03.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="265" src="http://4.bp.blogspot.com/-TO4cX08OPXA/TpWe8O-WEWI/AAAAAAAABVs/GrSrf3URIeY/s400/Jia+Zhang++Ke+-+Black+Breakfast+-+Still+03.jpg" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Still from &lt;i&gt;Black Breakfast&lt;/i&gt;, 2010 &lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;style&gt; &lt;/style&gt;&lt;br /&gt;&lt;style&gt;&lt;!-- /* Font Definitions */@font-face {font-family:"Times New Roman"; panose-1:0 2 2 6 3 5 4 5 2 3; mso-font-charset:0; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:50331648 0 0 0 1 0;} /* Style Definitions */p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-parent:""; margin:0cm; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman";}table.MsoNormalTable {mso-style-parent:""; font-size:10.0pt; font-family:"Times New Roman";}@page Section1 {size:595.0pt 842.0pt; margin:70.85pt 2.0cm 2.0cm 2.0cm; mso-header-margin:35.4pt; mso-footer-margin:35.4pt; mso-paper-source:0;}div.Section1 {page:Section1;}--&gt;&lt;/style&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-5219460876742362750?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/5219460876742362750/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2011/10/short-movie-black-breakfast-2010-by-jia.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/5219460876742362750'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/5219460876742362750'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2011/10/short-movie-black-breakfast-2010-by-jia.html' title='&apos;Black Breakfast&apos; at the Festival du Film de la Roche-sur-Yon'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-5GST3EVU1x0/TpWg9IZldLI/AAAAAAAABV8/cQ87zx_e6Xg/s72-c/logo_FIF_noirblanc1.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-5025949250712863926</id><published>2011-10-10T14:32:00.000+02:00</published><updated>2011-10-10T14:32:47.728+02:00</updated><title type='text'>"A cosa servono le mostre?": some snapshots of the symposium</title><content type='html'>Here are few photos of the participants at the symposyum &lt;i&gt;A cosa servono le mostre?&lt;/i&gt; (&lt;i&gt;What are exhibitions for?&lt;/i&gt;), at Fabbrica del Vapore/Careof, in Milan on October 7-8, 2011.&lt;br /&gt;&lt;br /&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-m56Y6PZFs2c/TpLUWYbSonI/AAAAAAAABVY/mzefmhJffS0/s1600/emmanuela+de+checco%252C+chiara+agnello%252C+alessandra+galasso%252C+angela+vettese+%252Cfrancesco+tedeschi%252C+anna+da+neri+roberto+pinto.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="240" src="http://4.bp.blogspot.com/-m56Y6PZFs2c/TpLUWYbSonI/AAAAAAAABVY/mzefmhJffS0/s320/emmanuela+de+checco%252C+chiara+agnello%252C+alessandra+galasso%252C+angela+vettese+%252Cfrancesco+tedeschi%252C+anna+da+neri+roberto+pinto.jpg" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Foreground: Chiara Agnello and Alessandra Galasso; &lt;br /&gt;Background: Emanuela De Cecco, Angela Vettese, Francesco Tedeschi, Anna Daneri, Roberto Pinto&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-z_AngNnCJPE/TpLUan2CtKI/AAAAAAAABVc/eS8q0CUcvEM/s1600/gtoni%252C+paolo+rosa+luisa+protti+caravaggio%252C+vedovamazzei+stefano+boccalini+marda+dell%2527angelo...david+casini.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="219" src="http://1.bp.blogspot.com/-z_AngNnCJPE/TpLUan2CtKI/AAAAAAAABVc/eS8q0CUcvEM/s320/gtoni%252C+paolo+rosa+luisa+protti+caravaggio%252C+vedovamazzei+stefano+boccalini+marda+dell%2527angelo...david+casini.jpg" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;From left to right: Mario Gorni, Paolo Rosa, Luisa Protti, Gianni  Caravaggio, Simeone Crispino (Vedovamazzei), Stefano Boccalini, Marta  Dell'Angelo, Anna Stuart Tovini (Undo.net), David Casini&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-8ML9UcqSIEo/TpLUdcx5akI/AAAAAAAABVg/JoBOppyZR8Y/s1600/pubblico.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="285" src="http://1.bp.blogspot.com/-8ML9UcqSIEo/TpLUdcx5akI/AAAAAAAABVg/JoBOppyZR8Y/s320/pubblico.jpg" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;the public&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-lkR68wcmdxs/TpLUfksqq0I/AAAAAAAABVk/h8w5gozyzms/s1600/remo+salvadori%252C+marco+de+michelis%252C+adrian+paci.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="203" src="http://1.bp.blogspot.com/-lkR68wcmdxs/TpLUfksqq0I/AAAAAAAABVk/h8w5gozyzms/s320/remo+salvadori%252C+marco+de+michelis%252C+adrian+paci.jpg" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;From left to right: Remo Salvadori, Marco De Michelis, Adrian Paci&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-4N5u3g9qqmU/TpLUhkvqvGI/AAAAAAAABVo/Wy0GvWK_e2s/s1600/stefano+baia+curioni%252Cpaola+nicoli+eca+fabbris%252C+stefano+arienti+.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="240" src="http://1.bp.blogspot.com/-4N5u3g9qqmU/TpLUhkvqvGI/AAAAAAAABVo/Wy0GvWK_e2s/s320/stefano+baia+curioni%252Cpaola+nicoli+eca+fabbris%252C+stefano+arienti+.jpg" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;From right to left: Stefano Arienti, Eva Fabbris, Paola Nicolin, Stefano Baia Curioni&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-5025949250712863926?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/5025949250712863926/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2011/10/cosa-servono-le-mostre-some-snapshots.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/5025949250712863926'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/5025949250712863926'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2011/10/cosa-servono-le-mostre-some-snapshots.html' title='&quot;A cosa servono le mostre?&quot;: some snapshots of the symposium'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-m56Y6PZFs2c/TpLUWYbSonI/AAAAAAAABVY/mzefmhJffS0/s72-c/emmanuela+de+checco%252C+chiara+agnello%252C+alessandra+galasso%252C+angela+vettese+%252Cfrancesco+tedeschi%252C+anna+da+neri+roberto+pinto.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-4178183894502044561</id><published>2011-10-06T16:47:00.000+02:00</published><updated>2011-10-06T16:47:38.028+02:00</updated><title type='text'>A cosa servono le mostre?, 7-8 October, Fabbrica del Vapore, Milan</title><content type='html'>&lt;i&gt;What are exhibitions for? Which is the role of the curator, the  director of an art center or museum nowadays? Is there a space for art  criticism? What are the edges of the curatorial work and the objectives&amp;nbsp;  for an artist today? &lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;ART&lt;i&gt; for The &lt;/i&gt;World&lt;/b&gt; in collaboration with &lt;b&gt;Careof&lt;/b&gt; presents &lt;i&gt;&lt;b&gt;A cosa servono le mostre?&lt;/b&gt; &lt;/i&gt;(&lt;i&gt;What are exhibitons for?&lt;/i&gt;), &lt;b&gt;two days symposium and discussions&lt;/b&gt; curated by &lt;b&gt;Adelina von Fürstenberg&lt;/b&gt;, &lt;b&gt;Roberto Pinto&lt;/b&gt;, &lt;b&gt;Chiara Agnello&lt;/b&gt; and &lt;b&gt;Mario Gorni&lt;/b&gt;, with the participation of artists, museum directors, curators and art critics working in Milan and in the region.&lt;br /&gt;&lt;br /&gt;Join us at&lt;br /&gt;&lt;b&gt;Fabbrica del Vapore, Careof, Via Procaccini 4, Milan&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Friday 7 October&amp;nbsp; h 17.00-21.00&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Saturday 8 October&amp;nbsp; h 10.30-13.30, 15.00-20.00&lt;/b&gt; &lt;br /&gt;&lt;br /&gt;The program is available on&lt;a href="http://www.careof.org/"&gt; www.careof.org&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-O0W1jWVvyLI/To2_TxfFNKI/AAAAAAAABVU/_beiiqztmeU/s1600/A+cosa+servono+le+mostre_programma+.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://3.bp.blogspot.com/-O0W1jWVvyLI/To2_TxfFNKI/AAAAAAAABVU/_beiiqztmeU/s400/A+cosa+servono+le+mostre_programma+.jpg" width="282" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-4178183894502044561?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/4178183894502044561/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2011/10/cosa-servono-le-mostre-7-8-october.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/4178183894502044561'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/4178183894502044561'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2011/10/cosa-servono-le-mostre-7-8-october.html' title='A cosa servono le mostre?, 7-8 October, Fabbrica del Vapore, Milan'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-O0W1jWVvyLI/To2_TxfFNKI/AAAAAAAABVU/_beiiqztmeU/s72-c/A+cosa+servono+le+mostre_programma+.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-987277429783198250</id><published>2011-09-30T17:07:00.001+02:00</published><updated>2011-09-30T17:09:34.646+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='THEN AND NOW Beyond Borders and Differences'/><title type='text'>'No darknesss will make us forget' awarded with the Adana Golden Boll</title><content type='html'>We are pleased to announce that the short movie &lt;b&gt;&lt;i&gt;No darkness will make us forget&lt;/i&gt;&lt;/b&gt; by &lt;b&gt;Hüseyin Karabey &lt;/b&gt;has been awarded with the &lt;b&gt;Adana Golden Boll for Best Short Animation&lt;/b&gt; in the Mediterranean Short Film Competition of the Adana Film Festival (Turkey).&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-IiePJrsNOf4/ToXYtK0CBAI/AAAAAAAABVI/ybpOJf3jCDg/s1600/barnereng2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="67" src="http://1.bp.blogspot.com/-IiePJrsNOf4/ToXYtK0CBAI/AAAAAAAABVI/ybpOJf3jCDg/s400/barnereng2.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://www.altinkozafestivali.org.tr/en/index.php?option=com_content&amp;amp;view=frontpage&amp;amp;Itemid=1&amp;amp;lang=en"&gt;Adana Film Festival&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-987277429783198250?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/987277429783198250/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2011/09/no-darknesss-will-make-us-forget.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/987277429783198250'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/987277429783198250'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2011/09/no-darknesss-will-make-us-forget.html' title='&apos;No darknesss will make us forget&apos; awarded with the Adana Golden Boll'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-IiePJrsNOf4/ToXYtK0CBAI/AAAAAAAABVI/ybpOJf3jCDg/s72-c/barnereng2.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-8283235196603660793</id><published>2011-09-27T15:32:00.001+02:00</published><updated>2011-09-27T15:33:16.566+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Jafar Panahi'/><category scheme='http://www.blogger.com/atom/ns#' term='THEN AND NOW Beyond Borders and Differences'/><title type='text'>The Accordion at Autumn Human Rights Film Festival, Kabul</title><content type='html'>&lt;b&gt;&lt;i&gt;The Accordion&lt;/i&gt;&lt;/b&gt; by Jafar Panahi will be screened at the opening night of the &lt;b&gt;Autumn Human Rights Film Festival (AHRF) in&lt;/b&gt;&lt;b&gt; Kabul, on October 1st&lt;/b&gt;.&lt;br /&gt;&lt;br /&gt;Focusing on the subject of Human Rights, the 1st edition of the Festival aims to be a hub for filmmakers and artists working despite of censorship in their countries and whose works are restricted from public screenings. The AHRF will present stories of lives affected by war, discrimination and injustice. These stories are of people who have resisted oppression and fought against violence to create a more humane world.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-AVdPHr-TWf8/ToHPtTVEqOI/AAAAAAAABU8/wnF5ggeUkCM/s1600/logo.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-AVdPHr-TWf8/ToHPtTVEqOI/AAAAAAAABU8/wnF5ggeUkCM/s1600/logo.png" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://ahrfestival.org/en/"&gt;http://ahrfestival.org/en/&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-8283235196603660793?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/8283235196603660793/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2011/09/accordion-at-autumn-human-rights-film.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/8283235196603660793'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/8283235196603660793'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2011/09/accordion-at-autumn-human-rights-film.html' title='The Accordion at Autumn Human Rights Film Festival, Kabul'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-AVdPHr-TWf8/ToHPtTVEqOI/AAAAAAAABU8/wnF5ggeUkCM/s72-c/logo.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-9032776748812406190</id><published>2011-09-20T19:56:00.002+02:00</published><updated>2011-09-20T19:58:30.950+02:00</updated><title type='text'>Arrestation de sept cinéastes iraniens</title><content type='html'>&lt;b&gt;Lundi 19 septembre 2011&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;Suite à une nouvelle offensive de la police secrète du régime iranien contre les milieux du cinéma, sept artistes de renommée ont été arrêtés durant le dernier week-end.&lt;br /&gt;Il s’agit de &lt;b&gt;Mojtaba MIRTAHMASB&lt;/b&gt; (réalisateur), &lt;b&gt;Nasser SAFFARIAN&lt;/b&gt; (réalisateur), &lt;b&gt;Hadi AFARIDEH&lt;/b&gt; (réalisateur), &lt;b&gt;Mohsen SHAHNAZDAR&lt;/b&gt; (journaliste et documentariste), &lt;b&gt;Shahnam BAZDAR &lt;/b&gt;(réalisateur),&lt;b&gt; Mehrdad ZAHEDIAN&lt;/b&gt; (réalisateur) et &lt;b&gt;Katayoune SHAHABI&lt;/b&gt; (productrice de cinéma).&lt;br /&gt;Mojtaba MIRTAHMASB est co-réalisateur, avec Jafar PANAHI, de &lt;i&gt;Ceci n’est pas un film&lt;/i&gt;, qui sort en salles en France le 28 septembre 2011.&lt;br /&gt;&lt;br /&gt;Ces artistes ont été arrêtés chez eux ou dans leurs bureaux.&lt;br /&gt;&lt;br /&gt;Les agences de presse liées au gouvernement iranien ont publié une information selon laquelle les correspondants de la BBC à Téhéran auraient été arrêtés. Les médias gouvernementaux tentent d’accréditer une version selon laquelle les cinéastes indépendants iraniens arrêtés seraient des espions au service de la BBC.&lt;br /&gt;Selon les dernières nouvelles, les cinéastes qui viennent d’être arrêtés ont été transférés à la section 209 de la prison Evin à Téhéran.&lt;br /&gt;&lt;br /&gt;Parmi les récentes victimes de la répression en Iran, figurent de nombreuses femmes artistes arrêtées ces dernières semaines.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-9032776748812406190?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/9032776748812406190/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2011/09/arrestation-de-7-cineastes-iraniens.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/9032776748812406190'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/9032776748812406190'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2011/09/arrestation-de-7-cineastes-iraniens.html' title='Arrestation de sept cinéastes iraniens'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-4915415303285702808</id><published>2011-08-08T09:54:00.000+02:00</published><updated>2011-08-08T09:54:19.601+02:00</updated><title type='text'>ART for The World summer break</title><content type='html'>ART &lt;i&gt;for The&lt;/i&gt; World is closed for the summer break until the end of August.&lt;br /&gt;In the meantime, our exhibition &lt;i&gt;The Mediterranean Approach&lt;/i&gt; is opened in Venice until August 15 and our film THEN AND NOW &lt;i&gt;Beyond Borders and Differences&lt;/i&gt; will be screened at Montreal World Film Festival on August 18-28 (North America première).&lt;br /&gt;&lt;br /&gt;We wish you a very nice summer and we will be back in September with our activities and new projects.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-4915415303285702808?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/4915415303285702808/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2011/08/art-for-world-summer-break.html#comment-form' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/4915415303285702808'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/4915415303285702808'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2011/08/art-for-world-summer-break.html' title='ART for The World summer break'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-1703630724974860907</id><published>2011-07-26T10:37:00.003+02:00</published><updated>2011-07-26T10:44:01.222+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='THEN AND NOW Beyond Borders and Differences'/><category scheme='http://www.blogger.com/atom/ns#' term='Festivals'/><title type='text'>Sarajevo Film Festival</title><content type='html'>We are pleased to announce that this week the short movie &lt;i&gt;&lt;b&gt;&lt;a href="http://www.sff.ba/film/show/id/1542"&gt;No darkness will make us forget&lt;/a&gt; &lt;/b&gt;&lt;/i&gt;by &lt;b&gt;Hüseyin Karabey&lt;/b&gt; (segment of THEN AND NOW &lt;i&gt;Beyond Borders and Differences&lt;/i&gt;) will be screened in the Short Competition Programme of &lt;b&gt;Sarajevo Film Festival.&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;Hüseyin Karabey is also the artistic director and one of the producers of the collective film&lt;b&gt;&amp;nbsp;&lt;i&gt;&lt;/i&gt;&lt;a href="http://www.sff.ba/film/show/id/1657"&gt;Do not forget me Istanbul&lt;/a&gt; &lt;/b&gt;that will be screened on July 28-29 in the Focus Section of the Festival. The film      includes seven shorts by internationally acclaimed  directors aiming to remind that Istanbul's past does not only belong to  the current peoples of Turkey (short movies by &lt;b&gt;Aida Begić, Stefan Arsenijević, Stergios Niziris, Eric Nazarian, Omar Shakrawi, Hany Abu-Assad, Josefina Markaria&lt;/b&gt;).&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-KsRiXZtfnb0/Ti58klXHDcI/AAAAAAAABU4/xSZS_a-Pcxs/s1600/9914ab9985f1c084ae92c73094eb70e8.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="83" src="http://3.bp.blogspot.com/-KsRiXZtfnb0/Ti58klXHDcI/AAAAAAAABU4/xSZS_a-Pcxs/s200/9914ab9985f1c084ae92c73094eb70e8.png" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-1703630724974860907?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/1703630724974860907/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2011/07/sarajevo-film-festival.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/1703630724974860907'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/1703630724974860907'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2011/07/sarajevo-film-festival.html' title='Sarajevo Film Festival'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-KsRiXZtfnb0/Ti58klXHDcI/AAAAAAAABU4/xSZS_a-Pcxs/s72-c/9914ab9985f1c084ae92c73094eb70e8.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-667170800417656807</id><published>2011-07-17T20:01:00.000+02:00</published><updated>2011-07-17T20:01:02.225+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Exhibitions'/><title type='text'>The Mediterranean Approach: video by IkonoTV</title><content type='html'>A short video realized by &lt;b&gt;IkonoTV&amp;nbsp;&lt;/b&gt; featuring the exhibition &lt;b&gt;&lt;i&gt;The Mediterranean Approach &lt;/i&gt;&lt;/b&gt;in Venice.&lt;br /&gt;&lt;a href="http://ikono.tv/"&gt;IkonoTV&lt;/a&gt;&amp;nbsp;&lt;span class="st"&gt;is a pioneering art television channel  showcasing art only and broadcasting in the Middle East, North Africa  and soon in Europe.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;object width="320" height="266" class="BLOGGER-youtube-video" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" data-thumbnail-src="http://3.gvt0.com/vi/T86ivkGnAy8/0.jpg"&gt;&lt;param name="movie" value="http://www.youtube.com/v/T86ivkGnAy8&amp;fs=1&amp;source=uds" /&gt;&lt;param name="bgcolor" value="#FFFFFF" /&gt;&lt;embed width="320" height="266"  src="http://www.youtube.com/v/T86ivkGnAy8&amp;fs=1&amp;source=uds" type="application/x-shockwave-flash"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-667170800417656807?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/667170800417656807/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2011/07/mediterranean-approach-video-by-ikonotv.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/667170800417656807'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/667170800417656807'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2011/07/mediterranean-approach-video-by-ikonotv.html' title='The Mediterranean Approach: video by IkonoTV'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-3218282806237206395</id><published>2011-07-15T14:12:00.002+02:00</published><updated>2011-07-15T14:13:58.702+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='THEN AND NOW Beyond Borders and Differences'/><category scheme='http://www.blogger.com/atom/ns#' term='Festivals'/><title type='text'>The Golden Apricot International Film Festival in Yerevan</title><content type='html'>This week the feature film &lt;b&gt;THEN AND NOW &lt;i&gt;Beyond Borders and Differences&lt;/i&gt;&lt;/b&gt; has been screened at the &lt;b&gt;The&amp;nbsp; Golden Apricot International Film Festival in Yerevan&lt;/b&gt;, along with a special screening of the segment &lt;i&gt;Chimères Absentes&lt;/i&gt; by Fanny Ardant.&lt;br /&gt;&lt;br /&gt;At the grand opening of the Festival on  July 10,&amp;nbsp; &lt;b&gt;Fanny Ardant &lt;/b&gt;was awarded with “&lt;b&gt;Parajanov Taller&lt;/b&gt;” for her outstanding contribution in the world cinematography . The prize was  handled by the author of the festival opening film, &lt;b&gt;Abbas  Kiarostami&lt;/b&gt;.&lt;br /&gt;&lt;b&gt;&lt;/b&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-9CZqrTzct-4/TiAtmbcb2OI/AAAAAAAABU0/bmiTmpldtpI/s1600/open10.07.11-3.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="213" src="http://1.bp.blogspot.com/-9CZqrTzct-4/TiAtmbcb2OI/AAAAAAAABU0/bmiTmpldtpI/s320/open10.07.11-3.png" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-3218282806237206395?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/3218282806237206395/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2011/07/golden-apricot-international-film.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/3218282806237206395'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/3218282806237206395'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2011/07/golden-apricot-international-film.html' title='The Golden Apricot International Film Festival in Yerevan'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-9CZqrTzct-4/TiAtmbcb2OI/AAAAAAAABU0/bmiTmpldtpI/s72-c/open10.07.11-3.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-4556986024550086428</id><published>2011-07-12T11:45:00.002+02:00</published><updated>2011-07-12T11:48:41.457+02:00</updated><title type='text'>Recent work by Varsenik Khatlamajyan</title><content type='html'>&lt;b&gt;Varsenik Khatlamajyan &lt;/b&gt;is a young Armenian artist who lives and works in Yerevan.&lt;br /&gt;In 2000 she was selected for a scholarship  at the KulturKontakt Foundation in Vienna and in 2002 she attended the  Corso Superiore di Arte Vsiva at the Fondazione Ratti in Como (Italy).  Her work has been exhibited, besides Armenia, in Belgrade, Frankfurt (in  the contest of Manifesta 4), Salzburg, Como and Milan. &lt;br /&gt;&lt;br /&gt;Varsenik is currently ART &lt;i&gt;for The&lt;/i&gt; World's artist in residence in Venice at Palazzo Zenobio.&lt;br /&gt;&lt;br /&gt;We are pleased to present her most recent work, the impressionist photos shot in Venice and reminding us of Monet's painting.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-M5wFT79dNj8/ThwXp7hoQSI/AAAAAAAABUw/k6yeHK6jTNk/s1600/varsenik+venezia.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="150" src="http://2.bp.blogspot.com/-M5wFT79dNj8/ThwXp7hoQSI/AAAAAAAABUw/k6yeHK6jTNk/s400/varsenik+venezia.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-4556986024550086428?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/4556986024550086428/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2011/07/recent-work-by-varsenik-khatlamajyan.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/4556986024550086428'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/4556986024550086428'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2011/07/recent-work-by-varsenik-khatlamajyan.html' title='Recent work by Varsenik Khatlamajyan'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-M5wFT79dNj8/ThwXp7hoQSI/AAAAAAAABUw/k6yeHK6jTNk/s72-c/varsenik+venezia.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-1159829383292473081</id><published>2011-07-11T15:27:00.037+02:00</published><updated>2011-07-12T11:49:45.669+02:00</updated><title type='text'>Recent works by Anna Scovacricchi and Olga Trevisan</title><content type='html'>&lt;b&gt;Anna Scovacricchi&lt;/b&gt; and &lt;b&gt;Olga Trevisan&lt;/b&gt; are two young artists who live and work in Venice. They both study at the IUAV-Visual Arts and Performances in Venice and&amp;nbsp; are collaborating with ART &lt;i&gt;for The&lt;/i&gt; World for our exhibition &lt;i&gt;The Mediterranean Approach&lt;/i&gt; at Palazzo Zenobio.&lt;br /&gt;We are pleased to present their most recent works.&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;b&gt;Anna Scovacricchi, &lt;i&gt;Siluri&lt;/i&gt; (2011)&lt;/b&gt;&lt;/div&gt;&lt;object class="BLOGGER-youtube-video" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" data-thumbnail-src="http://i.ytimg.com/vi/Q5RNoq6cfBU/0.jpg" height="266" width="320"&gt;&lt;param name="movie" value="http://www.youtube.com/v/Q5RNoq6cfBU?f=user_uploads&amp;c=google-webdrive-0&amp;app=youtube_gdata" /&gt;&lt;param name="bgcolor" value="#FFFFFF" /&gt;&lt;embed width="320" height="266"  src="http://www.youtube.com/v/Q5RNoq6cfBU?f=user_uploads&amp;c=google-webdrive-0&amp;app=youtube_gdata" type="application/x-shockwave-flash"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;Olga Trevisan, &lt;i&gt;Gift &lt;/i&gt;(2011)&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://www.gift-venice.tk/"&gt;www.gift-venice.tk&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-1159829383292473081?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/1159829383292473081/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2011/07/recent-works-by-anna-scovacricchi-and.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/1159829383292473081'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/1159829383292473081'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2011/07/recent-works-by-anna-scovacricchi-and.html' title='Recent works by Anna Scovacricchi and Olga Trevisan'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-3044590482445364663</id><published>2011-07-06T10:53:00.001+02:00</published><updated>2011-07-06T11:21:17.934+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Exhibitions'/><title type='text'>The Mediterranean Approach: dinner in Venice</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; font-family: Arial,Helvetica,sans-serif; text-align: left;"&gt;&lt;span style="font-size: small;"&gt;Before the opening of &lt;i&gt;The Mediterranean Approach&lt;/i&gt;, the gallerist Riccardo Crespi offered a nice dinner in Venice for all the artists, gallerists, collectors and people involved in the project.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; font-family: Arial,Helvetica,sans-serif; text-align: left;"&gt;&lt;span style="font-size: small;"&gt;Here are few shots of that night.&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-n4OGbeRzG-M/ThQhV_XEyPI/AAAAAAAABUo/XBivBnxhabA/s1600/IMG_0420.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://1.bp.blogspot.com/-n4OGbeRzG-M/ThQhV_XEyPI/AAAAAAAABUo/XBivBnxhabA/s320/IMG_0420.jpeg" width="239" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-N-izitkrmdU/ThQhN2DtwPI/AAAAAAAABUk/M4Es0eLJkt4/s1600/IMG_0419.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/-N-izitkrmdU/ThQhN2DtwPI/AAAAAAAABUk/M4Es0eLJkt4/s320/IMG_0419.jpeg" width="239" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-3044590482445364663?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/3044590482445364663/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2011/07/mediterranean-approach-dinner-in-venice.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/3044590482445364663'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/3044590482445364663'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2011/07/mediterranean-approach-dinner-in-venice.html' title='The Mediterranean Approach: dinner in Venice'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-n4OGbeRzG-M/ThQhV_XEyPI/AAAAAAAABUo/XBivBnxhabA/s72-c/IMG_0420.jpeg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-3453300307338887304</id><published>2011-06-22T16:40:00.001+02:00</published><updated>2011-06-22T16:49:02.343+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Jafar Panahi'/><category scheme='http://www.blogger.com/atom/ns#' term='THEN AND NOW Beyond Borders and Differences'/><title type='text'>Our thoughts to Jafar Panahi</title><content type='html'>In 2010 ART &lt;i&gt;for The&lt;/i&gt; World produced &lt;b&gt;&lt;i&gt;The Accordion&lt;/i&gt;&lt;/b&gt; (here in its English version), the short film by &lt;b&gt;Jafar Panahi&lt;/b&gt; before he was arrested together with his family and crew in early 2010.&lt;br /&gt;Presented  in September 2010 in the context of the Venice Film Festival, the short  film has already partecipated in more than 30 film festivals around the  world.&lt;br /&gt;&lt;i&gt;The Accordion&lt;/i&gt; is a perfect message of tolerance and  solidarity to a regime that was always and still is hostile to his work  and to himself as an artist.&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;iframe allowfullscreen="" frameborder="0" height="295" src="http://www.youtube.com/embed/J0qDkHB6XCI?fs=1" width="480"&gt;&lt;/iframe&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-3453300307338887304?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/3453300307338887304/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2011/06/our-thoughts-to-jafar-panahi.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/3453300307338887304'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/3453300307338887304'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2011/06/our-thoughts-to-jafar-panahi.html' title='Our thoughts to Jafar Panahi'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://img.youtube.com/vi/J0qDkHB6XCI/default.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-542471850570968666</id><published>2011-06-07T16:19:00.001+02:00</published><updated>2011-06-08T11:42:39.206+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Exhibitions'/><title type='text'>The Mediterranean Approach: installation views at Palazzo Zenobio</title><content type='html'>The first floor - the so called &lt;i&gt;piano nobile&lt;/i&gt; -&amp;nbsp; of the Baroque &lt;b&gt;Palazzo Zenobio&lt;/b&gt; in Venice hosts from June through mid-August the works (&lt;b&gt;photos, scupltures, video, installations&lt;/b&gt;) by the thirteen artists participating in the exhibition &lt;b&gt;THE MEDITERRANEAN APPROACH.&lt;/b&gt;&lt;br /&gt;Here are some installations views.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-aQgWW9DUe4I/Te4dlGihgeI/AAAAAAAABS8/WbP5AExmuAA/s1600/ADRIAN+PACI+Last+Gestures.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="213" src="http://1.bp.blogspot.com/-aQgWW9DUe4I/Te4dlGihgeI/AAAAAAAABS8/WbP5AExmuAA/s320/ADRIAN+PACI+Last+Gestures.jpg" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Adrian Paci,&lt;i&gt; Last Gestures&lt;/i&gt;, 2009 &lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-Qi3himx9fy0/Te4duMDa9wI/AAAAAAAABTA/x0UrPzqHfJs/s1600/ANGE+LECCIA+La+Mer.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="208" src="http://3.bp.blogspot.com/-Qi3himx9fy0/Te4duMDa9wI/AAAAAAAABTA/x0UrPzqHfJs/s320/ANGE+LECCIA+La+Mer.jpg" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Ange Leccia, &lt;i&gt;La Mer&lt;/i&gt;, 2001&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-7lXIQVn7mVQ/Te4dxDgUykI/AAAAAAAABTE/o_5kjsXGGS0/s1600/DAVID+CASINI+L%2527illogica+abitudine.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="213" src="http://4.bp.blogspot.com/-7lXIQVn7mVQ/Te4dxDgUykI/AAAAAAAABTE/o_5kjsXGGS0/s320/DAVID+CASINI+L%2527illogica+abitudine.jpg" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;David Casini, &lt;i&gt;L'illogica abitudine&lt;/i&gt;, 2011&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-ASt8nBQSv70/Te4dyXTIq_I/AAAAAAAABTI/s_cSpItKeho/s1600/FAOUZI+BENSAIDI+Le+mur+1.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="220" src="http://1.bp.blogspot.com/-ASt8nBQSv70/Te4dyXTIq_I/AAAAAAAABTI/s_cSpItKeho/s320/FAOUZI+BENSAIDI+Le+mur+1.jpg" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Faouzi Bensaidi, &lt;i&gt;Le mur,&lt;/i&gt; 2000&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-BonCKDZuExM/Te4d2cHyjbI/AAAAAAAABTM/FQ1S1EZTjQw/s1600/GAL+WEINSTEIN+Nahalal+%2528Party+Cloudy%2529.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="240" src="http://2.bp.blogspot.com/-BonCKDZuExM/Te4d2cHyjbI/AAAAAAAABTM/FQ1S1EZTjQw/s320/GAL+WEINSTEIN+Nahalal+%2528Party+Cloudy%2529.JPG" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Gal Weinstein, &lt;i&gt;Nahalal (Partly Cloudy)&lt;/i&gt;, 2011&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-aIrximlP7xc/Te4d38-z0KI/AAAAAAAABTQ/9_UQk4nWLqY/s1600/GHADA+AMER+Le+Salon+Courbe%25CC%2581.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="210" src="http://4.bp.blogspot.com/-aIrximlP7xc/Te4d38-z0KI/AAAAAAAABTQ/9_UQk4nWLqY/s320/GHADA+AMER+Le+Salon+Courbe%25CC%2581.jpg" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Ghada Amer, &lt;i&gt;Le Salon Courbé&lt;/i&gt;, 2007 &lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-HsUtJzW0L3o/Te4d5PBB0gI/AAAAAAAABTU/WS4LRtItWes/s1600/HU%25CC%2588SEYIN+KARABEY+No+darkness+will+make+us+forget+1.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="212" src="http://4.bp.blogspot.com/-HsUtJzW0L3o/Te4d5PBB0gI/AAAAAAAABTU/WS4LRtItWes/s320/HU%25CC%2588SEYIN+KARABEY+No+darkness+will+make+us+forget+1.jpg" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Hüseyin Karabey, &lt;i&gt;No darkness will make us forget&lt;/i&gt;, 2011&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-0Ke9b1bScq4/Te4eBfqmR8I/AAAAAAAABTg/TwfQA5K-vSI/s1600/MARIE+BOVO+Cours+inte%25CC%2581rieures.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="248" src="http://2.bp.blogspot.com/-0Ke9b1bScq4/Te4eBfqmR8I/AAAAAAAABTg/TwfQA5K-vSI/s320/MARIE+BOVO+Cours+inte%25CC%2581rieures.jpg" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Marie Bovo, &lt;i&gt;Cours intérieures&lt;/i&gt;, 2008&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-zPsQPMXhVHY/Te4d9ZfIyrI/AAAAAAAABTY/zN-bzkVSEHQ/s1600/KHALIL+RABAH+The+3rd+Annual+Wall+Zone+Auction.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="213" src="http://1.bp.blogspot.com/-zPsQPMXhVHY/Te4d9ZfIyrI/AAAAAAAABTY/zN-bzkVSEHQ/s320/KHALIL+RABAH+The+3rd+Annual+Wall+Zone+Auction.jpg" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Khalil Rabah, &lt;i&gt;The 3rd Annual Wall Zone Auction&lt;/i&gt;, 2004&lt;span style="font-family: Arial; font-size: 14pt;"&gt;&lt;/span&gt; &lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-oMK78vv9EfI/Te4d_1pOdsI/AAAAAAAABTc/bJmvGOmDxL8/s1600/MARIA+PAPADIMITRIOU+Apparatus.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="213" src="http://3.bp.blogspot.com/-oMK78vv9EfI/Te4d_1pOdsI/AAAAAAAABTc/bJmvGOmDxL8/s320/MARIA+PAPADIMITRIOU+Apparatus.jpg" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Maria Papadimitriou, &lt;i&gt;Apparatus&lt;/i&gt;, 2011&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-rvl2Ri4BgTg/Te4eEGaH3MI/AAAAAAAABTo/vqO5Kv3CUoY/s1600/ZIAD+ANTAR+Beirut+Bereft.+Architecture+of+the+Forsaken+and+Map+of+Derelection.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="213" src="http://1.bp.blogspot.com/-rvl2Ri4BgTg/Te4eEGaH3MI/AAAAAAAABTo/vqO5Kv3CUoY/s320/ZIAD+ANTAR+Beirut+Bereft.+Architecture+of+the+Forsaken+and+Map+of+Derelection.jpg" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Ziad Antar, &lt;i&gt;Beirut Bereft. Architecture of the Forsaken and Map of Derelection&lt;/i&gt;, 2007&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-BbTcYYOMDQ4/Te4eOzwC7mI/AAAAAAAABTs/7M3VgWmNn00/s1600/ZINEB+SEDIRA+Gardiennes+d%2527Images.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="214" src="http://3.bp.blogspot.com/-BbTcYYOMDQ4/Te4eOzwC7mI/AAAAAAAABTs/7M3VgWmNn00/s320/ZINEB+SEDIRA+Gardiennes+d%2527Images.jpg" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Zineb Sedira, &lt;i&gt;Gardiennes d'Images&lt;/i&gt;, 2010&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;img border="0" height="210" src="http://2.bp.blogspot.com/-31p76OJDTj0/Te4eCfL9NJI/AAAAAAAABTk/eMwR0wQh6y0/s320/PETER+WU%25CC%2588THRICH+Angels+of+Venice.jpg" style="margin-left: auto; margin-right: auto;" width="320" /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Peter Wüthrich, &lt;i&gt;Angels of Venice&lt;/i&gt;, 2011 &lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="font-size: small;"&gt;Photos by Matteo Visentin and Uliva Velo &lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-542471850570968666?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/542471850570968666/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2011/06/mediterranean-approach-installation.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/542471850570968666'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/542471850570968666'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2011/06/mediterranean-approach-installation.html' title='The Mediterranean Approach: installation views at Palazzo Zenobio'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-aQgWW9DUe4I/Te4dlGihgeI/AAAAAAAABS8/WbP5AExmuAA/s72-c/ADRIAN+PACI+Last+Gestures.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-3584141389002893150</id><published>2011-06-07T15:41:00.007+02:00</published><updated>2011-08-21T14:18:24.908+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Exhibitions'/><title type='text'>The Mediterranean Approach: Vernissage at Palazzo Zenobio on June 3rd</title><content type='html'>On June 3rd more than 1,500 people joined us and the artists for the&lt;b&gt; &lt;/b&gt;vernissage of the exhibition THE MEDITERRANEAN APPROACH at Palazzo Zenobio in Venice.&lt;br /&gt;Here are some pictures and video of the opening reception.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-11nw0bxnXcU/Te4q2mMiXlI/AAAAAAAABUI/Ge5CsWaITTU/s1600/Palazzo+Zenobio.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="240" src="http://3.bp.blogspot.com/-11nw0bxnXcU/Te4q2mMiXlI/AAAAAAAABUI/Ge5CsWaITTU/s320/Palazzo+Zenobio.JPG" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Palazzo Zenobio&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;object width="320" height="266" class="BLOG_video_class" id="BLOG_video-e47297985c0bdc74" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"&gt;&lt;param name="movie" value="http://www.youtube.com/get_player"&gt;&lt;param name="bgcolor" value="#FFFFFF"&gt;&lt;param name="allowfullscreen" value="true"&gt;&lt;param name="flashvars" value="flvurl=http://v18.nonxt7.googlevideo.com/videoplayback?id%3De47297985c0bdc74%26itag%3D5%26app%3Dblogger%26ip%3D0.0.0.0%26ipbits%3D0%26expire%3D1329847260%26sparams%3Did,itag,ip,ipbits,expire%26signature%3D9C9C8D6115E46A29D79E69789C8DD6DED171D4E.76F33541E7740C3F0B3CBB8E74D4EC279E8C8AE1%26key%3Dck1&amp;amp;iurl=http://video.google.com/ThumbnailServer2?app%3Dblogger%26contentid%3De47297985c0bdc74%26offsetms%3D5000%26itag%3Dw160%26sigh%3DMaHGwuvbEJq9V9aXZF75z7MR25Y&amp;amp;autoplay=0&amp;amp;ps=blogger"&gt;&lt;embed src="http://www.youtube.com/get_player" type="application/x-shockwave-flash"width="320" height="266" bgcolor="#FFFFFF"flashvars="flvurl=http://v18.nonxt7.googlevideo.com/videoplayback?id%3De47297985c0bdc74%26itag%3D5%26app%3Dblogger%26ip%3D0.0.0.0%26ipbits%3D0%26expire%3D1329847260%26sparams%3Did,itag,ip,ipbits,expire%26signature%3D9C9C8D6115E46A29D79E69789C8DD6DED171D4E.76F33541E7740C3F0B3CBB8E74D4EC279E8C8AE1%26key%3Dck1&amp;iurl=http://video.google.com/ThumbnailServer2?app%3Dblogger%26contentid%3De47297985c0bdc74%26offsetms%3D5000%26itag%3Dw160%26sigh%3DMaHGwuvbEJq9V9aXZF75z7MR25Y&amp;autoplay=0&amp;ps=blogger"allowFullScreen="true" /&gt;&lt;/object&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;br /&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-O0hejuYTxtM/Te4SrQ4cLsI/AAAAAAAABSQ/k--aYaeJcwc/s1600/DSC03310.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="213" src="http://2.bp.blogspot.com/-O0hejuYTxtM/Te4SrQ4cLsI/AAAAAAAABSQ/k--aYaeJcwc/s320/DSC03310.JPG" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;From left to right: Nicole Fanni, Lora Sariaslan,&lt;br /&gt;the artist Seyit Battal Kurt, Adelina von Fürstenberg&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-gkHKlcZro3I/Te4THbws5FI/AAAAAAAABSc/p7twhcVvDVw/s1600/DSC03341+%2528glisse%25CC%2581%2528e%2529s%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="320" src="http://4.bp.blogspot.com/-gkHKlcZro3I/Te4THbws5FI/AAAAAAAABSc/p7twhcVvDVw/s320/DSC03341+%2528glisse%25CC%2581%2528e%2529s%2529.jpg" width="213" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;the artists Khalil Rabah and Ghada Amer&amp;nbsp;&amp;nbsp; &lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-mLIZJfBibS4/Te4TbuW5CGI/AAAAAAAABSw/ghAzkXjyjs8/s1600/DSC06231.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="240" src="http://2.bp.blogspot.com/-mLIZJfBibS4/Te4TbuW5CGI/AAAAAAAABSw/ghAzkXjyjs8/s320/DSC06231.JPG" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;the artist Ziad Antar, Jean Boghossian and Kathy, Renaud Musellier&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;img border="0" height="214" src="http://4.bp.blogspot.com/-S58RSPwL00U/Te4ThYYl3AI/AAAAAAAABS0/e5wUILKbJSY/s320/DSC00032.JPG" style="margin-left: auto; margin-right: auto;" width="320" /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Niki Vendola visiting the exhibition&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-9X0nLJRW8GM/Te4TQ__VahI/AAAAAAAABSs/iIfoLPgqKZw/s1600/IMG_2292.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/-9X0nLJRW8GM/Te4TQ__VahI/AAAAAAAABSs/iIfoLPgqKZw/s320/IMG_2292.jpg" width="206" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;the artist Gal Weinstein, the co-curator Thierry Ollat&lt;br /&gt;and the artist Marie Bovo &lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-RQl85knd7Oc/Te4lMrAlISI/AAAAAAAABT0/slGxUTz479U/s1600/IMG_0372.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="239" src="http://3.bp.blogspot.com/-RQl85knd7Oc/Te4lMrAlISI/AAAAAAAABT0/slGxUTz479U/s320/IMG_0372.jpeg" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;from left to right: Orlan, Adelina, Ricky Clifton and Raphael Cuir&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/--gznQGoWkuc/Te4lNPcnWvI/AAAAAAAABT4/VbCENtSNFt0/s1600/IMG_0383.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="239" src="http://1.bp.blogspot.com/--gznQGoWkuc/Te4lNPcnWvI/AAAAAAAABT4/VbCENtSNFt0/s320/IMG_0383.jpeg" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Maura Reilly and Adelina&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-1dsM9s9y_Kk/Te4naC4TXrI/AAAAAAAABUA/OLElrnkG5t4/s1600/Diane.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/-1dsM9s9y_Kk/Te4naC4TXrI/AAAAAAAABUA/OLElrnkG5t4/s320/Diane.jpg" width="213" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Diane Hennebert and Fédéric&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-typjXKXX_iU/Te4nZBTcxAI/AAAAAAAABT8/PsLDSoBb_YM/s1600/artists.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="240" src="http://2.bp.blogspot.com/-typjXKXX_iU/Te4nZBTcxAI/AAAAAAAABT8/PsLDSoBb_YM/s320/artists.jpg" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;from left to right: the artists Marie Bovo, Khalil Rabah, Thierry Ollat, &lt;br /&gt;Zineb Sedira, Ziad Antar&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-rnCpCDLp75Y/Te4qPyL-j4I/AAAAAAAABUE/9-QK74IkqMQ/s1600/DSC00117.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="214" src="http://1.bp.blogspot.com/-rnCpCDLp75Y/Te4qPyL-j4I/AAAAAAAABUE/9-QK74IkqMQ/s320/DSC00117.JPG" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Niki Vendola and Thierry Ollat&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-Di1rDdLX6gA/Te4tCfFa5II/AAAAAAAABUM/kp2JcUwoWgs/s1600/DSC_3407bis.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="212" src="http://1.bp.blogspot.com/-Di1rDdLX6gA/Te4tCfFa5II/AAAAAAAABUM/kp2JcUwoWgs/s320/DSC_3407bis.jpg" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Adelina and Philippe Castro, &lt;br /&gt;Igor Valas (in the background)&lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-lSTW_qXouI8/Te_kZGQmlWI/AAAAAAAABUU/MHS9Q0Sbm1I/s1600/blog+scvambiare.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="213" src="http://3.bp.blogspot.com/-lSTW_qXouI8/Te_kZGQmlWI/AAAAAAAABUU/MHS9Q0Sbm1I/s320/blog+scvambiare.JPG" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;From left to right: the artists Marie Bovo, Zineb Sedira and Ghada Amer&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-v1ND3MJ6Neo/Te_j2Qn5VPI/AAAAAAAABUQ/kAqyMudkNmE/s1600/Leccia%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="320" src="http://1.bp.blogspot.com/-v1ND3MJ6Neo/Te_j2Qn5VPI/AAAAAAAABUQ/kAqyMudkNmE/s320/Leccia%2529.jpg" width="213" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Adelina and the artist Ange Leccia&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-5UxlOplIejo/TfCIBPLR57I/AAAAAAAABUY/ZjkjsLWYG0c/s1600/IMG_2289_2.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="320" src="http://1.bp.blogspot.com/-5UxlOplIejo/TfCIBPLR57I/AAAAAAAABUY/ZjkjsLWYG0c/s320/IMG_2289_2.jpg" width="156" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Ziad Antar and Anna Daneri&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="font-size: small;"&gt;Photos by Adelina and Egon von Fürstenberg, Levon Mkrtchyan, &lt;br /&gt;Uliva Velo, Matteo Visentin&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="font-size: small;"&gt;Video by Thierry Ollat&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-3584141389002893150?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/3584141389002893150/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2011/06/mediterranean-approach-vernissage-at.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/3584141389002893150'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/3584141389002893150'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2011/06/mediterranean-approach-vernissage-at.html' title='The Mediterranean Approach: Vernissage at Palazzo Zenobio on June 3rd'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-11nw0bxnXcU/Te4q2mMiXlI/AAAAAAAABUI/Ge5CsWaITTU/s72-c/Palazzo+Zenobio.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-2190734220587112614</id><published>2011-06-05T17:51:00.003+02:00</published><updated>2011-06-06T13:36:14.893+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Exhibitions'/><title type='text'>Il Sole 24 Ore, review on The Mediterranean Approach</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-family: inherit;"&gt;After the successful opening of the exhibition &lt;b&gt;THE MEDITERRANEAN APPROACH&lt;/b&gt; at Palazzo Zenobio in Venice last Friday June 3rd, here is the review on the show &lt;br /&gt;by Gabi Scardi, published today on the Italian newspaper &lt;br /&gt;&lt;b&gt;Il Sole 24 Ore&lt;/b&gt;.&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-family: inherit;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-hWXXPb2gyVY/TeujGw3tlfI/AAAAAAAABSI/FB61O_o7TQo/s1600/IlSole24ore_5June2011.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/-hWXXPb2gyVY/TeujGw3tlfI/AAAAAAAABSI/FB61O_o7TQo/s320/IlSole24ore_5June2011.jpg" width="217" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://mobile.ilsole24ore.com/sole24orem/post/750?url=AaM0HIdD"&gt;http://www.ilsole24ore.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-2190734220587112614?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/2190734220587112614/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2011/06/il-sole-24-ore-review-on-mediterranean.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/2190734220587112614'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/2190734220587112614'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2011/06/il-sole-24-ore-review-on-mediterranean.html' title='Il Sole 24 Ore, review on The Mediterranean Approach'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-hWXXPb2gyVY/TeujGw3tlfI/AAAAAAAABSI/FB61O_o7TQo/s72-c/IlSole24ore_5June2011.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-5075048729688815205</id><published>2011-05-27T11:37:00.002+02:00</published><updated>2011-05-31T15:51:25.928+02:00</updated><title type='text'>The Mediterranean Approach opening in Venice</title><content type='html'>The exhibition &lt;b&gt;THE MEDITERRANEAN APPROACH&lt;/b&gt; will be opened in Venice from June 1st until August 15th, 2011 (Tuesday-Sunday, 10 am - 6 pm).&lt;br /&gt;Join us and the artists at &lt;b&gt;Palazzo Zenobio&lt;/b&gt; for the opening on June 3rd:&lt;br /&gt;- &lt;b&gt;Press Tour with the artists&lt;/b&gt;: June 3rd, 6 pm&lt;br /&gt;- &lt;b&gt;Opening&lt;/b&gt;: June 3rd, 7 pm - 10 pm&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-enAI__1TWzQ/Td9wUOR2wnI/AAAAAAAABSE/vO0hdXo8SoM/s1600/invito_The+Mediterranean+Approach.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="331" src="http://3.bp.blogspot.com/-enAI__1TWzQ/Td9wUOR2wnI/AAAAAAAABSE/vO0hdXo8SoM/s400/invito_The+Mediterranean+Approach.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-5075048729688815205?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/5075048729688815205/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2011/05/mediterranean-approach-opening-in.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/5075048729688815205'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/5075048729688815205'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2011/05/mediterranean-approach-opening-in.html' title='The Mediterranean Approach opening in Venice'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-enAI__1TWzQ/Td9wUOR2wnI/AAAAAAAABSE/vO0hdXo8SoM/s72-c/invito_The+Mediterranean+Approach.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-603224497050764131</id><published>2011-05-12T16:34:00.000+02:00</published><updated>2011-05-13T22:38:16.803+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Jafar Panahi'/><category scheme='http://www.blogger.com/atom/ns#' term='THEN AND NOW Beyond Borders and Differences'/><category scheme='http://www.blogger.com/atom/ns#' term='Festivals'/><title type='text'>The Accordion: screenings in May</title><content type='html'>&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;In May the short movie &lt;i&gt;The Accordion&lt;/i&gt; by Jafar Panahi is on view at the following worldwide film festivals and events: &lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: x-small;"&gt;• &lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Jeonju International Film Festival&lt;/b&gt;, South Korea, on May 1-5&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://eng.jiff.or.kr/b20_screen/20_screening_detail.asp?order_by=&amp;amp;sec_code1=&amp;amp;sec_code2=&amp;amp;nowpage=1&amp;amp;objpage=0&amp;amp;sec_search=title&amp;amp;sec_search_str=accordion&amp;amp;idx=2429"&gt; www.eng.jiff.or.kr&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: x-small;"&gt;•&amp;nbsp; &lt;/span&gt;&lt;span style="font-size: small;"&gt;Screening at the &lt;b&gt;Nieuwe Kerk in Amsterdam&lt;/b&gt;, on May 7-29, &lt;/span&gt;&lt;span style="font-size: small;"&gt;organized by Movies That Matter Foundation&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://www.moviesthatmatter.nl/mtm/site/overons.vm?language=en&amp;amp;pagina="&gt;www.moviesthatmatter.nl &lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: x-small;"&gt;• &lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Melbourne Human Rights Arts and Film Festival&lt;/b&gt;, on May 12-22&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://hraff.org.au/film/lonely-pack-screens-with-the-accordion/"&gt; www.hraff.org.au&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: x-small;"&gt;• &lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Seattle Film Festival&lt;/b&gt;, on May 19 - June 12&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://www.siff.net/festival/film/detail.aspx?id=44529&amp;amp;FID=206"&gt; www.siff.net&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-zfJsTuYldVw/Tcv5WISIFsI/AAAAAAAABR0/aVTfbky1HAQ/s1600/poster1_2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://1.bp.blogspot.com/-zfJsTuYldVw/Tcv5WISIFsI/AAAAAAAABR0/aVTfbky1HAQ/s200/poster1_2.jpg" width="136" /&gt;&amp;nbsp;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-Dus001vivww/Tcv6GiUwEeI/AAAAAAAABR8/HbEPQlUL2YM/s1600/SIFF2011_selection.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="107" src="http://2.bp.blogspot.com/-Dus001vivww/Tcv6GiUwEeI/AAAAAAAABR8/HbEPQlUL2YM/s200/SIFF2011_selection.png" width="200" /&gt;&amp;nbsp;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-y7Jsx_uan5o/Tcv58qC5NfI/AAAAAAAABR4/sF4mwFCg0Pw/s1600/Schermata+2011-05-12+a+17.16.45.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="86" src="http://3.bp.blogspot.com/-y7Jsx_uan5o/Tcv58qC5NfI/AAAAAAAABR4/sF4mwFCg0Pw/s200/Schermata+2011-05-12+a+17.16.45.png" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-603224497050764131?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/603224497050764131/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2011/05/accordion-screenings-in-may.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/603224497050764131'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/603224497050764131'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2011/05/accordion-screenings-in-may.html' title='The Accordion: screenings in May'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-zfJsTuYldVw/Tcv5WISIFsI/AAAAAAAABR0/aVTfbky1HAQ/s72-c/poster1_2.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-1513953821231127290</id><published>2011-05-04T14:21:00.000+02:00</published><updated>2011-05-04T14:21:05.435+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='THEN AND NOW Beyond Borders and Differences'/><title type='text'>THEN AND NOW at ZKM in Karlsruhe for the 50th Anniversary of Amnesty International</title><content type='html'>&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;This year &lt;b&gt;Amnesty International&lt;/b&gt; is celebrating its &lt;b&gt;50th Anniversary&lt;/b&gt;.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;Among the events organized, a celebration will take place at&lt;b&gt; ZKM-Center for Art and Media&lt;/b&gt; in Karlsruhe to mark this special date for the human rights organization.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt; &lt;/span&gt;&lt;span style="font-size: small;"&gt;On this occasion, our feature &lt;b&gt;THEN AND NOW &lt;i&gt;Beyond Bordrs and Differences&lt;/i&gt;&lt;/b&gt; will be screened on &lt;b&gt;May 7th &lt;/b&gt;at 8 pm at the ZKM's Media Theater.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: small;"&gt;For more info, please visit:&amp;nbsp;&lt;a href="http://on1.zkm.de/zkm/stories/storyReader$7527"&gt;http://www.zkm.de/&lt;/a&gt; &lt;/span&gt;&lt;br /&gt;&lt;div style="color: black; font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-wPwChNd8lM4/TcFC3bmYSdI/AAAAAAAABRw/9Hgo2QdWHJ0/s1600/amnesty50.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/-wPwChNd8lM4/TcFC3bmYSdI/AAAAAAAABRw/9Hgo2QdWHJ0/s320/amnesty50.jpg" width="204" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="color: black; font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: black; font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-1513953821231127290?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/1513953821231127290/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2011/05/then-and-now-at-zkm-in-karlsruhe-for.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/1513953821231127290'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/1513953821231127290'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2011/05/then-and-now-at-zkm-in-karlsruhe-for.html' title='THEN AND NOW at ZKM in Karlsruhe for the 50th Anniversary of Amnesty International'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-wPwChNd8lM4/TcFC3bmYSdI/AAAAAAAABRw/9Hgo2QdWHJ0/s72-c/amnesty50.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-8206201845085069387</id><published>2011-04-27T15:28:00.005+02:00</published><updated>2011-04-29T14:53:48.034+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Exhibitions'/><title type='text'>SAVE THE DATE: our next exhibition in Venice</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-95XuO6rhrKA/Tbq0yVcxIII/AAAAAAAABRs/BBb_Ds0MkKE/s1600/SAVE+THE+DATE+.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/-95XuO6rhrKA/Tbq0yVcxIII/AAAAAAAABRs/BBb_Ds0MkKE/s320/SAVE+THE+DATE+.jpg" width="251" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&amp;nbsp; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-8206201845085069387?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/8206201845085069387/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2011/04/save-date-mediterranean-approach.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/8206201845085069387'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/8206201845085069387'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2011/04/save-date-mediterranean-approach.html' title='SAVE THE DATE: our next exhibition in Venice'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-95XuO6rhrKA/Tbq0yVcxIII/AAAAAAAABRs/BBb_Ds0MkKE/s72-c/SAVE+THE+DATE+.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-8566162113356904345</id><published>2011-04-15T09:56:00.003+02:00</published><updated>2011-04-15T09:59:32.021+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Stories on Human Rights'/><title type='text'>Stories on Human Rights in Genoa</title><content type='html'>The long feature &lt;b&gt;&lt;i&gt;Stories on Human Rights &lt;/i&gt;&lt;/b&gt;will be part of &lt;b&gt;"La Storia in Piazza"&lt;/b&gt;, cultural event organized in Genoa and that will feature conferences, exhibitions, concerts and screenings focused on the theme of war.&lt;br /&gt;The film will be screened at &lt;b&gt;Palazzo Ducale&lt;/b&gt; on &lt;b&gt;April 14-17&lt;/b&gt;. &lt;br /&gt;&lt;br /&gt;For more info please visit: &lt;a href="http://www.palazzoducale.genova.it/storia/approf_event.asp?ev=132" style="color: black;"&gt;http://www.palazzoducale.genova.it/storia&lt;/a&gt;&lt;br /&gt;&amp;nbsp; &lt;br /&gt;&lt;br /&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-FHscahfLEpw/Taf4-6jj7sI/AAAAAAAABRc/Uh8733NYaWA/s1600/Schermata+2011-04-15+a+09.50.44.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="169" src="http://1.bp.blogspot.com/-FHscahfLEpw/Taf4-6jj7sI/AAAAAAAABRc/Uh8733NYaWA/s320/Schermata+2011-04-15+a+09.50.44.png" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Palazzo Ducale&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-DJezqUvUtgw/Taf5eWodYPI/AAAAAAAABRg/StSvfi6V9fo/s1600/Storia_in_Piazza-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://3.bp.blogspot.com/-DJezqUvUtgw/Taf5eWodYPI/AAAAAAAABRg/StSvfi6V9fo/s200/Storia_in_Piazza-1.jpg" width="153" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-8566162113356904345?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/8566162113356904345/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2011/04/stories-on-human-rights-in-genoa.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/8566162113356904345'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/8566162113356904345'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2011/04/stories-on-human-rights-in-genoa.html' title='Stories on Human Rights in Genoa'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-FHscahfLEpw/Taf4-6jj7sI/AAAAAAAABRc/Uh8733NYaWA/s72-c/Schermata+2011-04-15+a+09.50.44.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-3561068685132211869</id><published>2011-03-14T10:20:00.000+01:00</published><updated>2011-03-14T10:20:16.688+01:00</updated><title type='text'>THEN AND NOW Beyond Borders and Differences at Istanbul Film Festival</title><content type='html'>The long feature THEN AND NOW &lt;span class="Apple-style-span" style="font-style: italic;"&gt;Beyond Borders and Differences&lt;/span&gt; will be screened at the &lt;span class="Apple-style-span" style="font-weight: bold;"&gt;Istanbul Film Festival &lt;/span&gt;on April 12 and 14.&lt;br /&gt;For more info:&amp;nbsp;&lt;a href="http://film.iksv.org/en/film/27"&gt;http://film.iksv.org&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="https://lh5.googleusercontent.com/-x88LAF-G50A/TX3dkng9R-I/AAAAAAAABRY/IbVeRrVb9Dc/s1600/logo.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="https://lh5.googleusercontent.com/-x88LAF-G50A/TX3dkng9R-I/AAAAAAAABRY/IbVeRrVb9Dc/s1600/logo.png" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-3561068685132211869?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/3561068685132211869/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2011/03/then-and-now-beyond-borders-and_14.html#comment-form' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/3561068685132211869'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/3561068685132211869'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2011/03/then-and-now-beyond-borders-and_14.html' title='THEN AND NOW Beyond Borders and Differences at Istanbul Film Festival'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='https://lh5.googleusercontent.com/-x88LAF-G50A/TX3dkng9R-I/AAAAAAAABRY/IbVeRrVb9Dc/s72-c/logo.png' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-752846828685374496</id><published>2011-03-08T13:06:00.004+01:00</published><updated>2011-03-08T13:12:29.690+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='THEN AND NOW Beyond Borders and Differences'/><title type='text'>THEN AND NOW Beyond Borders and Differences at Sguardi Altrove Film Festival, on March 13</title><content type='html'>After the world première in Geneva at the International Film Festival and Forum on Human Rights (FIFDH), the long feature&amp;nbsp;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;THEN AND NOW &lt;span class="Apple-style-span" style="font-style: italic;"&gt;Beyond Borders and Differences&lt;/span&gt;&lt;/span&gt; will be presented in &lt;span class="Apple-style-span" style="font-weight: bold;"&gt;Milan&lt;/span&gt; at the&amp;nbsp;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;Cinema Gnomo &lt;/span&gt;on &lt;span class="Apple-style-span" style="font-weight: bold;"&gt;March 13&lt;/span&gt;, 8.30 pm, in the contest&lt;br /&gt;of &lt;span class="Apple-style-span" style="font-weight: bold;"&gt;Sguardi Altrove Film Festival&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="https://lh4.googleusercontent.com/-mD6-qMCQEmU/TXYZpnHHh-I/AAAAAAAABRU/XxNt_EFF5d8/s1600/invito_T%2526N_ITA+copia.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="282" src="https://lh4.googleusercontent.com/-mD6-qMCQEmU/TXYZpnHHh-I/AAAAAAAABRU/XxNt_EFF5d8/s400/invito_T%2526N_ITA+copia.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br class="webkit-block-placeholder" /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-752846828685374496?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/752846828685374496/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2011/03/then-and-now-beyond-borders-and_08.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/752846828685374496'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/752846828685374496'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2011/03/then-and-now-beyond-borders-and_08.html' title='THEN AND NOW Beyond Borders and Differences at Sguardi Altrove Film Festival, on March 13'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='https://lh4.googleusercontent.com/-mD6-qMCQEmU/TXYZpnHHh-I/AAAAAAAABRU/XxNt_EFF5d8/s72-c/invito_T%2526N_ITA+copia.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-2851938241163965917</id><published>2011-03-03T11:59:00.001+01:00</published><updated>2011-03-03T12:02:07.343+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='THEN AND NOW Beyond Borders and Differences'/><title type='text'>THEN AND NOW Beyond Borders and Differences: world première at FIFDH, Geneva on March 7</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;br class="webkit-block-placeholder" /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;The long feature &lt;span class="Apple-style-span" style="font-weight: bold;"&gt;THEN AND NOW &lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;Beyond Borders and Differences&lt;/span&gt; &lt;/span&gt;will be screened in world première at the &lt;span class="Apple-style-span" style="font-weight: bold;"&gt;International Film Festival and Forum on Human Rights&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt; (FIFDH)&lt;/span&gt; in Geneva on March 7, at 6.45 pm at the &lt;span class="Apple-style-span" style="font-weight: bold;"&gt;Cinema l'Alhambra&lt;/span&gt;.&amp;nbsp;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;br class="webkit-block-placeholder" /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;The directors &lt;span class="Apple-style-span" style="font-weight: bold;"&gt;Fanny Ardant&lt;/span&gt; and &lt;span class="Apple-style-span" style="font-weight: bold;"&gt;Hüseyin Karabey&lt;/span&gt;, along with &lt;span class="Apple-style-span" style="font-weight: bold;"&gt;Mrs Rakel Dink&lt;/span&gt;, will attend the screening.&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;br class="webkit-block-placeholder" /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;The film, produced by &lt;span class="Apple-style-span" style="font-weight: bold;"&gt;ART &lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;for The &lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;World&lt;/span&gt; in 2010-11, includes 7 short movies (drama, animation, fiction, etc.) by outstanding directors from the five continents, based on the themes of tolerance, non violence, respect for differences and inspired by the &lt;span class="Apple-style-span" style="font-weight: bold;"&gt;A&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: bold;"&gt;rticle 18 of the Universal Declaration on Human Rights&lt;/span&gt;: &lt;span class="Apple-style-span" style="font-style: italic;"&gt;"Everyone has the right to freedom of thought, conscience and religion&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: italic;"&gt;"&lt;/span&gt;.&lt;span class="Apple-style-span" style="font-family: Helvetica; font-size: 12px;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br class="webkit-block-placeholder" /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="https://lh4.googleusercontent.com/-boukR-Jdz98/TW9yMhK6rTI/AAAAAAAABRQ/ELEhtnuQwKQ/s1600/invitation_then_and_now_FR+copia.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="282" src="https://lh4.googleusercontent.com/-boukR-Jdz98/TW9yMhK6rTI/AAAAAAAABRQ/ELEhtnuQwKQ/s400/invitation_then_and_now_FR+copia.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-2851938241163965917?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/2851938241163965917/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2011/03/then-and-now-beyond-borders-and.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/2851938241163965917'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/2851938241163965917'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2011/03/then-and-now-beyond-borders-and.html' title='THEN AND NOW Beyond Borders and Differences: world première at FIFDH, Geneva on March 7'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='https://lh4.googleusercontent.com/-boukR-Jdz98/TW9yMhK6rTI/AAAAAAAABRQ/ELEhtnuQwKQ/s72-c/invitation_then_and_now_FR+copia.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-7029115246409371415</id><published>2011-02-15T15:37:00.007+01:00</published><updated>2011-03-17T17:38:22.153+01:00</updated><title type='text'>ART for The World's next projects</title><content type='html'>&lt;div style="color: #b45f06; font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;OUR NEXT EXHIBITIONS&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;div&gt;&lt;span style="font-size: small;"&gt;ART &lt;i&gt;for The&lt;/i&gt; World organizes during &lt;b&gt;54th edition of the Venice Biennale&lt;/b&gt; (June/October 2011), simultaneously to the exhibitions and pavilions held all over the city, an important artistic event to be seen in one of the most prestigious sites of Venice, &amp;nbsp;the XVII century &lt;b&gt;Palazzo Zenobio.&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-dZ0QOqJl44k/TVqaYLIlnAI/AAAAAAAABRM/ih6buwXfWfc/s1600/Senza+titolo6.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="135" src="http://3.bp.blogspot.com/-dZ0QOqJl44k/TVqaYLIlnAI/AAAAAAAABRM/ih6buwXfWfc/s200/Senza+titolo6.jpg" width="200" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Palazzo Zenobio&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div style="color: black; font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: black; font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;&lt;b&gt;THE MEDITERRANEAN APPROACH &lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;Venue:&lt;/i&gt; Palazzo Zenobio&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;Opening:&lt;/i&gt; June 3, 2010&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;Curated by &lt;/i&gt;Adelina von Fürstenberg and Thierry Ollat, Director of the Museum of Contemporary Art (MAC), Marseille&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;in collaboration with&lt;/i&gt; Anna Daneri, Free Lance Curator, Genoa&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;A group show of well known international artists inspired by Mediterranean croassroads of peoples and languages. The Mediterranean Sea, birthplace of Western civilization and the gate to the East, consists for the artists in a route towards knowledge and creativity.&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-family: Georgia,'Times New Roman',serif; font-size: small;"&gt;The "piano nobile" of &lt;b&gt;Palazzo Zenobio &lt;/b&gt;will host between June and September 2011, the artworks (paintings, sculptures, videos, photos, installations) of prominent artists from Spain, UK, Italy, France, Greece, Morocco, Egypt, Albania, Israel, Turkey and Libanon. Among them &lt;b&gt;Ghada Amer&lt;/b&gt;, &lt;b&gt;Ziad Antar, Faouzi Bensaidi, Marie Bovo, David Casini, Isaac Julien, Huseyin Karabey, Ange Leccia, Adrian Paci, Maria Papadimitriou &lt;/b&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-family: Georgia,'Times New Roman',serif; font-size: small;"&gt;Zineb Sedira, Gel Weinstein &lt;span class="Apple-style-span" style="font-weight: normal;"&gt;and&lt;/span&gt; Peter Wuethrich.&lt;/span&gt;&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-blXmkxOX6Sc/TVpjGpvV4pI/AAAAAAAABQk/xp0ztad6twY/s1600/last+gestures.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="150" src="http://3.bp.blogspot.com/-blXmkxOX6Sc/TVpjGpvV4pI/AAAAAAAABQk/xp0ztad6twY/s200/last+gestures.png" width="200" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Adrian Paci, &lt;i&gt;Last Gesture,&lt;/i&gt; 2009&lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/-osUH4URs0CQ/TVplV3xE1bI/AAAAAAAABQo/sC9AZMI9Ba4/s1600/amer.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="131" src="http://4.bp.blogspot.com/-osUH4URs0CQ/TVplV3xE1bI/AAAAAAAABQo/sC9AZMI9Ba4/s200/amer.jpg" width="200" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Ghada Amer, &lt;i&gt;One Hundred Words of Love&lt;/i&gt;, 2010&lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;div style="color: #b45f06;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;OUR FILM PREMIERES&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;The long feature &lt;b&gt;THEN AND NOW &lt;/b&gt;&lt;i&gt;&lt;b&gt;Beyond Borders and Differences&lt;/b&gt; &lt;/i&gt;will be released in March 2011. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;The omnibus film is composed by 7 short movies by &lt;b&gt;TATA AMARAL, FANNY ARDANT, HUSEYIN KARABEY, MASBEDO, IDRISSA OUEDRAOGO, JAFAR PANAHI, ROBERT WILSON&lt;/b&gt;, with the general soundtrack by &lt;b&gt;MICHAEL GALASSO&lt;/b&gt;.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;Inspired by &lt;b&gt;Article 18 of the Universal Declaration of Human Rights&lt;/b&gt;, &lt;i&gt;"Everyone has the right to freedom of thought, conscience and religion"&lt;/i&gt;, the short movies are based on the themes of non violence, tolerance and respect for differences.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;Première:&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;- International Film Festival and Forum on Human Rights&lt;/b&gt; &lt;b&gt;(FIFDH)&lt;/b&gt;, Geneva, on March 7, at the theater l'Alhambra, at the presence of the directors Fanny Ardant and Hüseyn Karabey, as well as of Mrs Rakel Dink. &lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;The screening (60 min. approximately) will be followed by a discussion on Article 18.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;Next screenings:&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;- &lt;b&gt;Flux Laboratory&lt;/b&gt;, Geneva, on March 10&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;- &lt;b&gt;Sguardi Altrove Film Festival&lt;/b&gt;, Milan, on March 12, at Cinema Gnomo&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-ulJWag3Wlgc/TVqJMjUbpJI/AAAAAAAABQ8/VyYn4_dsCcA/s1600/Rakel-still-2.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="112" src="http://3.bp.blogspot.com/-ulJWag3Wlgc/TVqJMjUbpJI/AAAAAAAABQ8/VyYn4_dsCcA/s200/Rakel-still-2.jpg" width="200" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&amp;nbsp; &lt;span style="font-size: x-small;"&gt;Hüseyin Karabey, &lt;i&gt;No darkness can make us forget&lt;/i&gt;, 2011&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-DWceK6L4xao/TVqK5V74kHI/AAAAAAAABRA/qkF19CUkAmA/s1600/DISTANTE_27.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="111" src="http://1.bp.blogspot.com/-DWceK6L4xao/TVqK5V74kHI/AAAAAAAABRA/qkF19CUkAmA/s200/DISTANTE_27.jpg" width="200" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;Masbedo, &lt;i&gt;Distante un padre&lt;/i&gt;, 2010&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-_7X_FeSp1K0/TVqL0sqQjkI/AAAAAAAABRI/BaROD0DoZjc/s1600/Ouedraogo_longue+marche+10.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="112" src="http://2.bp.blogspot.com/-_7X_FeSp1K0/TVqL0sqQjkI/AAAAAAAABRI/BaROD0DoZjc/s200/Ouedraogo_longue+marche+10.jpg" width="200" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt; Idrissa Ouedraogo, &lt;i&gt;La longue marche du caméleon&lt;/i&gt;, 2010 &lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;span style="font-size: x-small;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: x-small;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-7029115246409371415?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/7029115246409371415/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2011/02/art-for-worlds-next-projects.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/7029115246409371415'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/7029115246409371415'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2011/02/art-for-worlds-next-projects.html' title='ART for The World&apos;s next projects'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-dZ0QOqJl44k/TVqaYLIlnAI/AAAAAAAABRM/ih6buwXfWfc/s72-c/Senza+titolo6.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-6970724312861933027</id><published>2011-02-08T16:15:00.006+01:00</published><updated>2011-02-08T16:41:32.139+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Jafar Panahi'/><title type='text'>The Accordion at the Berlinale</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_YCTv9QE9BSg/TVFcbijPWNI/AAAAAAAABQI/OW2DJSRFXro/s1600/3692234%252Cproperty%253Ddata%252Cv%253D2.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;br /&gt;&lt;/a&gt;&lt;a href="http://3.bp.blogspot.com/_YCTv9QE9BSg/TVFeO9akh_I/AAAAAAAABQQ/k2G_w9QfSuo/s1600/56_IFB_logo-1.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="88" src="http://3.bp.blogspot.com/_YCTv9QE9BSg/TVFeO9akh_I/AAAAAAAABQQ/k2G_w9QfSuo/s320/56_IFB_logo-1.gif" width="320" /&gt;&amp;nbsp;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Few months ago, Berlinale Director Dieter Kosslick has invited &lt;b&gt;Jafar Panahi&lt;/b&gt; to join the &lt;b&gt;International Jury of the 61st Berlin International Film Festival &lt;/b&gt;(10-20 February, 2011).&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span class="Apple-style-span"&gt;Shortly after, the renowned Iranian director was sentenced to six years in prison and banned from filmmaking for the next 20 years.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span class="Apple-style-span"&gt;Ever since, people have been protesting worldwide against this verdict and the Berlinale is holding a place open in the Jury for Jafar Panahi to signalize its support for his struggle for freedom.&lt;br /&gt;&amp;nbsp; &lt;br /&gt;In the contest of the Berlinale, &lt;b&gt;ARTE&lt;/b&gt; will dedicate a &lt;b&gt;special screening &lt;/b&gt;on &lt;b&gt;February 16&lt;/b&gt; to the Iranian director presenting his most recent short movie &lt;b&gt;&lt;i&gt;The Accordion&lt;/i&gt;&lt;/b&gt;, that will be broadcast paralley on ARTE TV channel, as well as his movie &lt;i&gt;The Circle&lt;/i&gt;.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span class="Apple-style-span"&gt;The Festival will also dedicate special screenings to other four movies of the director (&lt;i&gt;Offside&lt;/i&gt;, &lt;i&gt;Crimson Gold&lt;/i&gt;, &lt;i&gt;The White Balloon&lt;/i&gt;, &lt;i&gt;Untying the Knot&lt;/i&gt; ), one in each of several sections to call attention to the artist’s extraordinary oeuvre.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;More info:&lt;span style="font-size: small;"&gt;&lt;span class="Apple-style-span"&gt;&lt;a href="http://www.arte.tv/fr/mouvement-de-cinema/Berlinale-2011/3687874.html%20"&gt; http://www.arte.tv/&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;span class="Apple-style-span"&gt; &amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Arial;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;&lt;/b&gt;&lt;/span&gt;&lt;div style="color: black; font-family: Arial; font-size-adjust: none; font-size: 10pt; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-6970724312861933027?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/6970724312861933027/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2011/02/accordion-at-berlinale.html#comment-form' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/6970724312861933027'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/6970724312861933027'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2011/02/accordion-at-berlinale.html' title='The Accordion at the Berlinale'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_YCTv9QE9BSg/TVFeO9akh_I/AAAAAAAABQQ/k2G_w9QfSuo/s72-c/56_IFB_logo-1.gif' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-282583132136415960</id><published>2011-01-27T13:03:00.002+01:00</published><updated>2011-01-27T18:44:19.152+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='THEN AND NOW Beyond Borders and Differences'/><title type='text'>Next screenings and premières in worldwide Film Festivals</title><content type='html'>&lt;div&gt;&lt;div&gt;&lt;div style="color: #b45f06;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="color: #b45f06;"&gt;&lt;b&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;The Accordion&lt;/i&gt; (2010) by JAFAR PANAHI&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;b&gt;&lt;span style="font-size: small;"&gt;Screenings in February-April in worldwide film festivals in support of the Iranian Director:&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;- Cinémathèque Française, Paris, February 2&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;- The Berlinale - Berlin International Film Festival, February 10-20&lt;/span&gt;&lt;br /&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;a href="http://2.bp.blogspot.com/_YCTv9QE9BSg/TUFa-WtNJmI/AAAAAAAABP8/vM6SWG7PFFg/s1600/Immagine+2.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;/a&gt;&lt;span style="font-size: small;"&gt; - Portland Film Festival (USA), February 11-26&lt;br /&gt;- Glasgow Short Film Festival, February 18 and 20&lt;br /&gt;- Human Rights and Forum Film Festival, Geneva, March 7-11&lt;br /&gt;- Yerba Buena Center for the Arts, San Francisco, March 20&lt;br /&gt;- Movies That Matter Film Festival, Amsterdam, March 24-30&lt;br /&gt;- Jeonju International Film Festival (South Korea), April 28 - May 6&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_YCTv9QE9BSg/TUFWJv55K5I/AAAAAAAABPs/vkf--1vj7sg/s1600/The+Accordion_008.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="112" src="http://4.bp.blogspot.com/_YCTv9QE9BSg/TUFWJv55K5I/AAAAAAAABPs/vkf--1vj7sg/s200/The+Accordion_008.jpeg" width="200" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span style="font-size: xx-small;"&gt;&lt;i&gt;The Accordion &lt;/i&gt;by J. Panahi&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_YCTv9QE9BSg/TUFWEnxEMlI/AAAAAAAABPo/joPU3nkhK38/s1600/The+Accordion_004.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt; &lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Screenings Premières in March 2011:&lt;/b&gt;&lt;br /&gt;- Human Rights and Forum Film Festival, Geneva&lt;br /&gt;- Sguardi Altrove Film Festival, Milan&lt;/span&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp; &lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;b style="color: orange;"&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;b style="color: orange;"&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;span style="font-size: small;"&gt;&lt;b style="color: #b45f06;"&gt;THEN AND NOW &lt;i&gt;Beyond Borders and Differences&lt;/i&gt;&lt;/b&gt;  Omnibus film  composed by 7 short movies by &lt;b&gt;TATA AMARAL, FANNY ARDANT,  HUSEYIN  KARABEY, MASBEDO, IDRISSA OUEDRAOGO, JAFAR PANAHI, ROBERT  WILSON&lt;/b&gt;.&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-size: small;"&gt; Inspired by Article 18 of the Universal Declaration of Human  Rights,&lt;i&gt;  "Everyone has the right to freedom of thought, conscience and  religion"&lt;/i&gt;,  the short movies are based on the themes of non violence,  tolerance and  respect for differences.&lt;/span&gt;&lt;/div&gt;&lt;a href="http://4.bp.blogspot.com/_YCTv9QE9BSg/TUFWJv55K5I/AAAAAAAABPs/vkf--1vj7sg/s1600/The+Accordion_008.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt; &lt;/a&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;span style="font-size: xx-small;"&gt;&lt;a href="http://1.bp.blogspot.com/_YCTv9QE9BSg/TUFZIe_nNlI/AAAAAAAABP0/o2FwpWPAn-Q/s1600/CarnavalDosDeuses_STILL_Jacob+Solitrenick_12.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="111" src="http://1.bp.blogspot.com/_YCTv9QE9BSg/TUFZIe_nNlI/AAAAAAAABP0/o2FwpWPAn-Q/s200/CarnavalDosDeuses_STILL_Jacob+Solitrenick_12.jpg" width="200" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span style="font-size: xx-small;"&gt;&lt;i&gt;Carnaval dos Deuses&lt;/i&gt; by T. Amaral&lt;/span&gt;&lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;/td&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span style="font-size: xx-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_YCTv9QE9BSg/TUFY_u-Z7DI/AAAAAAAABPw/Vi5A4soUO9Y/s1600/longue+marche+15.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="112" src="http://2.bp.blogspot.com/_YCTv9QE9BSg/TUFY_u-Z7DI/AAAAAAAABPw/Vi5A4soUO9Y/s200/longue+marche+15.jpg" width="200" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span style="font-size: xx-small;"&gt;&lt;i&gt;La longue marche du caméléon&lt;/i&gt; by I. Ouedraogo&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_YCTv9QE9BSg/TUFePwnk09I/AAAAAAAABQA/77iZJE83KJ8/s1600/Immagine+2.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="118" src="http://1.bp.blogspot.com/_YCTv9QE9BSg/TUFePwnk09I/AAAAAAAABQA/77iZJE83KJ8/s200/Immagine+2.png" width="200" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span style="font-size: xx-small;"&gt;&lt;i&gt;The darkness that created murderers from babies!&lt;/i&gt; by H. Karabey&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;span style="font-size: small;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-282583132136415960?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/282583132136415960/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2011/01/next-screenings-and-premieres-in.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/282583132136415960'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/282583132136415960'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2011/01/next-screenings-and-premieres-in.html' title='Next screenings and premières in worldwide Film Festivals'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_YCTv9QE9BSg/TUFWJv55K5I/AAAAAAAABPs/vkf--1vj7sg/s72-c/The+Accordion_008.jpeg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-6742678212567322090</id><published>2011-01-21T11:29:00.001+01:00</published><updated>2011-01-21T11:30:51.855+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Jafar Panahi'/><title type='text'>Freedom for Iranian filmmakers</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_YCTv9QE9BSg/TTle6Juz8II/AAAAAAAABPk/M4LY877mwjw/s1600/Untitled1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="178" src="http://1.bp.blogspot.com/_YCTv9QE9BSg/TTle6Juz8II/AAAAAAAABPk/M4LY877mwjw/s320/Untitled1.jpg" width="320" /&gt;&amp;nbsp;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span lang="EN-US"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;  &lt;/div&gt;&lt;div class="Standard" style="line-height: 115%; margin-bottom: 6pt; text-align: justify;"&gt;&lt;span lang="EN-US"&gt;Freedom of expression and thought has been increasingly facing serious problems and suffering more and more pressure. Totalitarian governments have been increasing pressure and censorship using unbelievable pretexts not acceptable by anyone who has dignity. Artists and intellectuals trying to express themselves have been forced to live in more and more difficult conditions. Governments all over the world have been trying to legitimize their repressive systems by deliberately sacrificing freedoms to a security problem.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="Standard" style="line-height: 115%; margin-bottom: 6pt; text-align: justify;"&gt;&lt;span lang="EN-US"&gt;One of the latest examples has been in Iran. Iranian directors Jafar Panahi and Mohammad Rasoulof have faced the government’s pressure and isolation. Panahi has been sentenced to six years in prison and banned for twenty years of writing, directing, producing and giving interviews. Rasoulof has been sentenced to six years in prison for “opposition”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="Standard" style="line-height: 115%; margin-bottom: 6pt; text-align: justify;"&gt;&lt;span lang="EN-US"&gt;We consider these sentences as one of the most actual examples of a government’s pressure on the individual and we oppose it.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="Standard" style="line-height: 115%; margin-bottom: 6pt; text-align: justify;"&gt;&lt;span lang="EN-US"&gt;We, as the Turkish film-makers, condemn this terror and pressure on Jafar Panahi, Mohammad Rasoulof and on all Iranian film-makers who suffer. We declare to the world that we will keep on watching closely this issue until it will be resolved.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="Standard" style="line-height: 115%; margin-bottom: 6pt; text-align: justify;"&gt;&lt;span lang="EN-US"&gt;We support the decision of directors Tayfun Pirselimoglu and Pelin Esmer for their decision of withdrawing their films from Fajr Film Festival as an act of protest.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="Standard" style="line-height: 115%; margin-bottom: 6pt; text-align: justify;"&gt;&lt;span lang="EN-US"&gt;To demonstrate our support, we will dedicate our films that we will make this year to Iranian film-makers. We will work as hard as we can to lay bare all the reality that totalitarian regimes have been trying to hide. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="Standard" style="line-height: 115%; margin-bottom: 6pt; text-align: justify;"&gt;&lt;span lang="EN-US"&gt;We see each frame through the eyes of Iranian film-makers under pressure.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="Standard" style="line-height: 115%; margin-bottom: 12pt; text-align: justify;"&gt;&lt;span lang="EN-US"&gt;NEW CINEMA MOVEMENT&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-6742678212567322090?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/6742678212567322090/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2011/01/freedom-for-iranian-filmmakers.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/6742678212567322090'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/6742678212567322090'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2011/01/freedom-for-iranian-filmmakers.html' title='Freedom for Iranian filmmakers'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_YCTv9QE9BSg/TTle6Juz8II/AAAAAAAABPk/M4LY877mwjw/s72-c/Untitled1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-49027611867605857</id><published>2011-01-11T17:36:00.001+01:00</published><updated>2011-01-21T11:31:18.006+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Jafar Panahi'/><title type='text'>Statement by the spokesperson of EU High Representative for Foreign Affairs and Security Policy regarding the case of Jafar Panahi</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_YCTv9QE9BSg/TSyGvx_6rTI/AAAAAAAABPg/q2acLMPiJlU/s1600/Unnamed.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/_YCTv9QE9BSg/TSyGvx_6rTI/AAAAAAAABPg/q2acLMPiJlU/s320/Unnamed.jpg" width="226" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-49027611867605857?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/49027611867605857/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2011/01/statement-by-spokesperson-of-eu-high.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/49027611867605857'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/49027611867605857'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2011/01/statement-by-spokesperson-of-eu-high.html' title='Statement by the spokesperson of EU High Representative for Foreign Affairs and Security Policy regarding the case of Jafar Panahi'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_YCTv9QE9BSg/TSyGvx_6rTI/AAAAAAAABPg/q2acLMPiJlU/s72-c/Unnamed.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-4040734414705416310</id><published>2010-12-17T12:16:00.003+01:00</published><updated>2010-12-20T17:22:19.813+01:00</updated><title type='text'>ART for The World's New Year wishes</title><content type='html'>ART &lt;i&gt;for The&lt;/i&gt; World's offices will remain closed for Winter Holidays from December 22, 2010 until January 9, 2011.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_YCTv9QE9BSg/TQtGe7EbFHI/AAAAAAAABPY/RhCBNGgkVDQ/s1600/christmas+card.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://3.bp.blogspot.com/_YCTv9QE9BSg/TQtGe7EbFHI/AAAAAAAABPY/RhCBNGgkVDQ/s400/christmas+card.jpg" width="321" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-4040734414705416310?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/4040734414705416310/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2010/12/art-for-worlds-new-year-wishes.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/4040734414705416310'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/4040734414705416310'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2010/12/art-for-worlds-new-year-wishes.html' title='ART for The World&apos;s New Year wishes'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_YCTv9QE9BSg/TQtGe7EbFHI/AAAAAAAABPY/RhCBNGgkVDQ/s72-c/christmas+card.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-3477558136812440192</id><published>2010-11-15T11:51:00.003+01:00</published><updated>2010-11-15T12:08:30.809+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Jafar Panahi'/><title type='text'>The trial of an artist. Jafar Panahi waiting for the sentence</title><content type='html'>Acclaimed Iranian director &lt;b&gt;Jafar Panahi&lt;/b&gt; was jailed in Tehran this past March. In May, after a hunger strike and an international campaign, Mr Panahi was freed on a one hundred and eighty five thousand dollar bail. Mr Panahi was back in court on November 7, and his &lt;b&gt;defense statement &lt;/b&gt;was released. Here are few excerpts.&lt;br /&gt;&lt;br /&gt;"(…) I have learned how to make films inspired by those outstanding films that the prosecutor deemed obscene. Believe me I have just as much difficulty understanding&amp;nbsp; how they could be called obscene as I do comprehending how the activity for which I was arrested could be seen as a crime? My case is a perfect example of being punished before committing a crime. You are putting me on trial for making a film that at the time of our arrest was only thirty per cent shot.&amp;nbsp; You must have heard that the famous creed "There is no god, except Allah”, turns into blasphemy if you only say&amp;nbsp; the first part and omit the second part.&amp;nbsp; In the same vain, how can you establish that a crime has been committed by looking at 30% of rushes for a film that have not been edited yet (...) The assassination of ideas and sterilizing artists of a society has only one result: killing the roots of art and creativity.&amp;nbsp; Arresting my colleagues and I while shooting an unfinished film is nothing but an attack by those in power on all the artists of this land. It drives this crystal clear however sad message home: “You will repent if you don't think like us”(...) All&amp;nbsp; said, despite all the injustice done to me, I, Jafar Panahi, declare once again that I am an Iranian, I am staying in my country and I like to work in my own country. I love my country, I have paid a price for this love too, and I am willing to pay again if necessary.&amp;nbsp; I have yet an other declaration to add to the first one. As shown in my films , I declare that I believe in the right of “the other” to be different, I believe in mutual understanding and respect, as well as in tolerance; the tolerance that forbid me from judgment and hatred (…)".&lt;br /&gt;&lt;i&gt;Jafar Panahi&lt;/i&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-3477558136812440192?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/3477558136812440192/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2010/11/trial-of-artist-jafar-panahi-waiting.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/3477558136812440192'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/3477558136812440192'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2010/11/trial-of-artist-jafar-panahi-waiting.html' title='The trial of an artist. Jafar Panahi waiting for the sentence'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-5473145327838985772</id><published>2010-11-02T12:36:00.001+01:00</published><updated>2010-11-02T12:37:38.397+01:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='THEN AND NOW Beyond Borders and Differences'/><title type='text'>Chimères Absentes at the Rome Film Festival</title><content type='html'>On &lt;b&gt;October 29&lt;/b&gt;, 2010 the short movie &lt;b&gt;&lt;i&gt;Chimères Absentes&lt;/i&gt;&lt;/b&gt; by &lt;b&gt;Fanny Ardant&lt;/b&gt; was presented at the &lt;b&gt;Rome International Film Festival.&amp;nbsp;&lt;/b&gt;&lt;br /&gt;The short movie is associated with the&lt;b&gt; Council of Europe Dosta! Campaign&lt;/b&gt; seeking to overcome the prejudices towards Roma people.&lt;br /&gt;The screening was followed by a Q&amp;amp;A with the director on her commitment towards the recognition of Roma's rights.&amp;nbsp; &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;img border="0" height="266" src="http://3.bp.blogspot.com/_YCTv9QE9BSg/TM_2X2ee38I/AAAAAAAABPU/WBcQFBQ4lCU/s400/DSC02825.JPG" style="margin-left: auto; margin-right: auto;" width="400" /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Fanny Ardant and the Roma people who took part in the short movie on the red carpet&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_YCTv9QE9BSg/TM_2X2ee38I/AAAAAAAABPU/WBcQFBQ4lCU/s1600/DSC02825.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;span lang="EN-GB" style="color: black; font-family: Arial; font-size: 10pt;"&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-5473145327838985772?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/5473145327838985772/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2010/11/chimeres-absentes-at-rome-film-festival.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/5473145327838985772'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/5473145327838985772'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2010/11/chimeres-absentes-at-rome-film-festival.html' title='Chimères Absentes at the Rome Film Festival'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_YCTv9QE9BSg/TM_2X2ee38I/AAAAAAAABPU/WBcQFBQ4lCU/s72-c/DSC02825.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-7051808676404040910</id><published>2010-10-18T13:26:00.013+02:00</published><updated>2010-10-24T10:36:53.984+02:00</updated><title type='text'>Our FILM PROJECTS on view</title><content type='html'>We are pleased to announce three short films on view across the world, segments of our next production &lt;b&gt;THEN AND NOW&lt;/b&gt; &lt;b&gt;&lt;i&gt;Beyond Borders and Differences, &lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-style: normal;"&gt;inspired by the Article 18 of The UDHR "&lt;/span&gt;&lt;span class="Apple-style-span"&gt;Everyone has the right to freedom of thought, conscience and religion&lt;/span&gt;&lt;span class="Apple-style-span" style="font-style: normal;"&gt;".&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-style: normal;"&gt;&lt;b&gt;&lt;i&gt;The Accordion&lt;/i&gt;&lt;/b&gt; by &lt;b&gt;Jafar Panahi&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_YCTv9QE9BSg/TLxBGqObxiI/AAAAAAAABPA/RxAg4Pw7mMs/s1600/theaccordion7-l.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="132" src="http://4.bp.blogspot.com/_YCTv9QE9BSg/TLxBGqObxiI/AAAAAAAABPA/RxAg4Pw7mMs/s200/theaccordion7-l.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;b&gt;SAO PAOLO INTERNATIONAL FILM FESTIVAL&lt;/b&gt;, October 22-November 4 &lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;b&gt;AFI FEST LOS ANGELES&lt;/b&gt;,&amp;nbsp;November 4-11&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;b&gt;&lt;i&gt;Chimères Absentes &lt;/i&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;by &lt;/span&gt;Fanny Ardant &lt;/b&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_YCTv9QE9BSg/TMPujwRJdQI/AAAAAAAABPQ/UBtIhbdfJ34/s1600/Chim%C3%A8res+Absentes_3_46.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="133" src="http://4.bp.blogspot.com/_YCTv9QE9BSg/TMPujwRJdQI/AAAAAAAABPQ/UBtIhbdfJ34/s200/Chim%C3%A8res+Absentes_3_46.jpg" width="200" /&gt;&lt;/a&gt;&lt;span style="font-size: xx-small;"&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: xx-small;"&gt;Photo Sandro Weltin / Council of Europe &lt;/span&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;INTERNATIONAL ROME FILM FESTIVAL, &lt;/b&gt;October 29&lt;b&gt;&lt;br /&gt;MOLODIST INTERNATIONAL FILM FESTIVAL KIEV&amp;nbsp;(Ukraine),&lt;/b&gt;&amp;nbsp;October 22-31&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;&lt;i&gt;Distante Un Padre&lt;/i&gt;&lt;/b&gt; by &lt;b&gt;Masbedo&lt;/b&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_YCTv9QE9BSg/TLxAsOoszVI/AAAAAAAABO4/DefXZ30zqIU/s1600/IMG_1629.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="150" src="http://3.bp.blogspot.com/_YCTv9QE9BSg/TLxAsOoszVI/AAAAAAAABO4/DefXZ30zqIU/s200/IMG_1629.JPG" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;On view at the exhibition&amp;nbsp;&lt;b&gt;RESPIRO (BREATH),&lt;/b&gt;&amp;nbsp;Palazzo Bissari, Vicenza, until November 21.&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-7051808676404040910?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/7051808676404040910/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2010/10/our-film-projects-on-view.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/7051808676404040910'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/7051808676404040910'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2010/10/our-film-projects-on-view.html' title='Our FILM PROJECTS on view'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_YCTv9QE9BSg/TLxBGqObxiI/AAAAAAAABPA/RxAg4Pw7mMs/s72-c/theaccordion7-l.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-141826881870986412</id><published>2010-10-12T12:12:00.005+02:00</published><updated>2010-10-12T12:38:53.563+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Exhibitions'/><title type='text'>Opening of RESPIRO (BREATH), Vicenza</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;span lang="EN-GB"&gt;On Sunday, October 10th, ART&lt;/span&gt;&lt;span lang="EN-GB"&gt;&lt;i&gt; for The&lt;/i&gt;&lt;/span&gt;&lt;span lang="EN-GB"&gt; World presented &lt;/span&gt;&lt;span lang="EN-GB"&gt;&lt;b&gt;&lt;i&gt;RESPIRO (BREATH)&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;span lang="EN-GB"&gt;, a new exhibition in the city of &lt;st1:city _moz-userdefined="" w:st="on"&gt;&lt;st1:place _moz-userdefined="" w:st="on"&gt;Vicenza&lt;/st1:place&gt;&lt;/st1:city&gt; in collaboration with &lt;b&gt;Fondazione Zoé&lt;/b&gt;.&lt;o:p _moz-userdefined=""&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-GB"&gt;In the contest of the second edition of the festival &lt;b&gt;Vivere Sani, Vivere Bene&lt;/b&gt; - four days of events and conferences on the theme of health, with a special focus on breath - &lt;/span&gt;&lt;span lang="EN-GB"&gt;&lt;i&gt;RESPIRO&lt;/i&gt;&lt;/span&gt;&lt;span lang="EN-GB"&gt; is a collective exhibition that take places in four different venues of the city, featuring video installations, audio and video projections and a selections of billboards on the theme of breath from different perspective: diving, blow, apnea, soul, sleep, silence…&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_YCTv9QE9BSg/TLQuk4ZbLhI/AAAAAAAABOQ/kXBUSftHGTg/s1600/mappa+respiro.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="164" src="http://4.bp.blogspot.com/_YCTv9QE9BSg/TLQuk4ZbLhI/AAAAAAAABOQ/kXBUSftHGTg/s320/mappa+respiro.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-GB"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-GB"&gt;Respiro&amp;nbsp;is&amp;nbsp;&lt;/span&gt;the&amp;nbsp;&lt;span lang="EN-GB"&gt;prosecution of&amp;nbsp;&lt;/span&gt;a collaboration between ART &lt;i&gt;for The&lt;/i&gt;&amp;nbsp;World and Zambon Group started in 1998&amp;nbsp;&lt;span lang="EN-GB"&gt;at the occasion of&amp;nbsp;&lt;/span&gt;&lt;span lang="EN-GB"&gt;&lt;b&gt;&lt;i&gt;The Edge of Awareness,&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;span lang="EN-GB"&gt;&amp;nbsp;&lt;/span&gt;&lt;span lang="EN-GB"&gt;a travel&lt;/span&gt;l&lt;span lang="EN-GB"&gt;ing exhibition with large installations and billboards by international artists organized&amp;nbsp;&lt;/span&gt;for the&amp;nbsp;&lt;span lang="EN-GB"&gt;50th Anniversary of the OMS and focused on the theme of&amp;nbsp;&lt;/span&gt;physical&lt;span lang="EN-GB"&gt;&amp;nbsp;and mental health.&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-GB"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-GB"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_YCTv9QE9BSg/TLQr_zN1VYI/AAAAAAAABN8/8VnrbLFBRcs/s1600/IMG_1500.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="240" src="http://4.bp.blogspot.com/_YCTv9QE9BSg/TLQr_zN1VYI/AAAAAAAABN8/8VnrbLFBRcs/s320/IMG_1500.JPG" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;Sheba Chhachhi,&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;The Water Diviner&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&amp;nbsp;(2008), installation view at Palazzo Bissari&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_YCTv9QE9BSg/TLQu_aq4RBI/AAAAAAAABOU/-pqh4MDiuLo/s1600/IMG_1632.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="240" src="http://2.bp.blogspot.com/_YCTv9QE9BSg/TLQu_aq4RBI/AAAAAAAABOU/-pqh4MDiuLo/s320/IMG_1632.JPG" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr align="center"&gt;&lt;td class="tr-caption"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;Masbedo,&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&amp;nbsp;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;Distante Un Padre&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&amp;nbsp;(2010), installation view at Palazzo Bissari&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt; &lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_YCTv9QE9BSg/TLQsLBgg3aI/AAAAAAAABOE/ebsggEYcbb4/s1600/IMG_1555.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="240" src="http://3.bp.blogspot.com/_YCTv9QE9BSg/TLQsLBgg3aI/AAAAAAAABOE/ebsggEYcbb4/s320/IMG_1555.JPG" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&amp;nbsp;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;Miguel Angel Rios,&lt;/span&gt;&amp;nbsp;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;The Power Flowers&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&amp;nbsp;(1998) at Teatro Comunale&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_YCTv9QE9BSg/TLQxHs1_6JI/AAAAAAAABOY/qu3b0yPR6Ho/s1600/IMG_1551.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="240" src="http://2.bp.blogspot.com/_YCTv9QE9BSg/TLQxHs1_6JI/AAAAAAAABOY/qu3b0yPR6Ho/s320/IMG_1551.JPG" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="MsoNormal" style="font-size: medium;"&gt;&lt;div style="margin: 0px; text-align: center;"&gt;&lt;span lang="EN-GB"&gt;&lt;o:p _moz-userdefined=""&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;Billboards by&lt;/span&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;Sophie Ristelhueber and&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;Alfredo Jaar at Teatro Comunale&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_YCTv9QE9BSg/TLQsiqXfTwI/AAAAAAAABOM/ux39FDPYAxE/s1600/IMG_1536.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="240" src="http://1.bp.blogspot.com/_YCTv9QE9BSg/TLQsiqXfTwI/AAAAAAAABOM/ux39FDPYAxE/s320/IMG_1536.JPG" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;Nikos Navridis,&amp;nbsp;&lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;On Life, Beauty, Translations and Other Difficulties &lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;(1997)&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;installation view at Spazio Monotono&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="MsoNormal"&gt;&lt;div style="text-align: center;"&gt;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-141826881870986412?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/141826881870986412/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2010/10/opening-of-respiro-breath-vicenza.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/141826881870986412'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/141826881870986412'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2010/10/opening-of-respiro-breath-vicenza.html' title='Opening of RESPIRO (BREATH), Vicenza'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_YCTv9QE9BSg/TLQuk4ZbLhI/AAAAAAAABOQ/kXBUSftHGTg/s72-c/mappa+respiro.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-8471690053904830248</id><published>2010-09-28T15:02:00.004+02:00</published><updated>2010-09-28T16:23:32.464+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Exhibitions'/><title type='text'>Opening of LA SCIMMIA, L'IMMAGINE, IL SUO DOPPIO by Andrea Marescalchi</title><content type='html'>&lt;div style="margin: 0cm;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="margin: 0cm;"&gt;&lt;span lang="EN-GB" style="color: black;"&gt;On Monday, September 27th, ART &lt;i&gt;for The&lt;/i&gt; World presented a new exhibition at Open Care, &lt;st1:city w:st="on"&gt;&lt;st1:place w:st="on"&gt;Milan&lt;/st1:place&gt;&lt;/st1:city&gt;:&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;i&gt;&amp;nbsp;La scimmia, l'immagine, il suo doppio,&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;/i&gt;by&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;b&gt;Andrea Marescalchi.&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="margin: 0cm;"&gt;&lt;span lang="EN-GB" style="color: black;"&gt;The opening was characterized by an open discussion between Andrea Marescalchi and&amp;nbsp;&lt;b&gt;Giorgio Celli,&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;Ethologist and Professor Emeritus from the &lt;st1:place w:st="on"&gt;&lt;st1:placetype w:st="on"&gt;University&lt;/st1:placetype&gt;  of &lt;st1:placename w:st="on"&gt;Bologna&lt;/st1:placename&gt;&lt;/st1:place&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span lang="EN-GB" style="color: black;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_YCTv9QE9BSg/TKH6Fy_R2DI/AAAAAAAABN0/9ZmlcQN9kQ4/s1600/DSC02631.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="266" src="http://3.bp.blogspot.com/_YCTv9QE9BSg/TKH6Fy_R2DI/AAAAAAAABN0/9ZmlcQN9kQ4/s400/DSC02631.JPG" width="400" /&gt;&amp;nbsp;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;Andrea Marescalchi (left) and Prof. Giorgio Celli (right)&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span lang="EN-GB" style="color: black;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-8471690053904830248?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/8471690053904830248/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2010/09/opening-of-la-scimmia-limmagine-il-suo.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/8471690053904830248'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/8471690053904830248'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2010/09/opening-of-la-scimmia-limmagine-il-suo.html' title='Opening of LA SCIMMIA, L&apos;IMMAGINE, IL SUO DOPPIO by Andrea Marescalchi'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_YCTv9QE9BSg/TKH6Fy_R2DI/AAAAAAAABN0/9ZmlcQN9kQ4/s72-c/DSC02631.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-4210540685638862772</id><published>2010-09-28T10:55:00.001+02:00</published><updated>2010-09-28T10:57:53.989+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Exhibitions'/><title type='text'>RESPIRO (BREATH) opening in Vicenza</title><content type='html'>We are pleased to invite you to our next exhibition in Vicenza.&lt;br /&gt;On October 10,&amp;nbsp; &lt;b&gt;&lt;i&gt;RESPIRO (BREATH)&lt;/i&gt;&lt;/b&gt; will be opened in different venues around the city, featuring video installations,&amp;nbsp; audio and video projections and a selection of billboards.&lt;br /&gt;The exhibition is organized in collaboration with &lt;b&gt;Fondazione Zoé&lt;/b&gt;.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_YCTv9QE9BSg/TKGtSrVSN1I/AAAAAAAABNw/9H9X-iaNlZw/s1600/Piegh_Mostra_web.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://4.bp.blogspot.com/_YCTv9QE9BSg/TKGtSrVSN1I/AAAAAAAABNw/9H9X-iaNlZw/s400/Piegh_Mostra_web.jpg" width="210" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-4210540685638862772?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/4210540685638862772/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2010/09/respiro-breath-opening-in-vicenza.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/4210540685638862772'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/4210540685638862772'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2010/09/respiro-breath-opening-in-vicenza.html' title='RESPIRO (BREATH) opening in Vicenza'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_YCTv9QE9BSg/TKGtSrVSN1I/AAAAAAAABNw/9H9X-iaNlZw/s72-c/Piegh_Mostra_web.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-3941562371977541881</id><published>2010-09-13T17:11:00.001+02:00</published><updated>2010-09-13T17:14:07.451+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='THEN AND NOW Beyond Borders and Differences'/><title type='text'>The Accordion by Jafar Panahi (excerpt)</title><content type='html'>&lt;object height="295" width="480"&gt;&lt;param name="movie" value="http://www.youtube.com/v/-F0ydaX9jXA?fs=1&amp;amp;hl=it_IT"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/-F0ydaX9jXA?fs=1&amp;amp;hl=it_IT" allowscriptaccess="never" allowfullscreen="true" wmode="transparent" type="application/x-shockwave-flash" height="295" width="480"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-3941562371977541881?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/3941562371977541881/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2010/09/accordion-by-jafar-panahi-excerpt.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/3941562371977541881'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/3941562371977541881'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2010/09/accordion-by-jafar-panahi-excerpt.html' title='The Accordion by Jafar Panahi (excerpt)'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-2273193011879693897</id><published>2010-09-06T12:45:00.003+02:00</published><updated>2010-09-06T15:35:20.977+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='THEN AND NOW Beyond Borders and Differences'/><title type='text'>The Accordion: back from Venice Film Festival</title><content type='html'>At the world premiere in Venice on September 1, the short movie &lt;b&gt;&lt;i&gt;The Accordion&lt;/i&gt;&lt;/b&gt; by &lt;b&gt;Jafar Panahi&lt;/b&gt; has been very well received and acclaimed both by the audience and international press. &lt;br /&gt;The short movie has been screeneed at the Sala Darsena at the presence of the film delegation and more than 1.300 viewers.&lt;br /&gt;&lt;br /&gt;After a short introducion by &lt;b&gt;Giorgio Gosetti&lt;/b&gt;, General Delegate of Venice Days, &lt;b&gt;Mazdak Taebi&lt;/b&gt; - the Iranian filmmaker based in Toronto and close friend of Panahi - read the touching message written on pourpose and sent to him by Jafar Panahi, who eventually couldn't attend the screening since he is still banned to travel outside his country. &lt;br /&gt;&lt;br /&gt;On that occasion &lt;b&gt;ART &lt;i&gt;for The&lt;/i&gt; World&lt;/b&gt;, &lt;b&gt;Venice Days&lt;/b&gt; and &lt;b&gt;Dorje Film&lt;/b&gt; launched a &lt;b&gt;new petition&lt;/b&gt; in order to accrue signatures: we all strongly condemn the illegal action towards Jafar Panahi by the Islamic Government of  Iran and demand to let him travel freely and join us for the next screenings of his movie.&lt;br /&gt;(For more info on the petition, please contact &lt;a href="http://www.venice-days.com/"&gt;Venice Days&lt;/a&gt;).&lt;br /&gt;&lt;br /&gt;Here below a selection of the main articles and interviews published on international newspapers and magazines:&lt;br /&gt;Armenia: &lt;a href="http://www.tert.am/en/news/2010/09/02/panahi/"&gt;Tert&lt;/a&gt;&lt;i&gt; &lt;/i&gt;(Sept, 2)&lt;br /&gt;Belgium: &lt;a href="http://www.lalibre.be/culture/cinema/article/606748/jafar-panahi-interdit-de-jury.html"&gt;Le Libre&lt;/a&gt; (Sept, 2)&lt;br /&gt;Canada: &lt;a href="http://www.evri.com/media/article;jsessionid=1b2m3826zpv5m?title=Panahi+%27mentally+imprisoned%27+as+Iran+blocks+travel&amp;amp;page=http://www.cbc.ca/arts/film/story/2010/09/02/jafar-panahi-iran.html?ref%3Drss&amp;amp;referring_uri=/person/jafar-panahi-0x406de;jsessionid%3D1b2m3826zpv5m&amp;amp;referring_title=Evri"&gt;CBC &lt;/a&gt;(Sept, 2)&lt;br /&gt;China: &lt;a href="http://www.macaudailytimes.com.mo/culture/16421-Venice-filmfest-open-with-Tarantino-Portman-red-carpet.html"&gt;Macau Daily Times&lt;/a&gt; (Sept, 3) &lt;br /&gt;France: &lt;a href="http://www.lemonde.fr/cinema/article/2010/09/02/jafar-panahi-je-veux-travailler-et-realiser-dans-mon-pays-l-iran_1405898_3476.html"&gt;Le Monde&lt;/a&gt; (Sept, 2),&amp;nbsp; &lt;a href="http://www.lesechos.fr/depeches/culture-art-de-vivre/afp_00277840-le-cineaste-iranien-jafar-panahi--prive-de-mostra--se-dit--emprisonne-mentalement-.htm"&gt;Les Echos &lt;/a&gt;(Sept, 1), &lt;a href="http://www.liberation.fr/cinema/0101655296-le-festival-de-venise-s-ouvre-sur-fond-de-polemique"&gt;Liberation&lt;/a&gt; (Sept, 1)&lt;br /&gt;Germany: &lt;a href="http://www.welt.de/channels-extern/ipad/kultur_ipad/article9363484/Ich-musste-nackt-in-der-Kaelte-stehen.html"&gt;Die Welt&lt;/a&gt; (Sept, 3), &lt;a href="http://www.sueddeutsche.de/kultur/-filmfestspiele-venedig-nicht-dabei-und-trotzdem-stolz-1.995574"&gt;Sueddeutsche Zeitung&lt;/a&gt; (Sept, 3) &lt;br /&gt;India: &lt;a href="http://www.indiareport.com/India-usa-uk-news/latest-news/891133/International/2/20/2"&gt;India Report&lt;/a&gt; (Sept, 2)&lt;br /&gt;Indonesia: &lt;a href="http://www.thejakartaglobe.com/lifeandtimes/iranian-director-unbowed-by-restrictive-regime/394222"&gt;Jakarta Globe&lt;/a&gt; (Sept, 2)&lt;br /&gt;Quatar: &lt;a href="http://www.thepeninsulaqatar.com/international/125250-panahi-relies-on-patience-resistance.html"&gt;The Peninsula&lt;/a&gt; (Sept, 3)&lt;br /&gt;Spain: &lt;a href="http://www.elpais.com/articulo/cultura/Mostra/afila/cuchillos/elpepicul/20100902elpepicul_2/Tes"&gt;El Pais&lt;/a&gt; (Sept, 2)&lt;br /&gt;Switzerland: &lt;a href="http://www.tdg.ch/depeches/monde/cineaste-jafar-panahi-prive-mostra-dit-emprisonne-mentalement"&gt;Tribune de Geneve&lt;/a&gt; (Sept, 1)&lt;br /&gt;Turkey: &lt;a href="http://hurarsiv.hurriyet.com.tr/goster/ShowNew.aspx?id=15693627"&gt;Hurriyet&lt;/a&gt; (Sept, 2)&lt;br /&gt;UK: &lt;a href="http://www.guardian.co.uk/film/2010/sep/02/iranian-film-maker-venice-festival"&gt;The Guardian&lt;/a&gt; (Sept, 2), &lt;a href="http://www.independent.co.uk/arts-entertainment/films/venice-film-festival-kicks-off-with-aronofskys-black-swan-2067828.html"&gt;The Independent &lt;/a&gt;(Sept, 1)&lt;br /&gt;United Arab Emirates: &lt;a href="http://www.khaleejtimes.com/DisplayArticleNew.asp?col=&amp;amp;section=entertainment&amp;amp;xfile=data/entertainment/2010/September/entertainment_September12.xml"&gt;Khaleeji Times&lt;/a&gt; (Sept, 2)&lt;br /&gt;USA: &lt;a href="http://www.variety.com/article/VR1118023660.html?categoryid=4076&amp;amp;cs=1&amp;amp;nid=2562&amp;amp;utm_source=twitterfeed&amp;amp;utm_medium=twitter&amp;amp;utm_campaign=Feed:+variety/headlines+%28Variety+-+Latest+News%29"&gt;Variety&lt;/a&gt; (Sept,2)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-2273193011879693897?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/2273193011879693897/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2010/09/accordion-back-from-venice-film.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/2273193011879693897'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/2273193011879693897'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2010/09/accordion-back-from-venice-film.html' title='The Accordion: back from Venice Film Festival'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-2916075240577229288</id><published>2010-08-31T16:56:00.001+02:00</published><updated>2010-09-06T12:49:34.662+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='THEN AND NOW Beyond Borders and Differences'/><title type='text'>Jafar Panahi interviewed on Corriere della Sera and La Repubblica</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_YCTv9QE9BSg/TH0Uq9x89pI/AAAAAAAABNY/a8eoD64ZFck/s1600/The+Accordion_001.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_YCTv9QE9BSg/TH0Uq9x89pI/AAAAAAAABNY/a8eoD64ZFck/s320/The+Accordion_001.jpeg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #4c4c4c; font-family: Georgia,'Times New Roman',serif; font-size: small; line-height: 24px;"&gt;Today Italian newspapers&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #4c4c4c; font-family: Georgia,'Times New Roman',serif; font-size: small; line-height: 24px;"&gt;&lt;b&gt;Corriere della Sera &lt;span class="Apple-style-span" style="font-weight: normal;"&gt;and &lt;/span&gt;la Repubblica&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #4c4c4c; font-family: Georgia,'Times New Roman',serif; font-size: small; line-height: 24px;"&gt;published articles about&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #4c4c4c; font-family: Georgia,'Times New Roman',serif; font-size: small; line-height: 24px;"&gt;&lt;b&gt;&lt;i&gt;The Accordion&lt;/i&gt;, &lt;/b&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #4c4c4c; font-family: Georgia,'Times New Roman',serif; font-size: small; line-height: 24px;"&gt;a short movie&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #4c4c4c; font-family: Georgia,'Times New Roman',serif; font-size: small; line-height: 24px;"&gt;&lt;i&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #4c4c4c; font-family: Georgia,'Times New Roman',serif; font-size: small; line-height: 24px;"&gt;by&amp;nbsp;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #4c4c4c; font-family: Georgia,'Times New Roman',serif; font-size: small; line-height: 24px;"&gt;&lt;b&gt;Jafar Panahi &lt;/b&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #4c4c4c; font-family: Georgia,'Times New Roman',serif; font-size: small; line-height: 24px;"&gt;that will be presented tomorrow at &lt;b&gt;Venice Days 2010&lt;/b&gt;.&lt;/span&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;div style="text-align: center;"&gt;&lt;span class="Apple-style-span" style="color: #4c4c4c; font-family: Georgia,'Times New Roman',serif; font-size: small; line-height: 24px;"&gt;The interviews are available at:&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="post-body entry-content" style="color: #4c4c4c; font-family: Georgia,Times,serif; font-size: 15px; line-height: 1.6em; margin: 0px 0px 0.75em;"&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-family: Georgia,'Times New Roman',serif; font-size: small;"&gt;&lt;a href="http://cinema-tv.corriere.it/cinema/speciali/2010/venezia-festival-cinema-2010/iran-panhai-prigione_d214c13a-b4f0-11df-8e04-00144f02aabe.shtml."&gt;Corriere della Sera&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,'Times New Roman',serif; text-align: center;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;a href="http://www.repubblica.it/esteri/2010/08/31/news/il_regista_panahi_difende_la_donna_mai_pi_condanne_a_morte-6643984/index.html?ref=search"&gt;la Repubblica&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-2916075240577229288?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/2916075240577229288/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2010/08/jafar-panahi-interviewed-on-corriere.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/2916075240577229288'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/2916075240577229288'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2010/08/jafar-panahi-interviewed-on-corriere.html' title='Jafar Panahi interviewed on Corriere della Sera and La Repubblica'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_YCTv9QE9BSg/TH0Uq9x89pI/AAAAAAAABNY/a8eoD64ZFck/s72-c/The+Accordion_001.jpeg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-1376218125980094684</id><published>2010-08-30T13:45:00.003+02:00</published><updated>2010-08-30T13:50:06.054+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='THEN AND NOW Beyond Borders and Differences'/><title type='text'>ART for The World and VENICE DAYS express solidarity with Jafar Panahi</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&amp;nbsp;&lt;a href="http://4.bp.blogspot.com/_YCTv9QE9BSg/THuaNg-4a0I/AAAAAAAABNI/xYInUSUQuCs/s1600/venicedayslogo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_YCTv9QE9BSg/THuaNg-4a0I/AAAAAAAABNI/xYInUSUQuCs/s320/venicedayslogo.jpg" /&gt;&lt;/a&gt;&lt;a href="http://4.bp.blogspot.com/_YCTv9QE9BSg/THuaRmCsklI/AAAAAAAABNQ/d4keY-PF6b8/s1600/AfTW_fondoBianco.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_YCTv9QE9BSg/THuaRmCsklI/AAAAAAAABNQ/d4keY-PF6b8/s320/AfTW_fondoBianco.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;u&gt;&lt;span lang="EN-US"&gt;Press release&lt;/span&gt;&lt;/u&gt;&lt;br /&gt;&lt;span lang="EN-US"&gt;30/08/2010&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span lang="EN-US"&gt;&lt;a href="http://www.venice-days.com/"&gt;&lt;b&gt;Venice Days&lt;/b&gt;&lt;/a&gt; and the NGO &lt;b&gt;ART &lt;i&gt;for The&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;span lang="EN-US"&gt;&lt;b&gt; World&lt;/b&gt; –&amp;nbsp;producer&amp;nbsp; of the&amp;nbsp; film &lt;i&gt;THEN AND NOW Beyond Borders and Differences&lt;/i&gt;&lt;/span&gt;&lt;span lang="EN-US"&gt; on the art.18 of the UDHR (freedom of expression) which includes &lt;b&gt;Jafar Panahi’s &lt;i&gt;The Accordion&lt;/i&gt;&lt;/b&gt;&lt;i&gt; &lt;/i&gt;–&amp;nbsp;together express their total solidarity for the Iranian director’s freedom to accompany his film to the &lt;b&gt;opening of Venice Days 2010&lt;/b&gt; on &lt;b&gt;September 1&lt;/b&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;  &lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-US"&gt;Panahi today said once again that he trusts he will be able to come to Venice, 10 years after winning the Golden Lion that consolidated his international success, for &lt;i&gt;The Circle&lt;/i&gt;. “My new short film,” he says, “is an auspice for tolerance and the capacity for comprehension.” &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-US"&gt;According to &lt;b&gt;Giorgio Gosetti&lt;/b&gt;, delegate general of Venice Days: “We believed from the onset in &lt;i&gt;The Accordion&lt;/i&gt;, and thanks to the commitment of Adelina von Fürstenberg, President of ART&lt;i&gt; for The &lt;/i&gt;&lt;/span&gt;&lt;span lang="EN-US"&gt;World, we were able to include its world premiere in our inaugural program of September 1, and feel it is the best possible recognition of the artistic value of his new work. We still hope to receive good news in the upcoming days and to welcome Panahi at Venice, a natural place for artists to express themselves.” &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-US"&gt;Shot in the Teheran bazaar last winter, &lt;i&gt;The Accordion &lt;/i&gt;will be brought to Venice by the Iranian director &lt;b&gt;Mazdak Taebi&lt;/b&gt;, who shared with Panahi this extraordinary creative and cinematic adventure.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-US"&gt;For more info:&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-US"&gt;&lt;/span&gt;&lt;a href="http://www.venice-days.com/"&gt;www.venice-days.com&lt;/a&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-US"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-US"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-US"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-US"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-US"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-1376218125980094684?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/1376218125980094684/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2010/08/art-for-world-and-venice-days-express.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/1376218125980094684'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/1376218125980094684'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2010/08/art-for-world-and-venice-days-express.html' title='ART for The World and VENICE DAYS express solidarity with Jafar Panahi'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_YCTv9QE9BSg/THuaNg-4a0I/AAAAAAAABNI/xYInUSUQuCs/s72-c/venicedayslogo.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-3857504259366764593</id><published>2010-08-06T15:34:00.014+02:00</published><updated>2010-08-09T18:19:15.372+02:00</updated><title type='text'>Jafar Panahi’s new film makes its World Premiere at the Venice Days</title><content type='html'>&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: left;"&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;a href="http://4.bp.blogspot.com/_YCTv9QE9BSg/TFwseFfRGHI/AAAAAAAABLw/-oSwnrK9-fc/s1600/venice_days1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_YCTv9QE9BSg/TFwseFfRGHI/AAAAAAAABLw/-oSwnrK9-fc/s320/venice_days1.jpg" /&gt;&lt;/a&gt;&lt;a href="http://2.bp.blogspot.com/_YCTv9QE9BSg/TFwsxnQ1R6I/AAAAAAAABMA/fvK63L1b5Kk/s1600/8_OKLSu1uBQ3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_YCTv9QE9BSg/TFwsxnQ1R6I/AAAAAAAABMA/fvK63L1b5Kk/s320/8_OKLSu1uBQ3.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;ON SEPTEMBER &lt;span style="font-size: small;"&gt;1&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;st, 2010 AT THE VENICE DAYS&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: left;"&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;DURING THE 67th EDITION OF VENICE FILM FESTIVAL&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;THE WORLD PREMIERE OF THE SHORT FILM&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: center;"&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;THE ACCORDION by Jafar Panahi&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: left;"&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;Produced by &lt;b&gt;ART &lt;i&gt;for The&lt;/i&gt; World&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: left;"&gt;&lt;span style="font-size: small;"&gt; Co-produced by &lt;b&gt;Dorje Film &lt;/b&gt;(Rome)&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: left;"&gt;&lt;span style="font-size: small;"&gt;In partnership with &lt;b&gt;SESC Sao Paulo&lt;/b&gt; and &lt;b&gt;ARTE France&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;With the support of the &lt;b&gt;Cultural Department of the City of Geneva&lt;/b&gt; (Switzerland) and the&lt;b&gt; Region Emilia Romagna&lt;/b&gt;, &lt;b&gt;Cineteca di Bologna&lt;/b&gt;,&amp;nbsp; &lt;b&gt;Solares Fondazione delle Arti, Parma &lt;/b&gt;(Italy)&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;span lang="EN-GB"&gt;&lt;b&gt;Jafar Panahi&lt;/b&gt; has been invited to open the &lt;b&gt;Giornate degli Autori/Venice Days&lt;/b&gt; at the 67th edition of the &lt;b&gt;Venice Film Festival&lt;/b&gt; with the &lt;b&gt;World Premiere&lt;/b&gt; of his latest short movie &lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;span lang="EN-GB"&gt;&lt;i&gt;The Accordion&lt;/i&gt;. The screening will take place on September 1st&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;span lang="EN-GB"&gt;at the Venice Lido's Palazzo del Cinema.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;b&gt;&lt;span style="font-size: small;"&gt;&lt;span lang="EN-GB"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;span lang="EN-US" style="color: black;"&gt;&lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span lang="EN-US" style="color: black; font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;b&gt;&lt;i&gt;The Accordion&lt;/i&gt; &lt;/b&gt;- produced by ART &lt;i&gt;for The&lt;/i&gt; World and shot in Tehran -&amp;nbsp; is focused on two young street musicians who play the accordion and the tablas in order to earn their living. One day, while they are playing next to a mosque, their accordion is taken away from them due to an accident…&lt;o:p&gt;&lt;/o:p&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;span lang="EN-US" style="color: black; font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;This brief and forceful tale, dealing with the theme&lt;/span&gt;&lt;/span&gt;&lt;span lang="EN-US" style="color: black; font-family: Arial; font-size: 10pt;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt; of Non-Violence, portrays the Iranian director's entire artistic world and is a metaphor for the new generations who, led by understanding, prefer solidarity over conflicts.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span lang="EN-US" style="color: black; font-family: Arial; font-size: 10pt;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;On September 2nd a special pannel with &lt;b&gt;Jafar Panahi&lt;/b&gt; and his friend, the Iranian actor and filmmaker &lt;b&gt;Mazdak Taebi&lt;/b&gt; shall take place on the topics treated in his work, with the participation of international media, as well as a Masterclass with young cinephiles from all EU countries.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;span lang="EN-US" style="color: black; font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;The Accordion&lt;/i&gt; is part of our collective film production &lt;b&gt;THEN AND NOW &lt;i&gt;Beyond Borders and Differences&lt;/i&gt;&lt;/b&gt;. The project - based on the article 18 of the UDHR&amp;nbsp; "Everybody has the right to freedom of thought, conscience and religion" - aims &lt;o:p&gt;&lt;/o:p&gt;to showcase shared beliefs and peaceful coexistence among the world major religions. Initiated by UN's Alliance of Civilizations and under the patronage of the Council of Europe, the long feature will bring together approx. 15 short-movies &lt;o:p&gt;&lt;/o:p&gt;by renowned filmmakers and will be presented at the &lt;b&gt;Film Festival and Forum on Human Rights in Geneva&lt;/b&gt;, in early March 2011.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;span lang="EN-US" style="color: black; font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;The Accordion&lt;/i&gt; will be also presented at the &lt;b&gt;Montreal World Film Festival&lt;/b&gt; on September 4th, at the occasion of the director's retrospective.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_YCTv9QE9BSg/TE8GYG1_c9I/AAAAAAAABKI/7VoMjsG1VmQ/s1600/The+Accordion_001.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="180" src="http://1.bp.blogspot.com/_YCTv9QE9BSg/TE8GYG1_c9I/AAAAAAAABKI/7VoMjsG1VmQ/s320/The+Accordion_001.jpeg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_YCTv9QE9BSg/TFwLWo4MblI/AAAAAAAABLA/bDEAN7MBIXs/s1600/The+Accordion_002.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_YCTv9QE9BSg/TFwLWo4MblI/AAAAAAAABLA/bDEAN7MBIXs/s320/The+Accordion_002.jpeg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;span lang="EN-US" style="color: black; font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;span lang="EN-US" style="color: black; font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;span lang="EN-US" style="color: black; font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;span lang="EN-US" style="color: black; font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;span lang="EN-US" style="color: black; font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;span lang="EN-US" style="color: black; font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;span lang="EN-US" style="color: black; font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;  &lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin: 0cm -16.5pt 0.0001pt 14.2pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-3857504259366764593?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/3857504259366764593/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2010/08/jafar-panahis-new-film-makes-its-world.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/3857504259366764593'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/3857504259366764593'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2010/08/jafar-panahis-new-film-makes-its-world.html' title='Jafar Panahi’s new film makes its World Premiere at the Venice Days'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_YCTv9QE9BSg/TFwseFfRGHI/AAAAAAAABLw/-oSwnrK9-fc/s72-c/venice_days1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-6528642900418946901</id><published>2010-07-14T16:17:00.007+02:00</published><updated>2010-07-22T14:07:23.568+02:00</updated><title type='text'>ART for The World's next projects in September - October 2010</title><content type='html'>ART &lt;i&gt;for The&lt;/i&gt; World is closed for the summer break until the end of August.&lt;br /&gt;We wish you nice summer holiday and we will be back in September with our activities and new projects.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="color: #b45f06;"&gt;&lt;b&gt;OUR NEXT EXHIBITIONS&lt;/b&gt;&lt;/div&gt;&lt;b&gt;ANDREA MARESCALCHI&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Scimmiottarsi&lt;/b&gt;&lt;br /&gt;Opening: &lt;b&gt;September 27, 2010&lt;/b&gt;&lt;br /&gt;Milan, at Open Care (Via Piranesi, 10)&lt;br /&gt;&lt;br /&gt;The exhibition will feature a series of new paintings focused on animals.&lt;br /&gt;During the opening, an open discussion will take place with the artist and Prof. Giorgio Celli, ethologist and Professor at the Bologna University.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_YCTv9QE9BSg/TD2BIn9CrII/AAAAAAAABJg/_8ywa0w45Z8/s1600/scimmiottarsi+6A+copia.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="166" src="http://4.bp.blogspot.com/_YCTv9QE9BSg/TD2BIn9CrII/AAAAAAAABJg/_8ywa0w45Z8/s320/scimmiottarsi+6A+copia.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;b&gt;RESPIRO (Breath)&lt;/b&gt;&lt;br /&gt;Opening: &lt;b&gt;October 8, 2010&lt;/b&gt;&lt;br /&gt;Vicenza, at Fondazione Zoé, Spazio Monotono, Loggia del Capitaniato and&amp;nbsp; Teatro Nuovo &lt;b&gt;&lt;/b&gt;&lt;br /&gt;In collaboration with Fondazione Zoé, Vicenza (Italy)&lt;br /&gt;&lt;br /&gt;&lt;i&gt;&lt;b&gt;Respiro&lt;/b&gt; &lt;/i&gt;(Breath) is a collective exhibition that will be  hosted in different spaces and venues around the City of Vicenza.&lt;br /&gt;In the contest of the event "Vivere Sani Vivere Bene" (Live Healthy, Live Well),&amp;nbsp; the&amp;nbsp; &lt;b&gt;Fondazione  Zoé/Zambon Group&lt;/b&gt; has invited ART &lt;i&gt;for The &lt;/i&gt;World to organize  an exhibition focused on the theme of health and more in particular on  breath, apnea, blow, diving,  sleep, silence, immersion, soul, murmur,  calm...&lt;br /&gt;The collaboration with Zambon Group and ART &lt;i&gt;for The&lt;/i&gt;  World started in 1998 at the occasion of the exhibition &lt;b&gt;&lt;i&gt;The Edge  of Awareness&lt;/i&gt;&lt;/b&gt;, a traveling exhibition with large installations  and billboards by more than 40 international artists (Sol LeWitt, Nari  Ward, Robert Rauschenberg, among others). The exhibiton - presented in  Milan, New York, New Delhi, Sao Paulo and Geneva - was organized at the  occasion of the 50th Anniversary of the OMS focusing on the theme of  phisical and mental health.&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Respiro&lt;/i&gt; is therefore the ideal  prosecution of this first exhibition and collaboration and a further  dialogue on such important issue, featuring:&lt;br /&gt;&lt;br /&gt;Video and audio installations by &lt;b&gt;Vito Acconci, Sheba Chhachhi, Masbedo, Nikos Navridis, Farid Rahimi&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_YCTv9QE9BSg/TD2FEWTqGZI/AAAAAAAABJo/MSHK3lWKlgc/s1600/NAVRIDIS_Difficult+Breaths+%233.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_YCTv9QE9BSg/TD2FEWTqGZI/AAAAAAAABJo/MSHK3lWKlgc/s320/NAVRIDIS_Difficult+Breaths+%233.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;&amp;nbsp;Nikos Navridis, &lt;i&gt;Difficult Breath #3 &lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;Billboards from the Zambon Group Collection by &lt;b&gt;Stefano Arienti, Silvie Defraoui, Alfredo Jaar, Ilya Kabakov, Sol LeWitt, Matt Mullican, Robert Rauschenberg, Pat Steir.&lt;/b&gt;&lt;br /&gt;The billboards were produced by ART &lt;i&gt;for The&lt;/i&gt; World in the contest of the traveling exhibition &lt;i&gt;The Edge of Awareness&lt;/i&gt; (1998-99).&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_YCTv9QE9BSg/TD2GYQ_0qpI/AAAAAAAABJ4/Ts4813hm8tc/s1600/Whole_Robert+Rauschenberg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="160" src="http://1.bp.blogspot.com/_YCTv9QE9BSg/TD2GYQ_0qpI/AAAAAAAABJ4/Ts4813hm8tc/s320/Whole_Robert+Rauschenberg.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;Robert Rauschenberg, &lt;i&gt;Whole&lt;/i&gt;, 1998&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b style="color: #e69138;"&gt; &lt;span style="color: #b45f06;"&gt;OUR FILMS ON VIEW in July-September&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="color: black; font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: left;"&gt;&lt;span style="font-size: small;"&gt;•&lt;o:p&gt;&lt;/o:p&gt; USA, Big Sur (California), June - August: &lt;i&gt;Stories on Human Rights&lt;/i&gt; at &lt;b&gt;Big Sur International Short Film Screening&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: black; font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: left;"&gt;&lt;span style="font-size: small;"&gt;•&lt;o:p&gt;&lt;/o:p&gt; USA, San Francisco, July 23 - August 10: &lt;i&gt;What About Me? &lt;/i&gt;by E. Keret and S. Geffen at &lt;b&gt;San Francisco Jewish Film Festival&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;• Netherlands, Amsterdam, August: &lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;A  Boy, a Wall and a Donkey&lt;/i&gt;  (Hany Abu-Assad) and&amp;nbsp; &lt;i&gt;Impasse &lt;/i&gt;(B. Schouw) will be screened at the  &lt;b&gt;Van Gogh Museum&lt;/b&gt; during the Friday nights screenings&lt;/span&gt;&lt;br /&gt;&lt;div style="color: black; font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: left;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;•&lt;/span&gt;&lt;o:p style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;/o:p&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt; India, Chennai, August 28: Screening at the &lt;/span&gt;&lt;b style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;Alliance Française of Madras&lt;/b&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt; of the first 5 short movies of the long feature film THEN AND NOW &lt;/span&gt;&lt;i style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;Beyond Borders and Differences&lt;/i&gt;&lt;b style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt; &lt;/b&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;by&lt;/span&gt;&lt;b style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt; &lt;/b&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;Tata Amaral, Fanny Ardant, Masbedo, Idrissa Ouedraogo, Robert Wilson&lt;/span&gt;&lt;b&gt; &lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;• Netherlands, The Hague, September 5: &lt;i&gt;A Boy, a Wall and a Donkey&lt;/i&gt; (Hany Abu-Assad), &lt;i&gt;Impasse&lt;/i&gt; (B. Schouw), &lt;i&gt;What About Me?&lt;/i&gt; (E. Keret and S. Geffen), &lt;i&gt;The Final Match&lt;/i&gt; (S. Salour) will be screened during the event &lt;b&gt;The Cultural Market of The Hague&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: black; font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: left;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-6528642900418946901?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/6528642900418946901/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2010/07/art-for-worlds-next-projects-in.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/6528642900418946901'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/6528642900418946901'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2010/07/art-for-worlds-next-projects-in.html' title='ART for The World&apos;s next projects in September - October 2010'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_YCTv9QE9BSg/TD2BIn9CrII/AAAAAAAABJg/_8ywa0w45Z8/s72-c/scimmiottarsi+6A+copia.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-8703896180190091859</id><published>2010-07-05T17:49:00.000+02:00</published><updated>2010-07-05T17:49:35.327+02:00</updated><title type='text'>The Guardian's interview to Fanny Ardant on discrimination against Roma</title><content type='html'>&lt;div style="text-align: justify;"&gt;Following the shooting of the short movie &lt;i&gt;Chimères Absentes&lt;/i&gt; against prejudices towards Roma for the film project THEN AND NOW &lt;i&gt;Beyond Borders and Different&lt;/i&gt;, on June 23rd at the launch of the &lt;b&gt;Council of Europe's Dosta!  campaign&lt;/b&gt;, the French actress and director &lt;b&gt;Fanny Ardant&lt;/b&gt; responded to&amp;nbsp; the questions of &lt;i&gt;The Guardian&lt;/i&gt; correspondent Afua  Hirsch on Europe's treatment of the Roma people.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_YCTv9QE9BSg/TDGtAOGTgoI/AAAAAAAABIY/XoT4hhceaZM/s1600/Immagine+2.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_YCTv9QE9BSg/TDGtAOGTgoI/AAAAAAAABIY/XoT4hhceaZM/s320/Immagine+2.png" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;The interview and the short movie are available on &lt;i&gt;The Guardian&lt;/i&gt; website at the following links:&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://www.guardian.co.uk/law/video/2010/jun/23/fanny-ardant-roma"&gt;http://www.guardian.co.uk&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://www.guardian.co.uk/law/video/2010/jun/28/law-roma-fanny-ardent"&gt;http://www.guardian.co.uk/law/video&lt;/a&gt;&amp;nbsp;  &lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-8703896180190091859?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/8703896180190091859/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2010/07/guardians-interview-to-fanny-ardant-on.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/8703896180190091859'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/8703896180190091859'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2010/07/guardians-interview-to-fanny-ardant-on.html' title='The Guardian&apos;s interview to Fanny Ardant on discrimination against Roma'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_YCTv9QE9BSg/TDGtAOGTgoI/AAAAAAAABIY/XoT4hhceaZM/s72-c/Immagine+2.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-2412112323323783311</id><published>2010-06-01T18:40:00.008+02:00</published><updated>2010-06-02T22:15:16.406+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Hangar Bicocca'/><title type='text'>Some of our past projects:  our collaboration with Hangar Bicocca, Milan, between 2005-2008</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_YCTv9QE9BSg/TAU1nnKOtJI/AAAAAAAABGw/Z357fmkvYzY/s1600/PICT2753.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;br /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_YCTv9QE9BSg/TAU4iJbQ9PI/AAAAAAAABII/ku67OWTKjh8/s1600/Hangar_outside_1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_YCTv9QE9BSg/TAU4iJbQ9PI/AAAAAAAABII/ku67OWTKjh8/s320/Hangar_outside_1.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;In 2005, Adelina von Fürstenberg funded in Milan in the premises of NABA (New Academy of Fine Art) in via Darwin 20, ART &lt;i&gt;for The&lt;/i&gt; World Europa, the&amp;nbsp; sister NGO of Geneva based ART &lt;i&gt;for The&lt;/i&gt; World.&amp;nbsp; &lt;br /&gt;Since then, and until 2008, it started a close collaboration with Hangar Bicocca, a space dedicated to international contemporary art located in a former industrial building.&lt;br /&gt;&lt;br /&gt;ART &lt;i&gt;for The &lt;/i&gt;World Europa curated the following exhibitions in the venue of Hangar Bicocca:&lt;br /&gt;&lt;br /&gt;&lt;b style="color: #b45f06;"&gt;&lt;i&gt;PLAYGROUNDS AND TOYS&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;28th October -&amp;nbsp; 23rd December 2005&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_YCTv9QE9BSg/TAU1nnKOtJI/AAAAAAAABGw/Z357fmkvYzY/s1600/PICT2753.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_YCTv9QE9BSg/TAU1nnKOtJI/AAAAAAAABGw/Z357fmkvYzY/s320/PICT2753.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;br /&gt;Since 2000, travelling in the museums all over the world, from Geneve to Rome, New York, Lugano, London, Paris, Montecarlo and Bruxelles, the exhibition Playgrounds and Toys was the first art project of Art for The World Europa in Milan at Hangar Bicocca in October 2005. &lt;br /&gt;It showed models of playgrounds and educational toys created by artists, architects and designers from all over the world. The aim of this project, launched on the occasion of the 50th anniversary of the United Nations High Commissioner for Refugees in 2000, is to provide concrete help to children who suffer from social injustice or live in unacceptable conditions even in the urban context.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b style="color: #b45f06;"&gt;Marina Abramovic’s &lt;i&gt;BALKAN EPIC&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;20th January 2006 - 23rd April 2006&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_YCTv9QE9BSg/TAU14j1c_DI/AAAAAAAABG4/D28cZ0ItFIU/s1600/015.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_YCTv9QE9BSg/TAU14j1c_DI/AAAAAAAABG4/D28cZ0ItFIU/s320/015.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_YCTv9QE9BSg/TAU2AZPzwBI/AAAAAAAABHA/qDUgku1zMtk/s1600/Abramovic_3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_YCTv9QE9BSg/TAU2AZPzwBI/AAAAAAAABHA/qDUgku1zMtk/s320/Abramovic_3.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;The exhibition has been conceived as a spectacular journey into Marina Abramovic' work. &lt;br /&gt;In particular, it showed, for the first time, the multi-channel installation &lt;i&gt;Balkan Erotic Epic&lt;/i&gt;, based on Abramovic's research into Balkan folk culture and its use of erotic. According to her, “It is through eroticism that the human tries to make himself equal with the gods: 'In folklore, people believed that in the erotic there was something superhuman that doesn't come from him but from the gods. Obscene objects and male and female genitals have a very important function in the fertility and agricultural rites of Balkan peasants' '. Balkan Erotic Epic belongs to a series of works that reflect Abramovic's Serbian origins, also including the installations 'Balkan Baroque' and 'Count on Us' as well as the single-channel works 'The Hero' and 'Tesla Urn', which are also included in the exhibition, together with Nude with Skeleton, a still-life that focus on the relationship between life and death.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b style="color: #b45f06;"&gt;&lt;i&gt;COLLATERAL When Art Looks at Cinema&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;February 2 - March 15, 2007&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_YCTv9QE9BSg/TAU2S07cdTI/AAAAAAAABHI/RnEDFZ5r5aw/s1600/30.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_YCTv9QE9BSg/TAU2S07cdTI/AAAAAAAABHI/RnEDFZ5r5aw/s320/30.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_YCTv9QE9BSg/TAU5a5TipQI/AAAAAAAABIQ/yXEgVIsWCuE/s1600/27.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_YCTv9QE9BSg/TAU5a5TipQI/AAAAAAAABIQ/yXEgVIsWCuE/s320/27.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;Artists: Cory Arcangel, Pierre Bismuth, Candice Breitz, Brice Dellsperger, Charles de Meaux, Omer Fast, Thomas Galler, Liam Gillick &amp;amp; Philippe Parreno, Christoph Girardet &amp;amp; Matthias Müller, Pierre Huyghe, Runa Islam, Mike Kelley, Dimitris Kozaris, Melik Ohanian, Carola Spadoni Clemens von Wedemeyer&lt;br /&gt;&lt;br /&gt;Co-curated with Anna Daneri and Andrea Lissoni, &lt;i&gt;COLLATERAL&lt;/i&gt;, shows the relationships and mutual influence between art and cinema. It offers a journey where works by artists from different generations and backgrounds are shown next to the founding figures of the medium. Some are more connected to the tradition of “cult” cinema, some more to that of video art, some to an installation in the exhibition space, and some more to experimental cinema.&lt;br /&gt;The installation, designed by architect Andreas Angelidakis, creates a space of screens and projections, a huge Plato’s cave with geometric objects emitting a soft light from inside. Each work is housed in a open screening room, a dark cave with three walls and side opposite the projection left open. Visitors can enter each of these caves and enjoy the film in darkness or step outside and study from far away.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b style="color: #b45f06;"&gt;&lt;i&gt;URBAN MANNERS. 15 Contemporary Artists from India&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;October 19th, 2007 – January 6th, 2008&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_YCTv9QE9BSg/TAU271HrLZI/AAAAAAAABHo/eQp_K-l6FvI/s1600/53.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_YCTv9QE9BSg/TAU271HrLZI/AAAAAAAABHo/eQp_K-l6FvI/s320/53.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_YCTv9QE9BSg/TAU3CpRQcBI/AAAAAAAABHw/QC3f3bm4KEM/s1600/18.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_YCTv9QE9BSg/TAU3CpRQcBI/AAAAAAAABHw/QC3f3bm4KEM/s320/18.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;br /&gt;Artists: Sheba Chhachhi, Atul Dodiya, Anita Dube, Probir Gupta, Subodh Gupta, Ranbir Kaleka, Jitish Kallat, Reena Saini Kallat, Bharti Kher, Nalini Malani, Raqs Media Collective, Raghubir Singh, Vivan Sundaram, Hema Upadhyay, Avinash Vereararghavan&lt;br /&gt;&lt;br /&gt;The exhibition presents the works of 15 emblematic Indian artists and reveals the striking contradictions of contemporary India.&lt;br /&gt;The artists who have been invited to Milan are sculptors, painters and video artists whose works are inspired by the issues that distinguish Indian society, such as immigration, environmental protection, the legacy of Mahatma Gandhi, the loss of traditional values, and poverty and wealth in a globalised world.&lt;br /&gt;These works are modern, yet also filled with tradition. As a result, they powerfully express the two souls of contemporary India, where spirituality and the material world, underdevelopment and brand-new technology live together in a fragile balance. The installation was designed by architect Uliva Velo.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-2412112323323783311?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/2412112323323783311/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2010/06/art-for-world-europas-collaborations.html#comment-form' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/2412112323323783311'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/2412112323323783311'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2010/06/art-for-world-europas-collaborations.html' title='Some of our past projects:  our collaboration with Hangar Bicocca, Milan, between 2005-2008'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_YCTv9QE9BSg/TAU4iJbQ9PI/AAAAAAAABII/ku67OWTKjh8/s72-c/Hangar_outside_1.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-675244332021398655</id><published>2010-05-24T16:00:00.009+02:00</published><updated>2010-05-25T14:38:04.621+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Stories on Human Rights'/><category scheme='http://www.blogger.com/atom/ns#' term='Awards'/><category scheme='http://www.blogger.com/atom/ns#' term='THEN AND NOW Beyond Borders and Differences'/><title type='text'>Cannes 2010: Apichatpong Weerasethakul Wins Palme d'Or and Mahamat Saleh Haroun Wins Jury Prize</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_YCTv9QE9BSg/S_qFdoBUy9I/AAAAAAAABFY/i9z_CudQj8U/s1600/palmadoro.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="132" src="http://3.bp.blogspot.com/_YCTv9QE9BSg/S_qFdoBUy9I/AAAAAAAABFY/i9z_CudQj8U/s200/palmadoro.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;b&gt;&lt;i&gt;Uncle Boonmee Who Can Recall His Past Lives&lt;/i&gt;&lt;/b&gt; directed by &lt;b&gt;Apichatpong Weerasethakul &lt;/b&gt;won the prestigious Palme d'Or at Cannes 2010.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;Concerning the award, Tim Burton, president of the jury, commented: “The world is getting smaller and more westernised, more Hollywood-ised and this is a film where I felt I was watching from another country. It was using fantasy elements but in a way I'd never seen before so I just felt it was like a beautiful, strange dream."&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;Accepting the Palm d'Or, Weerasethakul said: "I would like to thank all the spirits and all the ghosts in Thailand who made it possible for me to be here."&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;In 2008, ART &lt;i&gt;for The&lt;/i&gt; World had the pleasure to work with Apichatpong Weerasethakul. He shooted &lt;i&gt;Mobile Men&lt;/i&gt;, one of 22 short-movies from the long-feature film &lt;i&gt;Stories on Human Rights&lt;/i&gt;, in honor of the 60th anniversary of the Universal Declaration of Human Rights.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_YCTv9QE9BSg/S_vB9tPDxlI/AAAAAAAABF4/ZDdl8NJO2f8/s1600/Uncle-Boonmee-Who-Can-Rec-006.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="240" src="http://3.bp.blogspot.com/_YCTv9QE9BSg/S_vB9tPDxlI/AAAAAAAABF4/ZDdl8NJO2f8/s400/Uncle-Boonmee-Who-Can-Rec-006.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;&amp;nbsp;Film Still from Uncle Boonmee Who Can Recall His Past Lives&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&amp;nbsp; &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_YCTv9QE9BSg/S_vBgbkZEoI/AAAAAAAABFo/oAtT6oL8jHY/s1600/news_5065_new.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="154" src="http://4.bp.blogspot.com/_YCTv9QE9BSg/S_vBgbkZEoI/AAAAAAAABFo/oAtT6oL8jHY/s200/news_5065_new.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;&lt;b&gt;Un homme qui crie &lt;/b&gt;(A Screaming Man)&lt;b&gt; &lt;/b&gt;&lt;/i&gt;by Mahamat Saleh Haroun won the Jury Prize.&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;"I come from a country where little exists," said Haroun on receiving his prize. "In this desert-like context I learnt one thing: you have to make films the way you'd prepare dishes for the people you love."&lt;/span&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;The Chadian director is going to shoot a short-film produced by ART &lt;i&gt;for The&lt;/i&gt; World for the long-film THEN AND NOW &lt;i&gt;Beyond Borders and Differences.&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_YCTv9QE9BSg/S_vDffy0bGI/AAAAAAAABGA/BHhN6N-gRVc/s1600/A-Screaming-Man.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="186" src="http://3.bp.blogspot.com/_YCTv9QE9BSg/S_vDffy0bGI/AAAAAAAABGA/BHhN6N-gRVc/s400/A-Screaming-Man.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: center;"&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;span style="font-size: x-small;"&gt;Film still from Un homme qui crie&lt;/span&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-675244332021398655?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/675244332021398655/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2010/05/cannes-2010-apichatpong-weerasethakul.html#comment-form' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/675244332021398655'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/675244332021398655'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2010/05/cannes-2010-apichatpong-weerasethakul.html' title='Cannes 2010: Apichatpong Weerasethakul Wins Palme d&apos;Or and Mahamat Saleh Haroun Wins Jury Prize'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_YCTv9QE9BSg/S_qFdoBUy9I/AAAAAAAABFY/i9z_CudQj8U/s72-c/palmadoro.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-7239886844598788202</id><published>2010-05-24T15:47:00.003+02:00</published><updated>2010-05-25T17:36:19.847+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='THEN AND NOW Beyond Borders and Differences'/><category scheme='http://www.blogger.com/atom/ns#' term='Press'/><title type='text'>Chimères absentes by Fanny Ardant on La Repubblica</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_YCTv9QE9BSg/S_qDQgX-R7I/AAAAAAAABFQ/UaAjObLEUF4/s1600/images-1.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="43" src="http://1.bp.blogspot.com/_YCTv9QE9BSg/S_qDQgX-R7I/AAAAAAAABFQ/UaAjObLEUF4/s200/images-1.jpeg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: small;"&gt;On May 23, Italian newspaper &lt;b&gt;La Repubblica &lt;/b&gt;published an article about &lt;i&gt;&lt;b&gt;Chimères absentes &lt;/b&gt;&lt;/i&gt;by &lt;b&gt;Fanny Ardant&lt;/b&gt;.&amp;nbsp; &lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;The article is available online at:&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://www.repubblica.it/persone/2010/05/23/news/fanny_ardant_rom-4280991/"&gt;http://www.repubblica.it/persone/2010/05/23/news/fanny_ardant_rom-4280991/&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-family: georgia; font-size: 100%;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-7239886844598788202?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/7239886844598788202/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2010/05/chimeres-absentes-by-fanny-ardant-on-la.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/7239886844598788202'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/7239886844598788202'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2010/05/chimeres-absentes-by-fanny-ardant-on-la.html' title='Chimères absentes by Fanny Ardant on La Repubblica'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_YCTv9QE9BSg/S_qDQgX-R7I/AAAAAAAABFQ/UaAjObLEUF4/s72-c/images-1.jpeg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-1086409933396899600</id><published>2010-05-06T16:44:00.023+02:00</published><updated>2010-05-20T16:44:40.862+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='THEN AND NOW Beyond Borders and Differences'/><title type='text'>Art for The  World's New Film Production</title><content type='html'>&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; margin-bottom: 0cm; text-align: justify;"&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;span style="font-size: x-large;"&gt;&lt;b&gt;&amp;nbsp;&lt;span style="font-size: x-large;"&gt;THEN AND NOW&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;b&gt;&lt;i&gt;Beyond Borders and Differences&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Inspired by the article 18 of UDHR, the article 9 of the Council of Europe ECHR and the article 10 of the Charter of Fundamental Rights of the European Union “Everyone has the right &amp;nbsp;to freedom of thought, &lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt; conscience and religion", ART &lt;i&gt;for The&lt;/i&gt; World has &amp;nbsp;invited indipendent &amp;nbsp;filmmakers to highlight, in &lt;/span&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt; approx. 6' short films, &amp;nbsp;awareness of the complexity of cultures and beliefs. &amp;nbsp; &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt; The production has &amp;nbsp;started in spring 2010 &amp;nbsp;and &amp;nbsp;will be launched in 2011. &amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt; The participant artists and filmmakers are, &amp;nbsp;among others, &amp;nbsp;Tata Amaral (Brazil), Fanny Ardant &lt;/span&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt; (France), &amp;nbsp;Faouzi Bensaidi (Morocco), Sergei Bodrov (Russia), Isabelle Coixet (Spain), Mahanat-&lt;/span&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt; Saleh Haroun (Tchad), Hüseyin Karabey (Turkey), Masbedo (Italy), Murali Nair (India), Guka &lt;/span&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt; Omarova (Kazakhstan), Idrissa Ouédraogo (Burkina Faso), Jafar Panahi (Iran), Abderrahmane &lt;/span&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt; Sissako &amp;nbsp;(Mauritania/Ethiopia) and Robert Wilson (USA).&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;&lt;b&gt; &lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;&lt;b&gt;&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;&lt;b&gt;Chimères Absentes by Fanny Ardant&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt; &lt;/b&gt;&lt;/span&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;span style="color: black;"&gt;The short &lt;/span&gt;tells the story of Sonietcka, a Roma child who is not allowed to eat at the school refectory, because of her family's condition of poverty. Fanny Ardant, who plays a role in the short, has been filming in the historical centre of Formello, a village close to Rome, with professional actors and Roma people. &lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;Chimères Absentes&lt;/i&gt; &lt;/span&gt;&lt;span style="font-size: small;"&gt;is associated with the Council of Europe &lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;Dosta!&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt; Campaign against &lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;span lang="en-GB"&gt;prejudices and stereotypes towards Roma in Europe.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span lang="en-GB"&gt;Making-of in Formello, Rome, Italy, April 2010&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span lang="en-GB"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_YCTv9QE9BSg/S-LU9cr0WtI/AAAAAAAABAw/1zyJJKm6K18/s1600/1_40.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="266" src="http://2.bp.blogspot.com/_YCTv9QE9BSg/S-LU9cr0WtI/AAAAAAAABAw/1zyJJKm6K18/s400/1_40.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_YCTv9QE9BSg/S-LVLxO6qYI/AAAAAAAABA4/pv-lNVAsdxI/s1600/1_48.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://2.bp.blogspot.com/_YCTv9QE9BSg/S-LVLxO6qYI/AAAAAAAABA4/pv-lNVAsdxI/s400/1_48.jpg" width="266" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_YCTv9QE9BSg/S-LVQMj4y4I/AAAAAAAABBA/RFcS3rlYZGU/s1600/2_33.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="266" src="http://1.bp.blogspot.com/_YCTv9QE9BSg/S-LVQMj4y4I/AAAAAAAABBA/RFcS3rlYZGU/s400/2_33.jpg" width="400" /&gt;&lt;/a&gt;&lt;a href="http://1.bp.blogspot.com/_YCTv9QE9BSg/S-LVUvRmbtI/AAAAAAAABBI/yO0trANvukI/s1600/2_78.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="266" src="http://1.bp.blogspot.com/_YCTv9QE9BSg/S-LVUvRmbtI/AAAAAAAABBI/yO0trANvukI/s400/2_78.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_YCTv9QE9BSg/S-LVjlM2TKI/AAAAAAAABBY/z_plOUAPAW4/s1600/2_160.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="266" src="http://1.bp.blogspot.com/_YCTv9QE9BSg/S-LVjlM2TKI/AAAAAAAABBY/z_plOUAPAW4/s400/2_160.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_YCTv9QE9BSg/S-LWZbn5IBI/AAAAAAAABBo/lQsf4J5XSP8/s1600/3_86.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://3.bp.blogspot.com/_YCTv9QE9BSg/S-LWZbn5IBI/AAAAAAAABBo/lQsf4J5XSP8/s400/3_86.jpg" width="266" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: small;"&gt;&lt;span lang="en-GB"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://3.bp.blogspot.com/_YCTv9QE9BSg/S-LVnMV-e2I/AAAAAAAABBg/DoDhjHjTXEk/s1600/3_86.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;/a&gt;&lt;span style="font-size: small;"&gt;&lt;span lang="en-GB"&gt;On set photos by Sandro Weltin/Council of Europe&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;&lt;b&gt;Distante un padre&lt;/b&gt;&lt;/i&gt; &lt;i&gt;(A Far Away Father)&lt;b&gt; by &lt;/b&gt;&lt;b&gt;Masbedo &lt;/b&gt;&lt;/i&gt;&lt;/span&gt;(Nicolò Massazza and Jacopo Bedogni), artists and videomakersm turn an intimate tragedy like the seath of a child into a universal drama. In particular, they focuse on the delicate relationship among life, death and after.&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" style="margin-bottom: 0cm;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_YCTv9QE9BSg/S_FXKj5-6MI/AAAAAAAABEg/GX76y4V4Wpo/s1600/Masbedo_distante+un+padre_2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="250" src="http://4.bp.blogspot.com/_YCTv9QE9BSg/S_FXKj5-6MI/AAAAAAAABEg/GX76y4V4Wpo/s400/Masbedo_distante+un+padre_2.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;Film Still&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt; &lt;/div&gt;&lt;div align="justify" style="margin-bottom: 0cm;"&gt;&lt;span style="color: black; font-size: large;"&gt;&lt;i&gt;&lt;b&gt;La longue marche du caméléon&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="color: black; font-size: large;"&gt; &lt;/span&gt;&lt;/b&gt;&lt;span style="color: black; font-size: large;"&gt;&lt;i&gt;(The Long March of a Chamaleon)&lt;/i&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="color: black; font-size: large;"&gt;&lt;i&gt; &lt;/i&gt;&lt;/span&gt;&lt;span style="color: black; font-size: large;"&gt;by &lt;/span&gt;&lt;span style="color: black; font-size: large;"&gt;Idrissa Ouédraogo&lt;/span&gt;&lt;/b&gt;&lt;span style="color: black; font-size: small;"&gt; examines the role of traditions and superstitions of the Animistic practices in Africa. According to the tradition, the chamaleon anticipates a bad luck premonition. If someone offends a chamaleon, his gesture will be punished.&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" style="margin-bottom: 0cm;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_YCTv9QE9BSg/S_FXRN5FMtI/AAAAAAAABEo/QrUo57iQig8/s1600/Ouedraogo_longue+marche+13+copia.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="225" src="http://1.bp.blogspot.com/_YCTv9QE9BSg/S_FXRN5FMtI/AAAAAAAABEo/QrUo57iQig8/s400/Ouedraogo_longue+marche+13+copia.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_YCTv9QE9BSg/S_FXWgZFmuI/AAAAAAAABEw/Y4HDnmesyWA/s1600/Ouedraogo_longue+marche+14.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="225" src="http://3.bp.blogspot.com/_YCTv9QE9BSg/S_FXWgZFmuI/AAAAAAAABEw/Y4HDnmesyWA/s400/Ouedraogo_longue+marche+14.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: small;"&gt;Film Still&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;&lt;b&gt;Carneval dos Deuses &lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt;(Gods Carnival) &lt;b&gt;by&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;b&gt;&lt;span style="font-size: large;"&gt;&lt;i&gt; &lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;Tata Amaral&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-size: large;"&gt; &lt;/span&gt;deals with the syncretism of beliefs. While making costumes for Carnival, a group of Brazilian children speak about the rituals they practice within their family: Christmas, Hanukkah, Twelth Night, Umbanda rituals, Buddhism. The starting-point of the conversation is Leon's description of Brit Milah, the Jewish ceremony of circumcision.&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" style="margin-bottom: 0cm;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_YCTv9QE9BSg/S_FXgXh_EiI/AAAAAAAABE4/yIeWiwaVtlw/s1600/IMG_2657+2+copia.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="300" src="http://4.bp.blogspot.com/_YCTv9QE9BSg/S_FXgXh_EiI/AAAAAAAABE4/yIeWiwaVtlw/s400/IMG_2657+2+copia.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: small;"&gt;Photo: Otavio Nagano&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_YCTv9QE9BSg/S_FXpI6K4aI/AAAAAAAABFA/b-a6hZ6S6Ek/s1600/IMG_2884+2+copia.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="300" src="http://2.bp.blogspot.com/_YCTv9QE9BSg/S_FXpI6K4aI/AAAAAAAABFA/b-a6hZ6S6Ek/s400/IMG_2884+2+copia.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: small;"&gt;Photo: Caru Alves de Souza&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div align="justify" style="margin-bottom: 0cm;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt; &lt;br /&gt;&lt;span style="font-size: small;"&gt; &lt;/span&gt; &lt;/div&gt;&lt;div align="justify" style="margin-bottom: 0cm;"&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;GAO by Robert Wilson&lt;/b&gt;&lt;/span&gt;&lt;/i&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt; &lt;/i&gt;focuses on the spirit of non-violence. After a close-up of the face of Nobel prize-writer Gao &lt;/span&gt;&lt;span style="color: black; font-size: small;"&gt;&lt;span lang="en-GB"&gt;Xingjian, a phrase starts writing by itself: “Solitude is a necessary condition of freedom”. According to Wilson, solitude can be the reign of one's own universal liberty.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_YCTv9QE9BSg/S_FXvga40uI/AAAAAAAABFI/1puyiFjftXE/s1600/_MG_5218.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://2.bp.blogspot.com/_YCTv9QE9BSg/S_FXvga40uI/AAAAAAAABFI/1puyiFjftXE/s400/_MG_5218.jpg" width="267" /&gt;&lt;/a&gt;&lt;/div&gt;Making-of, photo by Pavel Antonov&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span lang="en-GB"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;span lang="en-GB"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-1086409933396899600?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/1086409933396899600/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2010/05/chimeres-absentes-by-fanny-ardant.html#comment-form' title='5 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/1086409933396899600'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/1086409933396899600'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2010/05/chimeres-absentes-by-fanny-ardant.html' title='Art for The  World&apos;s New Film Production'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_YCTv9QE9BSg/S-LU9cr0WtI/AAAAAAAABAw/1zyJJKm6K18/s72-c/1_40.jpg' height='72' width='72'/><thr:total>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-7455846055563520342</id><published>2010-05-04T15:02:00.007+02:00</published><updated>2010-05-18T15:52:01.757+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Press'/><title type='text'>Council of Europe and ART for The World join forces to produce human rights short films under the banner THEN AND NOW. Beyond Borders and Differences</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: justify;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;Following the worldwide success of the film &lt;b&gt;&lt;i&gt;Stories on Human Rights&lt;/i&gt;&lt;/b&gt;, produced on the occasion of the 60th Anniversary of The Universal Declaration of Human Rights, Art &lt;i&gt;for The&lt;/i&gt; World – under the auspicies of the Council of Europe and the UN Alliance of Civilizations – is producing its second collective film project, entitled &lt;b&gt;THEN AND NOW&lt;/b&gt; &lt;i&gt;&lt;b&gt;Beyond Borders and Differences.&amp;nbsp;&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: justify;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;So far, the first series of five short-movies by &lt;b&gt;Masbedo (Italy), Idrissa Ouédraogo (Burkina Faso), Tata Amaral (Brazil), Robert Wilson (USA) &lt;/b&gt;and &lt;b&gt;Fanny Ardant (France), &lt;/b&gt;will be screened at a world “avant-première” in Brazil: in Sao Paulo, on May 24 2010 at Cinesesc, and in Rio de Janeiro, on May 27, at the Museum of Modern Art, on the occasion of the opening of 3° Forum of UN Alliance of Civilizations. &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: justify;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/i&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_YCTv9QE9BSg/S-Aalwi0ECI/AAAAAAAABAg/hYSknNz082A/s1600/Short+films+under+the+banner+THEN+AND+NOW.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;/span&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;/span&gt;&lt;img border="0" height="400" src="http://2.bp.blogspot.com/_YCTv9QE9BSg/S-Aalwi0ECI/AAAAAAAABAg/hYSknNz082A/s400/Short+films+under+the+banner+THEN+AND+NOW.jpg" width="281" /&gt;&lt;/a&gt;&lt;a href="http://4.bp.blogspot.com/_YCTv9QE9BSg/S-Aa-SsMaTI/AAAAAAAABAo/mpmuuScDtw4/s1600/Short+films+under+the+banner+THEN+AND+NOW+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://4.bp.blogspot.com/_YCTv9QE9BSg/S-Aa-SsMaTI/AAAAAAAABAo/mpmuuScDtw4/s400/Short+films+under+the+banner+THEN+AND+NOW+2.jpg" width="282" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span id="goog_1679992675"&gt;&lt;/span&gt;&lt;span id="goog_1679992676"&gt;&lt;/span&gt;&lt;a href="http://www.blogger.com/"&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-7455846055563520342?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/7455846055563520342/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2010/05/council-of-europe-and-art-for-world.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/7455846055563520342'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/7455846055563520342'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2010/05/council-of-europe-and-art-for-world.html' title='Council of Europe and ART for The World join forces to produce human rights short films under the banner THEN AND NOW. Beyond Borders and Differences'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_YCTv9QE9BSg/S-Aalwi0ECI/AAAAAAAABAg/hYSknNz082A/s72-c/Short+films+under+the+banner+THEN+AND+NOW.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-5526497214356289036</id><published>2010-04-28T16:07:00.005+02:00</published><updated>2010-05-18T15:52:30.401+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Open Care'/><category scheme='http://www.blogger.com/atom/ns#' term='Exhibitions'/><title type='text'>Opening of ARAL_Citytellers by Francesco Jodice and A cena con Timeo by Letizia Cariello</title><content type='html'>&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;br /&gt;On Monday, April 26th, ART &lt;i&gt;for The &lt;/i&gt;World presented two new exhibitions at Open Care, Milan: &lt;i&gt;ARAL_Citytellers&lt;/i&gt;, a film by&lt;b&gt; Francesco Jodice&lt;/b&gt; and &lt;i&gt;A cena con Timeo&lt;/i&gt;, an installation by &lt;b&gt;Letizia Cariello&lt;/b&gt;.&amp;nbsp;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;The opening was characterized by an open discussion between Francesco Jodice and Saverio Pesapane, architect and researcher.&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_YCTv9QE9BSg/S9hAKiR3KWI/AAAAAAAABAQ/0WlJg-mWT9w/s1600/P4260019.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="300" src="http://4.bp.blogspot.com/_YCTv9QE9BSg/S9hAKiR3KWI/AAAAAAAABAQ/0WlJg-mWT9w/s400/P4260019.JPG" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;&amp;nbsp;ARAL_Citytellers by Francesco Jodice&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_YCTv9QE9BSg/S9hAIFhlzyI/AAAAAAAABAM/Zqt1mz6AtP4/s1600/P4260051.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="300" src="http://2.bp.blogspot.com/_YCTv9QE9BSg/S9hAIFhlzyI/AAAAAAAABAM/Zqt1mz6AtP4/s400/P4260051.JPG" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;&amp;nbsp;Francesco Jodice and Saverio Pesapane&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_YCTv9QE9BSg/S9hER5ui6oI/AAAAAAAABAY/Na2CG-F4foo/s1600/letizia.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="300" src="http://4.bp.blogspot.com/_YCTv9QE9BSg/S9hER5ui6oI/AAAAAAAABAY/Na2CG-F4foo/s400/letizia.JPG" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt;&amp;nbsp;Letizia Cariello in the installation A cena con Timeo&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt; &lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_YCTv9QE9BSg/S9hEOOzRhSI/AAAAAAAABAU/cVWz7AuX8Tw/s1600/marta.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="300" src="http://2.bp.blogspot.com/_YCTv9QE9BSg/S9hEOOzRhSI/AAAAAAAABAU/cVWz7AuX8Tw/s400/marta.JPG" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;i&gt;&lt;span style="font-size: x-small;"&gt; Artist Marta Dell'Angelo sleeping in the installation A cena con Timeo&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-5526497214356289036?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/5526497214356289036/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2010/04/opening-of-aralcitytellers-by-francesco.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/5526497214356289036'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/5526497214356289036'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2010/04/opening-of-aralcitytellers-by-francesco.html' title='Opening of ARAL_Citytellers by Francesco Jodice and A cena con Timeo by Letizia Cariello'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_YCTv9QE9BSg/S9hAKiR3KWI/AAAAAAAABAQ/0WlJg-mWT9w/s72-c/P4260019.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-2837968971372055555</id><published>2010-04-19T14:46:00.003+02:00</published><updated>2010-05-18T15:53:00.728+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Open Care'/><category scheme='http://www.blogger.com/atom/ns#' term='Exhibitions'/><title type='text'>Our Next Exhibitions in Milan</title><content type='html'>&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;On Monday, April 26th, from 6.30 pm to 9 pm, Art &lt;i&gt;for The&lt;/i&gt; World is pleased to present two new exhibitions at Open Care, Milan: &lt;b&gt;A cena con Timeo&lt;/b&gt;, an installation by&lt;b&gt; Letizia Cariello&lt;/b&gt; and &lt;b&gt;Aral_Citytellers&lt;/b&gt;, a film by &lt;b&gt;Francesco Jodice.&lt;/b&gt;&lt;br /&gt;During the opening, there will be a conversation between Francesco Jodice, artist, and Saverio Pesapane, architect and researcher.&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_YCTv9QE9BSg/S8xP-bb4PfI/AAAAAAAAA_0/TrYKivagIk0/s1600/Invito_A+cena+con+Timeo_26aprile2010_OK.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="640" src="http://4.bp.blogspot.com/_YCTv9QE9BSg/S8xP-bb4PfI/AAAAAAAAA_0/TrYKivagIk0/s640/Invito_A+cena+con+Timeo_26aprile2010_OK.jpg" width="283" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_YCTv9QE9BSg/S8xQFTpOIHI/AAAAAAAAA_8/bsKyhHZ0qnQ/s1600/Invito_ARAL_CITYTELLERS_26aprile2010.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="640" src="http://2.bp.blogspot.com/_YCTv9QE9BSg/S8xQFTpOIHI/AAAAAAAAA_8/bsKyhHZ0qnQ/s640/Invito_ARAL_CITYTELLERS_26aprile2010.jpg" width="275" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-2837968971372055555?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/2837968971372055555/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2010/04/our-next-exhibitions-in-milan.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/2837968971372055555'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/2837968971372055555'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2010/04/our-next-exhibitions-in-milan.html' title='Our Next Exhibitions in Milan'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_YCTv9QE9BSg/S8xP-bb4PfI/AAAAAAAAA_0/TrYKivagIk0/s72-c/Invito_A+cena+con+Timeo_26aprile2010_OK.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-466771530019091334</id><published>2010-04-01T19:03:00.011+02:00</published><updated>2010-05-18T16:00:53.664+02:00</updated><title type='text'>Our Next Art Events in April and May</title><content type='html'>&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;ART&lt;/b&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Italy&lt;/b&gt;, Milan, on April 26 at Open Care: opening of the exhibitions by  Francesco Jodice and &lt;/span&gt;&lt;span style="font-size: small;"&gt;Letizia Cariello&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt; &lt;b&gt;China&lt;/b&gt;, Shanghai, May 1 - October 31 at the Shanghai Expo 2010, French  Pavilion: &lt;i&gt;Danser la musique&lt;/i&gt;, a Playground by Chen Zhen&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt; &lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;OUR FILMS AND VIDEOS ON VIEW&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;- Greece&lt;/b&gt;, Thessaloniki, until April 30: "Stories on Human Rights" at the  Archaeological Museum&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;- The Netherlands&lt;/b&gt;, until May 5:&amp;nbsp; "A Boy, a Wall and a Donkey" by H. Abu-Assad, "What about me?" by E. Keret &amp;amp; S. Geffen, "Impasse" by B. Schouw, "The Final Match" by S. Salour screened on the Freedom Train (collateral event of the Movies That Matter Film Festival)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;- Spain&lt;/b&gt;, Barcelona, on April 11: "Mobile Men" by A. Weerasethakul at the  Centre de Cultura Contemporània de Barcelona (CCCB)&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;- &lt;b&gt;Turkey&lt;/b&gt;, Istanbul, April 3-18: "Stories on Human Rights" at the "Film: a FACE for Human Rights", event organized by the Council of Europe in the context of the Istanbul Film Festival&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;- &lt;b&gt;Spain, &lt;/b&gt;Caceres, April 12-18: "A Boy, a Wall and a Donkey" by H. Abu-Assad, "La Mangue" by I. Ouédraogo and "N'Dimagou" by A. Sissako awarded at the IV Cineposible Film Festival&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt; &lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;OUR NEXT FILM PROJECT&lt;/b&gt;&lt;br /&gt;&lt;b&gt;THEN AND NOW: Beyond Borders and Differences&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;A film project aiming to showcase shared beliefs and peaceful &lt;/span&gt;&lt;span style="font-size: small;"&gt;coexistence among the world major religions. Initiated by UN's Alliance&lt;/span&gt;&lt;span style="font-size: small;"&gt; &lt;/span&gt;&lt;span style="font-size: small;"&gt;of Civilizations and under the patronage of the Council of Europe, the&lt;/span&gt;&lt;span style="font-size: small;"&gt; &lt;/span&gt;&lt;span style="font-size: small;"&gt;long feature will bring together 15 short-movies by renowned&lt;/span&gt;&lt;span style="font-size: small;"&gt; &lt;/span&gt;&lt;span style="font-size: small;"&gt;filmmakers. &lt;b&gt;A preview with 5 of the first short-movies by Tata Amaral,&lt;/b&gt;&lt;b&gt; Fanny Ardant, Masbedo, Idrissa Ouédraogo and Robert Wilson will be screened in Brazil:&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: small;"&gt;- &lt;b&gt;Sao Paulo&lt;/b&gt;, on May 24 at CINESESC&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;br style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;" /&gt;&lt;/span&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: small;"&gt; - &lt;b&gt;Rio de Janeiro&lt;/b&gt;, on May 27 for the 3rd Forum of the Alliance of  Civilizations at the Museum of Modern Art&lt;/span&gt;     &lt;/div&gt;&lt;br /&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-466771530019091334?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/466771530019091334/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2010/04/next-events-in-april-and-may.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/466771530019091334'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/466771530019091334'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2010/04/next-events-in-april-and-may.html' title='Our Next Art Events in April and May'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-6689254246656436827</id><published>2010-03-18T12:06:00.013+01:00</published><updated>2010-05-20T14:34:54.218+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Jafar Panahi'/><title type='text'>International Appeal for Jafar Panahi</title><content type='html'>&lt;div style="font-family: georgia; text-align: center;"&gt;&lt;div style="color: black; font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Appel International&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: black; text-align: left;"&gt;&lt;div style="color: black; font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Brisons « Le Cercle »&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: black; font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Liberté pour Jafar Panahi et pour les autres prisonniers politiques en Iran&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: black; font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;div&gt;&lt;span style="font-size: small;"&gt;La nuit du 1er mars 2010 des agents infiltrés de la police iranienne faisaient irruption au domicile de &lt;span style="font-weight: bold;"&gt;Jafar Panahi&lt;/span&gt; pour l’arrêter, ainsi que sa femme, sa fille et 15 autres personnes, parmi lesquelles:  les metteurs en scène Mohamed Rasoulof, Mahnaz Mohammadi, Rokhsareh Ghaem-Maghami et le cameraman Ebrahim Ghafari.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size: small;"&gt;La raison fournie pour justifier l'arrestation était d’avoir filmé les protestations qui ont suivies les élections de juin 2009, afin de les diffuser.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size: small;"&gt;On est en train d’empêcher les citoyens iraniens d’exprimer démocratiquement leur désaccord. Ceux qui essaient de faire connaitre au monde ce qui se passe sont réduits au silence et privés de leur propre liberté.&lt;/span&gt;&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;div&gt;&lt;span style="font-size: small;"&gt;La nouvelle de son arrestation et de la détention des autres metteurs en scène  a eu des échos en raison de la notoriété internationale de &lt;span style="font-weight: bold;"&gt;Jafar Panahi&lt;/span&gt;, mais Panahi n’est qu’une personne, parmi les milliers arrêtées en raison de leur opposition non violente au régime.&lt;/span&gt;&lt;span style="font-size: small;"&gt;Nous nous rappelons en effets que durant les jours qui ont suivi les élections, au moins huit personnes ont été tuées et que des centaines ont été arrêtées et torturées, que les sites internet ont été censurés et que les communications des téléphones portables ont été bloquées.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size: small;"&gt;Nous exprimons notre profonde indignation et demandons aux médias de continuer à donner de la visibilité au problème pour maintenir l’attention de l’opinion publique et des gouvernements axée sur la grave violation des droits humains que l’on perpétue en Iran.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size: small;"&gt;Une forte pression internationale peut aider les personnes qui ont été injustement privées de la liberté, à la retrouver.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size: small;"&gt; &lt;/span&gt;&lt;span style="font-size: small;"&gt;En tant que citoyennes et citoyens du monde nous demandons que la liberté de protester, de filmer, d’écrire, de faire opposition et d’agir ouvertement de façon non violente pour le changement politique soit rendue à tous nos concitoyennes et concitoyens.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size: small;"&gt;En tant que citoyennes et citoyens du monde nous demandons, aussi, que la défense des droits de l’homme soit toujours au centre de l’attention politique et non pas en marge, comme cela semble être le cas de l’Iran et d’autres nations.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;Nous interpellons la communauté internationale, les organisations sociales et des droits de l’homme, le monde de la culture, les gouvernements, les églises, pour qu’ils réclament avec force la libération du metteur en scène &lt;span style="font-weight: bold;"&gt;Jafar Panahi&lt;/span&gt; et de tous ceux qui ont été arrêtés par le régime Iranien après les élections du mois de juin.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size: small;"&gt;Nous demandons aussi l’arrêt de toute forme de violence et de torture contre le peuple iranien.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size: small;"&gt;La répression et la férocité contre ce peuple sont un outrage à la démocratie et (elles) représentent une violation grave des droits de l’homme.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;Nous demandons à tous de signer cet appel que nous enverrons au président Mahmud Ahmadinejad pour exiger la libération immédiate de Panahi et de tous ceux qui sont détenus pour leurs opinions ou pour des raisons politiques. &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size: small;"&gt;Nous demandons aussi la fin de la répression contre les représentants des organisations des droits de l’homme et le rétablissement d’un état de droit.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;Nous exprimons notre soutien à Shirin Ebadi pour les souffrances qui ont été infligées à elle et à sa famille et pour ce que son pays est en train de subir.&lt;/span&gt;&lt;span style="font-size: small;"&gt; Il est nécessaire de résister dans l’Espérance.&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="color: black; font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: right;"&gt;&lt;span style="font-size: small; font-style: italic;"&gt;Adolfo Perez  Esquivel,  Prix Nobel de la Paix&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small; font-style: italic;"&gt;Fabio Alberti&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;    Roma/Buenos Aires 09/03/2010&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;span style="font-size: 100%;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-6689254246656436827?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/6689254246656436827/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2010/03/appel-international-brisons-le-cercle.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/6689254246656436827'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/6689254246656436827'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2010/03/appel-international-brisons-le-cercle.html' title='International Appeal for Jafar Panahi'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-3081927906956174710</id><published>2010-03-04T11:34:00.007+01:00</published><updated>2010-05-20T14:35:07.540+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Jafar Panahi'/><title type='text'>Petition for Jafar Panahi</title><content type='html'>&lt;div style="color: black; font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Cineuropa collects signatures for &lt;span style="font-weight: bold;"&gt;Jafar Panahi&lt;/span&gt; immediate liberation.&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="color: black; font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small; font-weight: bold;"&gt;&lt;a href="http://www.cineuropa.org/newsdetail.aspx?lang=fr&amp;amp;documentID=137477"&gt;Cineuropa.org&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: #cc6600; font-family: georgia; font-size: 100%; font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: #cc6600; font-family: georgia; font-size: 100%;"&gt;&lt;span style="color: black;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-3081927906956174710?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/3081927906956174710/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2010/03/petition-for-jafar-panahi.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/3081927906956174710'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/3081927906956174710'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2010/03/petition-for-jafar-panahi.html' title='Petition for Jafar Panahi'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-6128452262693842297</id><published>2010-03-02T16:40:00.010+01:00</published><updated>2010-05-20T14:35:26.104+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Jafar Panahi'/><title type='text'>Jafar Panahi arrested</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_YCTv9QE9BSg/S400P5VZ_8I/AAAAAAAAA-4/TjW9XNuBOIQ/s1600-h/jafar_panahi.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" style="color: black;"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5444064972254085058" src="http://4.bp.blogspot.com/_YCTv9QE9BSg/S400P5VZ_8I/AAAAAAAAA-4/TjW9XNuBOIQ/s320/jafar_panahi.jpg" style="display: block; height: 241px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;span style="font-size: 78%;"&gt;&lt;span style="color: black;"&gt;Jafar Panahi&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: 78%;"&gt;&lt;span style="color: black;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: black; font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: small;"&gt;The Iranian filmmaker &lt;span style="font-weight: bold;"&gt;Jafar Panahi&lt;/span&gt;, winner of several international awards, was arrested by Iranian security forces at his residence together  with his wife, daughter and fifteen guests (artists, actors, directors). A search was conducted in  the home and his personal computer was confiscated.&lt;/span&gt;&lt;/div&gt;&lt;div style="color: black; font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;div style="color: black;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-weight: bold;"&gt;Jafar Panahi&lt;/span&gt; is one of the  15 international indipendent filmakers invited to shoot a short movie on  tolerance and  intercultural dialogue  for the long feature  &lt;span style="font-weight: bold;"&gt;Then And Now: Beyond Borders and Differences &lt;/span&gt;produced  during  2010 by the ART &lt;span style="font-style: italic;"&gt;for&lt;/span&gt; The World. For this movie, together with his synopsis «Accordion»,  &lt;/span&gt;&lt;span style="font-size: small;"&gt;in January 2010 &lt;/span&gt;&lt;span style="font-size: small;"&gt;Jafar Panahi sent the following director’s intention:&lt;span style="font-style: italic;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="color: black;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-style: italic;"&gt;I am a social minded film maker and sensitive to every phenomena which occurs in my society &lt;/span&gt;&lt;/span&gt; &lt;span style="font-size: small;"&gt;&lt;span style="font-style: italic;"&gt;and evidently react to it. Perhaps (accordion) is my reaction to the events surrounded me which &lt;/span&gt;&lt;span style="font-style: italic;"&gt;have been observing them. Obviously religion has strong relation with the roots of the &lt;/span&gt;&lt;/span&gt; &lt;span style="font-size: small;"&gt;&lt;span style="font-style: italic;"&gt;problems. Religion is in the power of running of the country and the judgment an evaluation of &lt;/span&gt;&lt;span style="font-style: italic;"&gt;ideas becomes “right” or “wrong”, good or bad. Then, who ever relates and close himself to the &lt;/span&gt;&lt;span style="font-style: italic;"&gt;religion or pretend religions is allowed to enforce the others or demolish the other peoples &lt;/span&gt;&lt;/span&gt; &lt;span style="font-size: small;"&gt;&lt;span style="font-style: italic;"&gt;right.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;span style="color: black; font-size: small;"&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: justify;"&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="color: black; font-size: small;"&gt;&lt;span style="font-style: italic;"&gt;Accordion is the story of the materialistic needs of human to survive in a pretentious religious. &lt;/span&gt;&lt;/span&gt;&lt;span style="color: black; font-size: small;"&gt;&lt;span style="font-style: italic;"&gt;There, one stops a musician of play reasoning for the religious prohibition, while, he himself is &lt;/span&gt;&lt;/span&gt;&lt;span style="color: black; font-size: small;"&gt;&lt;span style="font-style: italic;"&gt;forced to do so in order to survive. But the main character of the film is the child or perhaps in &lt;/span&gt;&lt;/span&gt;&lt;span style="color: black; font-size: small;"&gt;&lt;span style="font-style: italic;"&gt;my view, he is the symbol of the next generation, in his ideal world he realizes the need of &lt;/span&gt;&lt;/span&gt;&lt;span style="color: black; font-size: small;"&gt;&lt;span style="font-style: italic;"&gt;human for survival and then decides to avoid the violence and share his small income with &lt;/span&gt;&lt;/span&gt;&lt;span style="color: black; font-size: small;"&gt;&lt;span style="font-style: italic;"&gt;another needed. However he might be much poorer. This mercy is the need of society that I am &lt;/span&gt;&lt;span style="font-style: italic;"&gt;living there. The society cries for avoiding the violence but the authorities are persuading all &lt;/span&gt;&lt;span style="font-style: italic;"&gt;roads towards the violence.&lt;/span&gt;&lt;/span&gt;&lt;span style="color: black; font-size: small;"&gt; &lt;/span&gt;&lt;span style="color: black; font-size: small;"&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;Media do not say a thing but frightening and threatening words. This is why the main character &lt;/span&gt;&lt;span style="font-style: italic;"&gt;of the movie becomes an idealistic figure in a society which violence is enforced. &lt;/span&gt;&lt;span style="font-weight: bold;"&gt;(&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: small; font-weight: bold;"&gt;&lt;span style="color: black;"&gt;&lt;span style="color: black;"&gt;Jafar Panahi)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: black; font-size: small;"&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://1.bp.blogspot.com/_YCTv9QE9BSg/S44n8aHPD3I/AAAAAAAAA_I/OcsfSBQOY38/s1600-h/COMMUNIQUE+PANAHI_1.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5444332918292811634" src="http://1.bp.blogspot.com/_YCTv9QE9BSg/S44n8aHPD3I/AAAAAAAAA_I/OcsfSBQOY38/s400/COMMUNIQUE+PANAHI_1.jpg" style="cursor: pointer; display: block; height: 400px; margin: 0px auto 10px; text-align: center; width: 283px;" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://www.fifdh.org/" style="color: #cc6600; font-weight: bold;"&gt;www.fifdh.org&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://2.bp.blogspot.com/_YCTv9QE9BSg/S44zGi7HZbI/AAAAAAAAA_Q/_b9uqjhxj4c/s1600-h/Immagine+1.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5444345187084494258" src="http://2.bp.blogspot.com/_YCTv9QE9BSg/S44zGi7HZbI/AAAAAAAAA_Q/_b9uqjhxj4c/s320/Immagine+1.png" style="cursor: pointer; display: block; height: 210px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://blogdozegeraldocouto.folha.blog.uol.com.br/" style="color: #cc6600; font-weight: bold;"&gt;blogdozegeraldocouto.folha.blog.uol.com.br&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;EPP news&lt;br /&gt;&lt;/span&gt;&lt;span lang="EN-GB" style="font-size: small;"&gt; &lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://www.eppgroup.eu/press/showpr.asp?PRControlDocTypeID=1&amp;amp;PRControlID=9170&amp;amp;PRContentID=15833&amp;amp;PRContentLG=en" style="color: #cc6600; font-weight: bold;"&gt;&lt;span lang="EN-GB"&gt;www.eppgroup.eu/press&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: small;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: small;"&gt;&lt;span style="color: #cc6600; font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 100%;"&gt;&lt;span style="color: #cc6600; font-weight: bold;"&gt;&lt;span style="font-size: small;"&gt;&lt;br style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;" /&gt;&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-6128452262693842297?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/6128452262693842297/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2010/03/jafar-panahi-arrested.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/6128452262693842297'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/6128452262693842297'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2010/03/jafar-panahi-arrested.html' title='Jafar Panahi arrested'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_YCTv9QE9BSg/S400P5VZ_8I/AAAAAAAAA-4/TjW9XNuBOIQ/s72-c/jafar_panahi.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-682973565991585813</id><published>2010-02-24T15:12:00.000+01:00</published><updated>2010-03-02T13:41:02.690+01:00</updated><title type='text'>SESC Saõ Paulo and ART for The World Twelve Years of Projects Together</title><content type='html'>&lt;meta name="Title" content=""&gt;&lt;meta name="Keywords" content=""&gt;&lt;meta equiv="Content-Type" content="text/html; charset=utf-8"&gt;&lt;meta name="ProgId" content="Word.Document"&gt;&lt;meta name="Generator" content="Microsoft Word 11"&gt;&lt;meta name="Originator" content="Microsoft Word 11"&gt;&lt;style&gt; &lt;!--  /* Font Definitions */ @font-face 	{font-family:"Times New Roman"; 	panose-1:0 2 2 6 3 5 4 5 2 3; 	mso-font-charset:0; 	mso-generic-font-family:auto; 	mso-font-pitch:variable; 	mso-font-signature:50331648 0 0 0 1 0;} @font-face 	{font-family:Calibri; 	mso-font-alt:"Stone Sans ITC TT-Bold"; 	mso-font-charset:0; 	mso-generic-font-family:auto; 	mso-font-pitch:variable; 	mso-font-signature:3 0 0 0 1 0;}  /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal 	{mso-style-parent:""; 	margin-top:0cm; 	margin-right:0cm; 	margin-bottom:10.0pt; 	margin-left:0cm; 	line-height:115%; 	mso-pagination:widow-orphan; 	font-size:11.0pt; 	font-family:Calibri; 	mso-ansi-language:IT;} table.MsoNormalTable 	{mso-style-parent:""; 	font-size:10.0pt; 	font-family:"Times New Roman";} @page Section1 	{size:612.0pt 792.0pt; 	margin:72.0pt 90.0pt 72.0pt 90.0pt; 	mso-header-margin:36.0pt; 	mso-footer-margin:36.0pt; 	mso-paper-source:0;} div.Section1 &lt;/style&gt;&lt;div  style="text-align: justify;font-family:georgia;"&gt;&lt;span style="color: rgb(204, 102, 0); font-weight: bold;"&gt;SESC São Paulo, a Non Governmental Organization, has a strong history and reputation for cultural and social activities in São Paulo and its region, since 60 years, in promoting social welfare and improving the quality of life and cultural development. SESC São Paulo runs a network of 29 active units in São Paulo and its region, comprising sport centers, medical centers, restaurants, internet centers, TV stations, exhibition spaces, theatres, movie house, etc. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(204, 102, 0); font-weight: bold;"&gt;Thanks to the inspiration and enthusiasm of Prof. Danilo Santos de Miranda, Director of the SESC Regional Department, São Paulo, and his staff, SESC and ART &lt;span style="font-style: italic;"&gt;for The &lt;/span&gt;World have been partners in a great number of cultural projects in the last 12 years, sharing the common ideal to promote an art linked to ethical and social concerns and based on the universal human values.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="color: rgb(204, 102, 0); font-weight: bold;font-family:georgia;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;a style="font-family: georgia;" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_YCTv9QE9BSg/S4U5m-Ch0pI/AAAAAAAAA6Y/dhwobddjzQg/s1600-h/SESC+SP.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 146px; height: 31px;" src="http://4.bp.blogspot.com/_YCTv9QE9BSg/S4U5m-Ch0pI/AAAAAAAAA6Y/dhwobddjzQg/s320/SESC+SP.jpg" alt="" id="BLOGGER_PHOTO_ID_5441819066398528146" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center; font-family: georgia;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_YCTv9QE9BSg/S4ZpakeAgII/AAAAAAAAA9w/HO08b9HbZN8/s1600-h/054.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 125px; height: 200px;" src="http://3.bp.blogspot.com/_YCTv9QE9BSg/S4ZpakeAgII/AAAAAAAAA9w/HO08b9HbZN8/s200/054.jpg" alt="" id="BLOGGER_PHOTO_ID_5442153104910876802" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:78%;"&gt;Prof Danilo Santos de Miranda, Regional Director SESC Sao Paulo&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;a style="font-family: georgia;" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_YCTv9QE9BSg/S4ZrGS7j6VI/AAAAAAAAA-A/1fGTcfe5D9U/s1600-h/stills_02.jpg"&gt;&lt;br /&gt;&lt;/a&gt;&lt;p class="MsoNormal" face="times new roman" style="margin-bottom: 0.0001pt; 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  &lt;w:usemarginsfordrawinggridorigin/&gt;  &lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt; &lt;/p&gt;&lt;div  style="text-align: justify;font-family:arial;"&gt;&lt;style&gt; &lt;!--  /* Font Definitions */ @font-face 	{font-family:"Times New Roman"; 	panose-1:0 2 2 6 3 5 4 5 2 3; 	mso-font-charset:0; 	mso-generic-font-family:auto; 	mso-font-pitch:variable; 	mso-font-signature:50331648 0 0 0 1 0;} @font-face 	{font-family:Calibri; 	mso-font-alt:"Stone Sans ITC TT-Bold"; 	mso-font-charset:0; 	mso-generic-font-family:auto; 	mso-font-pitch:variable; 	mso-font-signature:3 0 0 0 1 0;}  /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal 	{mso-style-parent:""; 	margin-top:0cm; 	margin-right:0cm; 	margin-bottom:10.0pt; 	margin-left:0cm; 	line-height:115%; 	mso-pagination:widow-orphan; 	font-size:11.0pt; 	font-family:Calibri; 	mso-ansi-language:IT;} table.MsoNormalTable 	{mso-style-parent:""; 	font-size:10.0pt; 	font-family:"Times New Roman";} @page Section1 	{size:612.0pt 792.0pt; 	margin:72.0pt 90.0pt 72.0pt 90.0pt; 	mso-header-margin:36.0pt; 	mso-footer-margin:36.0pt; 	mso-paper-source:0;} div.Section1 	{page:Section1;} --&gt; &lt;/style&gt;  &lt;!--StartFragment--&gt; &lt;meta name="Title" content=""&gt; &lt;meta name="Keywords" content=""&gt; &lt;meta equiv="Content-Type" content="text/html; charset=utf-8"&gt; &lt;meta name="ProgId" content="Word.Document"&gt; &lt;meta name="Generator" content="Microsoft Word 11"&gt; &lt;meta name="Originator" content="Microsoft Word 11"&gt;  &lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;o:documentproperties&gt;   &lt;o:template&gt;Normal&lt;/o:Template&gt;   &lt;o:revision&gt;0&lt;/o:Revision&gt;   &lt;o:totaltime&gt;0&lt;/o:TotalTime&gt;   &lt;o:pages&gt;1&lt;/o:Pages&gt;   &lt;o:words&gt;104&lt;/o:Words&gt;   &lt;o:characters&gt;597&lt;/o:Characters&gt;   &lt;o:lines&gt;4&lt;/o:Lines&gt;   &lt;o:paragraphs&gt;1&lt;/o:Paragraphs&gt;   &lt;o:characterswithspaces&gt;733&lt;/o:CharactersWithSpaces&gt;   &lt;o:version&gt;11.0&lt;/o:Version&gt;  &lt;/o:DocumentProperties&gt;  &lt;o:officedocumentsettings&gt;   &lt;o:allowpng/&gt;  &lt;/o:OfficeDocumentSettings&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:worddocument&gt;   &lt;w:zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:donotshowrevisions/&gt;   &lt;w:donotprintrevisions/&gt;   &lt;w:displayhorizontaldrawinggridevery&gt;0&lt;/w:DisplayHorizontalDrawingGridEvery&gt;   &lt;w:displayverticaldrawinggridevery&gt;0&lt;/w:DisplayVerticalDrawingGridEvery&gt;   &lt;w:usemarginsfordrawinggridorigin/&gt;  &lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt; &lt;style&gt; &lt;!--  /* Font Definitions */ @font-face 	{font-family:"Times New Roman"; 	panose-1:0 2 2 6 3 5 4 5 2 3; 	mso-font-charset:0; 	mso-generic-font-family:auto; 	mso-font-pitch:variable; 	mso-font-signature:50331648 0 0 0 1 0;} @font-face 	{font-family:Calibri; 	mso-font-alt:"Stone Sans ITC TT-Bold"; 	mso-font-charset:0; 	mso-generic-font-family:auto; 	mso-font-pitch:variable; 	mso-font-signature:3 0 0 0 1 0;}  /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal 	{mso-style-parent:""; 	margin-top:0cm; 	margin-right:0cm; 	margin-bottom:10.0pt; 	margin-left:0cm; 	line-height:115%; 	mso-pagination:widow-orphan; 	font-size:11.0pt; 	font-family:Calibri; 	mso-ansi-language:IT;} table.MsoNormalTable 	{mso-style-parent:""; 	font-size:10.0pt; 	font-family:"Times New Roman";} @page Section1 	{size:612.0pt 792.0pt; 	margin:72.0pt 90.0pt 72.0pt 90.0pt; 	mso-header-margin:36.0pt; 	mso-footer-margin:36.0pt; 	mso-paper-source:0;} div.Section1 	{page:Section1&lt;/style&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-family:georgia;"&gt;Beginning of 2010 tightened the partnership between SESC and ART &lt;/span&gt;&lt;/span&gt;&lt;span style="font-style: italic;font-family:georgia;font-size:100%;"  &gt;for The&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-family:georgia;"&gt; World. The group exhibition URBAN MANNERS 2, Contemporary Artists from India, has been in presented one of the most fascinating cultural spaces in Brazil, an ex gigantic factory re-designed by the famous Italian architect Lina Bo Bardi in 1977: the  SESC Pompeia, Rua Clélia 93, on January 21. For the Brazilian venue and especially for SESC Pompeia’s premises, a series of works have been selected, presenting 11 emblematic Indian artists and proposing a path that reveals all the striking contradictions of contemporary India.  On the occasion of the exhibition artists Sheba Chhachhi and Thukral &amp;amp; Tagra have given a workshop open to the public.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div face="arial" style="text-align: justify;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style=";font-family:times new roman;font-size:100%;"  &gt;&lt;span style="" lang="EN-US"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;!--EndFragment--&gt;&lt;meta name="Title" content=""&gt; &lt;meta name="Keywords" content=""&gt; &lt;meta equiv="Content-Type" content="text/html; charset=utf-8"&gt; &lt;meta name="ProgId" content="Word.Document"&gt; &lt;meta name="Generator" content="Microsoft Word 11"&gt; &lt;meta name="Originator" content="Microsoft Word 11"&gt; &lt;link style="font-family: arial;" rel="File-List" href="file://localhost/Users/Laura/Library/Caches/TemporaryItems/msoclip1/01/clip_filelist.xml"&gt; &lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;o:documentproperties&gt;   &lt;o:template&gt;Normal&lt;/o:Template&gt;   &lt;o:revision&gt;0&lt;/o:Revision&gt;   &lt;o:totaltime&gt;0&lt;/o:TotalTime&gt;   &lt;o:pages&gt;1&lt;/o:Pages&gt;   &lt;o:words&gt;15&lt;/o:Words&gt;   &lt;o:characters&gt;86&lt;/o:Characters&gt;   &lt;o:lines&gt;1&lt;/o:Lines&gt;   &lt;o:paragraphs&gt;1&lt;/o:Paragraphs&gt;   &lt;o:characterswithspaces&gt;105&lt;/o:CharactersWithSpaces&gt;   &lt;o:version&gt;11.0&lt;/o:Version&gt;  &lt;/o:DocumentProperties&gt;  &lt;o:officedocumentsettings&gt;   &lt;o:allowpng/&gt;  &lt;/o:OfficeDocumentSettings&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:worddocument&gt;   &lt;w:zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:donotshowrevisions/&gt;   &lt;w:donotprintrevisions/&gt;   &lt;w:displayhorizontaldrawinggridevery&gt;0&lt;/w:DisplayHorizontalDrawingGridEvery&gt;   &lt;w:displayverticaldrawinggridevery&gt;0&lt;/w:DisplayVerticalDrawingGridEvery&gt;   &lt;w:usemarginsfordrawinggridorigin/&gt;  &lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt; &lt;style&gt; &lt;!--  /* Font Definitions */ @font-face 	{font-family:"Times New Roman"; 	panose-1:0 2 2 6 3 5 4 5 2 3; 	mso-font-charset:0; 	mso-generic-font-family:auto; 	mso-font-pitch:variable; 	mso-font-signature:50331648 0 0 0 1 0;} @font-face 	{font-family:Verdana; 	panose-1:0 2 11 6 4 3 5 4 4 2; 	mso-font-charset:0; 	mso-generic-font-family:auto; 	mso-font-pitch:variable; 	mso-font-signature:50331648 0 0 0 1 0;} @font-face 	{font-family:Calibri; 	mso-font-alt:"Stone Sans ITC TT-Bold"; 	mso-font-charset:0; 	mso-generic-font-family:auto; 	mso-font-pitch:variable; 	mso-font-signature:3 0 0 0 1 0;}  /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal 	{mso-style-parent:""; 	margin-top:0cm; 	margin-right:0cm; 	margin-bottom:10.0pt; 	margin-left:0cm; 	line-height:115%; 	mso-pagination:widow-orphan; 	font-size:11.0pt; 	font-family:Calibri; 	mso-ansi-language:IT;} table.MsoNormalTable 	{mso-style-parent:""; 	font-size:10.0pt; 	font-family:"Times New Roman";} span.testo1 	{mso-style-name:testo1; 	font-size:9.0pt; 	color:#666666; 	mso-text-animation:none; 	text-decoration:none; 	text-underline:none; 	text-decoration:none; 	text-line-through:none; 	font-weight:normal;} @page Section1 	{size:612.0pt 792.0pt; 	margin:72.0pt 90.0pt 72.0pt 90.0pt; 	mso-header-margin:36.0pt; 	mso-footer-margin:36.0pt; 	mso-paper-source:0;} div.Section1 	{page:Section1;} --&gt; &lt;/style&gt;  &lt;!--StartFragment--&gt;   &lt;div face="arial" style="text-align: center;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_YCTv9QE9BSg/S4U69UIdZGI/AAAAAAAAA6g/IB283THJMzA/s1600-h/25cm+SNC14371.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 240px;" src="http://2.bp.blogspot.com/_YCTv9QE9BSg/S4U69UIdZGI/AAAAAAAAA6g/IB283THJMzA/s320/25cm+SNC14371.JPG" alt="" id="BLOGGER_PHOTO_ID_5441820549797733474" border="0" /&gt;&lt;/a&gt;&lt;span style="color: rgb(0, 0, 0);font-size:78%;" &gt;SESC Pompeia, Entrance&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;a style="font-family: arial;" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_YCTv9QE9BSg/S4U7TgcMjGI/AAAAAAAAA6o/CZqcY1z_MYI/s1600-h/_DSC0230.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 214px;" src="http://2.bp.blogspot.com/_YCTv9QE9BSg/S4U7TgcMjGI/AAAAAAAAA6o/CZqcY1z_MYI/s320/_DSC0230.JPG" alt="" id="BLOGGER_PHOTO_ID_5441820931058863202" border="0" /&gt;&lt;/a&gt;  &lt;meta name="Title" content=""&gt; &lt;meta name="Keywords" content=""&gt; &lt;meta equiv="Content-Type" content="text/html; charset=utf-8"&gt; &lt;meta name="ProgId" content="Word.Document"&gt; &lt;meta name="Generator" content="Microsoft Word 11"&gt; &lt;meta name="Originator" content="Microsoft Word 11"&gt; &lt;link style="font-family: arial;" rel="File-List" href="file://localhost/Users/Laura/Library/Caches/TemporaryItems/msoclip1/01/clip_filelist.xml"&gt; &lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;o:documentproperties&gt;   &lt;o:template&gt;Normal&lt;/o:Template&gt;   &lt;o:revision&gt;0&lt;/o:Revision&gt;   &lt;o:totaltime&gt;0&lt;/o:TotalTime&gt;   &lt;o:pages&gt;1&lt;/o:Pages&gt;   &lt;o:words&gt;96&lt;/o:Words&gt;   &lt;o:characters&gt;549&lt;/o:Characters&gt; 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	panose-1:0 2 11 6 4 3 5 4 4 2; 	mso-font-charset:0; 	mso-generic-font-family:auto; 	mso-font-pitch:variable; 	mso-font-signature:50331648 0 0 0 1 0;} @font-face 	{font-family:Calibri; 	mso-font-alt:"Stone Sans ITC TT-Bold"; 	mso-font-charset:0; 	mso-generic-font-family:auto; 	mso-font-pitch:variable; 	mso-font-signature:3 0 0 0 1 0;}  /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal 	{mso-style-parent:""; 	margin-top:0cm; 	margin-right:0cm; 	margin-bottom:10.0pt; 	margin-left:0cm; 	line-height:115%; 	mso-pagination:widow-orphan; 	font-size:11.0pt; 	font-family:Calibri; 	mso-ansi-language:IT;} table.MsoNormalTable 	{mso-style-parent:""; 	font-size:10.0pt; 	font-family:"Times New Roman";} span.testo1 	{mso-style-name:testo1; 	font-size:9.0pt; 	color:#666666; 	mso-text-animation:none; 	text-decoration:none; 	text-underline:none; 	text-decoration:none; 	text-line-through:none; 	font-weight:normal;} @page Section1 	{size:612.0pt 792.0pt; 	margin:72.0pt 90.0pt 72.0pt 90.0pt; 	mso-header-margin:36.0pt; 	mso-footer-margin:36.0pt; 	mso-paper-source:0;} div.Section1 	{page:Section1;} --&gt; &lt;/style&gt;  &lt;!--StartFragment--&gt;  &lt;p class="MsoNormal"  style="margin-bottom: 0.0001pt; line-height: normal; text-align: center;font-family:times new roman;"&gt;&lt;span style="color: rgb(0, 0, 0);font-family:georgia;font-size:100%;"  &gt;&lt;span class="testo1"&gt;&lt;span style="font-size:78%;"&gt;Subodh Gupta, &lt;span style="font-style: italic;"&gt;Hungry God&lt;/span&gt;, 2005-2006 &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;span class="testo1"&gt;&lt;span  lang="EN-US" style="color:black;"&gt;&lt;span style="font-size:78%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; line-height: normal; text-align: center; font-family: times new roman;"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p class="MsoNormal"  style="margin-bottom: 0.0001pt; line-height: normal; text-align: center;font-family:times new roman;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span class="testo1"&gt;&lt;span  lang="EN-US" style="color:black;"&gt;&lt;span style="font-size:78%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-family:georgia;"&gt;&lt;span class="testo1"&gt;&lt;span  lang="EN-US" style="color:black;"&gt;&lt;span style=""&gt;The year 2008 have seen a very tight collaboration between ART &lt;span style="font-style: italic;"&gt;for The&lt;/span&gt; World and SESC with three major projects:&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="testo1"&gt;&lt;span  lang="EN-US" style="color:black;"&gt;&lt;span style="font-family:georgia;"&gt;&lt;br /&gt;- In October in Sao Paulo has taken place the world avant-première of ART for The World's first long feature film STORIES ON HUMAN RIGHTS, screened at CINESESC in R. Augusta, 2075. SESC has contributed to this film as partner and has produced the short film 'Voyage', written by the Brazilian filmmakers Valter Salles and Daniela Thomas, who has also directed the film. Also SESCTV and TV Cultura actively partecipated to the circulation, distribution and promotion of STORIES ON HUMAN RIGHTS in Brazil, in South America and Portuguese speaking countries.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span class="testo1"&gt;&lt;span  lang="EN-US" style="color:black;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div face="arial" style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;p class="MsoNormal"  style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;font-family:times new roman;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span class="testo1"&gt;&lt;span  lang="EN-US" style="color:black;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"  style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;font-family:times new roman;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_YCTv9QE9BSg/S4VBAKQAH6I/AAAAAAAAA7w/4T4ISM6t8VA/s1600-h/DSCN2946.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 240px;" src="http://4.bp.blogspot.com/_YCTv9QE9BSg/S4VBAKQAH6I/AAAAAAAAA7w/4T4ISM6t8VA/s320/DSCN2946.JPG" alt="" id="BLOGGER_PHOTO_ID_5441827195754389410" border="0" /&gt;&lt;/a&gt;&lt;/p&gt;&lt;p class="MsoNormal"  style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;font-family:times new roman;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span lang="EN-US"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"  style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;font-family:times new roman;"&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;        &lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;o:documentproperties&gt;   &lt;o:template&gt;Normal&lt;/o:Template&gt;   &lt;o:revision&gt;0&lt;/o:Revision&gt;   &lt;o:totaltime&gt;0&lt;/o:TotalTime&gt;   &lt;o:pages&gt;1&lt;/o:Pages&gt;   &lt;o:words&gt;90&lt;/o:Words&gt;   &lt;o:characters&gt;517&lt;/o:Characters&gt;   &lt;o:lines&gt;4&lt;/o:Lines&gt;   &lt;o:paragraphs&gt;1&lt;/o:Paragraphs&gt;   &lt;o:characterswithspaces&gt;634&lt;/o:CharactersWithSpaces&gt;   &lt;o:version&gt;11.0&lt;/o:Version&gt;  &lt;/o:DocumentProperties&gt;  &lt;o:officedocumentsettings&gt;   &lt;o:allowpng/&gt;  &lt;/o:OfficeDocumentSettings&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:worddocument&gt;   &lt;w:zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:donotshowrevisions/&gt;   &lt;w:donotprintrevisions/&gt;   &lt;w:displayhorizontaldrawinggridevery&gt;0&lt;/w:DisplayHorizontalDrawingGridEvery&gt;   &lt;w:displayverticaldrawinggridevery&gt;0&lt;/w:DisplayVerticalDrawingGridEvery&gt;   &lt;w:usemarginsfordrawinggridorigin/&gt;  &lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt; &lt;p class="MsoNormal"  style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;font-family:times new roman;"&gt;&lt;style&gt; &lt;!--  /* Font Definitions */ @font-face 	{font-family:"Times New Roman"; 	panose-1:0 2 2 6 3 5 4 5 2 3; 	mso-font-charset:0; 	mso-generic-font-family:auto; 	mso-font-pitch:variable; 	mso-font-signature:50331648 0 0 0 1 0;} @font-face 	{font-family:Arial; 	panose-1:0 2 11 6 4 2 2 2 2 2; 	mso-font-charset:0; 	mso-generic-font-family:auto; 	mso-font-pitch:variable; 	mso-font-signature:50331648 0 0 0 1 0;} @font-face 	{font-family:Verdana; 	panose-1:0 2 11 6 4 3 5 4 4 2; 	mso-font-charset:0; 	mso-generic-font-family:auto; 	mso-font-pitch:variable; 	mso-font-signature:50331648 0 0 0 1 0;} @font-face 	{font-family:Calibri; 	mso-font-alt:"Stone Sans ITC TT-Bold"; 	mso-font-charset:0; 	mso-generic-font-family:auto; 	mso-font-pitch:variable; 	mso-font-signature:3 0 0 0 1 0;}  /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal 	{mso-style-parent:""; 	margin-top:0cm; 	margin-right:0cm; 	margin-bottom:10.0pt; 	margin-left:0cm; 	line-height:115%; 	mso-pagination:widow-orphan; 	font-size:11.0pt; 	font-family:Calibri; 	mso-ansi-language:IT;} table.MsoNormalTable 	{mso-style-parent:""; 	font-size:10.0pt; 	font-family:"Times New Roman";} span.testo1 	{mso-style-name:testo1; 	font-size:9.0pt; 	color:#666666; 	mso-text-animation:none; 	text-decoration:none; 	text-underline:none; 	text-decoration:none; 	text-line-through:none; 	font-weight:normal;} @page Section1 	{size:612.0pt 792.0pt; 	margin:72.0pt 90.0pt 72.0pt 90.0pt; 	mso-header-margin:36.0pt; 	mso-footer-margin:36.0pt; 	mso-paper-source:0;} div.Section1 	{page:Section1;} --&gt; &lt;/style&gt;  &lt;!--StartFragment--&gt;  &lt;/p&gt;&lt;div face="arial" style="text-align: justify;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span class="testo1"&gt;&lt;span  lang="EN-US" style="color:black;"&gt;- Also in October, the solo show VOOM PORTRAITS by Robert Wilson, has been inaugurated at SESC Pinheiros, Rua Paes Leme 195. It was an exhibition of provocative high-definition video exhibited in several spaces on two floors, during the Biennale of São Paulo. The portraits, including celebrities, artists, intellectuals, animals, are presented on large-scale HD plasma flat-screens, and each work is accompanied by original musical scores by the great composer Michael Galasso. On the occasion of the exhibition, Robert Wilson has given a lecture at SESC Pinheiros Auditorium as well as his play QUARTET with Isabelle Huppert.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify; font-family: arial;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_YCTv9QE9BSg/S4fSafoXzpI/AAAAAAAAA-o/9VKgsjCwJR4/s1600-h/Rossellini.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 180px; height: 320px;" src="http://2.bp.blogspot.com/_YCTv9QE9BSg/S4fSafoXzpI/AAAAAAAAA-o/9VKgsjCwJR4/s320/Rossellini.jpg" alt="" id="BLOGGER_PHOTO_ID_5442550027309797010" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style=";font-family:times new roman;font-size:100%;"  &gt;&lt;span lang="EN-US"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;p style="font-family: arial;"&gt;&lt;/p&gt;  &lt;p class="MsoNormal"  style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;font-family:times new roman;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span lang="EN-US"&gt;&lt;!--[if !supportEmptyParas]--&gt; &lt;!--[endif]--&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;meta name="Title" content=""&gt;&lt;meta name="Keywords" content=""&gt;&lt;meta equiv="Content-Type" content="text/html; charset=utf-8"&gt;&lt;meta name="ProgId" content="Word.Document"&gt;&lt;meta name="Generator" content="Microsoft Word 11"&gt;&lt;meta name="Originator" content="Microsoft Word 11"&gt;&lt;link style="font-family: arial;" rel="File-List" href="file://localhost/Users/Laura/Library/Caches/TemporaryItems/msoclip1/01/clip_filelist.xml"&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;o:documentproperties&gt;   &lt;o:template&gt;Normal&lt;/o:Template&gt;   &lt;o:revision&gt;0&lt;/o:Revision&gt;   &lt;o:totaltime&gt;0&lt;/o:TotalTime&gt;   &lt;o:pages&gt;1&lt;/o:Pages&gt;   &lt;o:words&gt;101&lt;/o:Words&gt;   &lt;o:characters&gt;579&lt;/o:Characters&gt;   &lt;o:lines&gt;4&lt;/o:Lines&gt;   &lt;o:paragraphs&gt;1&lt;/o:Paragraphs&gt;   &lt;o:characterswithspaces&gt;711&lt;/o:CharactersWithSpaces&gt;   &lt;o:version&gt;11.0&lt;/o:Version&gt;  &lt;/o:DocumentProperties&gt;  &lt;o:officedocumentsettings&gt;   &lt;o:allowpng/&gt;  &lt;/o:OfficeDocumentSettings&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:worddocument&gt;   &lt;w:zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:donotshowrevisions/&gt;   &lt;w:donotprintrevisions/&gt;   &lt;w:displayhorizontaldrawinggridevery&gt;0&lt;/w:DisplayHorizontalDrawingGridEvery&gt;   &lt;w:displayverticaldrawinggridevery&gt;0&lt;/w:DisplayVerticalDrawingGridEvery&gt;   &lt;w:usemarginsfordrawinggridorigin/&gt;  &lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;style&gt; &lt;!--  /* Font Definitions */ @font-face 	{font-family:"Times New Roman"; 	panose-1:0 2 2 6 3 5 4 5 2 3; 	mso-font-charset:0; 	mso-generic-font-family:auto; 	mso-font-pitch:variable; 	mso-font-signature:50331648 0 0 0 1 0;} @font-face 	{font-family:Verdana; 	panose-1:0 2 11 6 4 3 5 4 4 2; 	mso-font-charset:0; 	mso-generic-font-family:auto; 	mso-font-pitch:variable; 	mso-font-signature:50331648 0 0 0 1 0;} @font-face 	{font-family:Calibri; 	mso-font-alt:"Stone Sans ITC TT-Bold"; 	mso-font-charset:0; 	mso-generic-font-family:auto; 	mso-font-pitch:variable; 	mso-font-signature:3 0 0 0 1 0;}  /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal 	{mso-style-parent:""; 	margin-top:0cm; 	margin-right:0cm; 	margin-bottom:10.0pt; 	margin-left:0cm; 	line-height:115%; 	mso-pagination:widow-orphan; 	font-size:11.0pt; 	font-family:Calibri; 	mso-ansi-language:IT;} table.MsoNormalTable 	{mso-style-parent:""; 	font-size:10.0pt; 	font-family:"Times New Roman";} span.testo1 	{mso-style-name:testo1; 	font-size:9.0pt; 	color:#666666; 	mso-text-animation:none; 	text-decoration:none; 	text-underline:none; 	text-decoration:none; 	text-line-through:none; 	font-weight:normal;} @page Section1 	{size:612.0pt 792.0pt; 	margin:72.0pt 90.0pt 72.0pt 90.0pt; 	mso-header-margin:36.0pt; 	mso-footer-margin:36.0pt; 	mso-paper-source:0;} div.Section1 	{page:Section1;} --&gt; &lt;/style&gt;    &lt;!--StartFragment--&gt;  &lt;p class="MsoNormal"  style="text-align: center; line-height: normal;font-family:times new roman;"&gt;&lt;span style=";font-family:georgia;font-size:78%;"  &gt;&lt;span class="testo1"&gt;&lt;span  lang="EN-US" style="color:black;"&gt;Robert Wilson, &lt;span style="font-style: italic;font-size:78%;" &gt;VOOM PORTRAITS &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-style: italic;font-family:georgia;font-size:78%;"  &gt;&lt;span class="testo1"&gt;&lt;span  lang="EN-US" style="color:black;"&gt;Isabella Rossellini&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;span class="testo1"&gt;&lt;span  lang="EN-US" style="color:black;"&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="font-family:georgia;"&gt;&lt;span style="font-size:78%;"&gt;,&lt;/span&gt; 2005&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style=";font-family:arial;font-size:100%;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: justify;"&gt;&lt;span style=";font-family:arial;font-size:100%;"  &gt;&lt;span style="font-family:georgia;"&gt;- In February, the video installations COLLATERAL When art looks at cinema was presented at SESC Avenida Paulista, following its prior edition at Hangar Bicocca, Milan, in 2007. On this occasion, several workshops have been given by artists in São Paulo and a round table open has been organized, including the participation of Adelina von Fürstenberg, curator of the exhibition, Anna Daneri and Andrea Lissoni, co-curators, artists Pierre Bismuth, Charles de Meaux, Brice Dellsperger, Michel Favre, Melik Ohanian, Carola Spadoni, Cao Guimarães, Carlos Adriano, and Solange Farkas, Director of the Associação Cultural Videobrasil and of the Bahia Museum of Modern Art,  Batman Zavarese, and Noah Stolz.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;p class="MsoNormal" style="text-align: justify; line-height: normal; font-family: arial;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_YCTv9QE9BSg/S4VBRNdXR0I/AAAAAAAAA74/NNNLj3FW9p8/s1600-h/esterno-collateral2web-1.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 213px;" src="http://3.bp.blogspot.com/_YCTv9QE9BSg/S4VBRNdXR0I/AAAAAAAAA74/NNNLj3FW9p8/s320/esterno-collateral2web-1.jpg" alt="" id="BLOGGER_PHOTO_ID_5441827488673515330" border="0" /&gt;&lt;/a&gt;&lt;/p&gt;&lt;p class="MsoNormal"  style="text-align: center; line-height: normal;font-family:times new roman;"&gt;&lt;span style="font-size:78%;"&gt;SESC Avenida Paulista, entrance&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="text-align: justify; line-height: normal; font-family: times new roman;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_YCTv9QE9BSg/S4VBjRsdAbI/AAAAAAAAA8I/u5IJPJjY9yY/s1600-h/Dip+007.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 181px;" src="http://2.bp.blogspot.com/_YCTv9QE9BSg/S4VBjRsdAbI/AAAAAAAAA8I/u5IJPJjY9yY/s320/Dip+007.jpg" alt="" id="BLOGGER_PHOTO_ID_5441827799048192434" border="0" /&gt;&lt;/a&gt;&lt;/p&gt;&lt;span style=";font-family:times new roman;font-size:100%;"  &gt; &lt;/span&gt;       &lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;o:documentproperties&gt;   &lt;o:template&gt;Normal&lt;/o:Template&gt;   &lt;o:revision&gt;0&lt;/o:Revision&gt;   &lt;o:totaltime&gt;0&lt;/o:TotalTime&gt;   &lt;o:pages&gt;1&lt;/o:Pages&gt;   &lt;o:words&gt;100&lt;/o:Words&gt;   &lt;o:characters&gt;573&lt;/o:Characters&gt;   &lt;o:lines&gt;4&lt;/o:Lines&gt;   &lt;o:paragraphs&gt;1&lt;/o:Paragraphs&gt;   &lt;o:characterswithspaces&gt;703&lt;/o:CharactersWithSpaces&gt;   &lt;o:version&gt;11.0&lt;/o:Version&gt;  &lt;/o:DocumentProperties&gt;  &lt;o:officedocumentsettings&gt;   &lt;o:allowpng/&gt;  &lt;/o:OfficeDocumentSettings&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:worddocument&gt;   &lt;w:zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:donotshowrevisions/&gt;   &lt;w:donotprintrevisions/&gt;   &lt;w:displayhorizontaldrawinggridevery&gt;0&lt;/w:DisplayHorizontalDrawingGridEvery&gt;   &lt;w:displayverticaldrawinggridevery&gt;0&lt;/w:DisplayVerticalDrawingGridEvery&gt;   &lt;w:usemarginsfordrawinggridorigin/&gt;  &lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt; &lt;p class="MsoNormal"  style="text-align: justify; line-height: normal;font-family:times new roman;"&gt;&lt;style&gt; &lt;!--  /* Font Definitions */ @font-face 	{font-family:"Times New Roman"; 	panose-1:0 2 2 6 3 5 4 5 2 3; 	mso-font-charset:0; 	mso-generic-font-family:auto; 	mso-font-pitch:variable; 	mso-font-signature:50331648 0 0 0 1 0;} @font-face 	{font-family:Verdana; 	panose-1:0 2 11 6 4 3 5 4 4 2; 	mso-font-charset:0; 	mso-generic-font-family:auto; 	mso-font-pitch:variable; 	mso-font-signature:50331648 0 0 0 1 0;} @font-face 	{font-family:Calibri; 	mso-font-alt:"Stone Sans ITC TT-Bold"; 	mso-font-charset:0; 	mso-generic-font-family:auto; 	mso-font-pitch:variable; 	mso-font-signature:3 0 0 0 1 0;}  /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal 	{mso-style-parent:""; 	margin-top:0cm; 	margin-right:0cm; 	margin-bottom:10.0pt; 	margin-left:0cm; 	line-height:115%; 	mso-pagination:widow-orphan; 	font-size:11.0pt; 	font-family:Calibri; 	mso-ansi-language:IT; 	mso-fareast-language:EN-US;} p 	{margin-right:0cm; 	mso-margin-top-alt:auto; 	mso-margin-bottom-alt:auto; 	margin-left:0cm; 	mso-pagination:widow-orphan; 	font-size:12.0pt; 	font-family:"Times New Roman"; 	mso-ansi-language:IT; 	mso-fareast-language:IT;} table.MsoNormalTable 	{mso-style-parent:""; 	font-size:10.0pt; 	font-family:"Times New Roman";} span.testo1 	{mso-style-name:testo1; 	font-size:9.0pt; 	color:#666666; 	mso-text-animation:none; 	text-decoration:none; 	text-underline:none; 	text-decoration:none; 	text-line-through:none; 	font-weight:normal;} @page Section1 	{size:612.0pt 792.0pt; 	margin:72.0pt 90.0pt 72.0pt 90.0pt; 	mso-header-margin:36.0pt; 	mso-footer-margin:36.0pt; 	mso-paper-source:0;} div.Section1 	{page:Section1;} --&gt; &lt;/style&gt;  &lt;!--StartFragment--&gt;  &lt;/p&gt;&lt;p  style="text-align: center;font-family:times new roman;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span class="testo1"&gt;&lt;span  lang="EN-US" style="color:black;"&gt;&lt;span style="font-size:78%;"&gt;Round table&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p  style="text-align: justify;font-family:georgia;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;- On March 8, 2007, the Women’s Day, SESC Avenida Paulista, has hosted the opening of the show MULHER, MULHERES (Woman, Women), a cycle of traveling exhibitions, created in 2005 to mark the 10th Anniversary of the Beijing Women Conference.  After its first presentation in Geneva, on March 8, 2005, with the title Femme(s), the exhibition Donna Donne was created for the large premises of Palazzo Strozzi in Florence. In each venue, the exhibition had different works, reflecting the concept of femininity through a range of approaches and creating dialogues about the role by women in the contemporary world. During the Brazilian edition, few workshops have been organized with the artists.&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;div face="arial" style="text-align: center;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_YCTv9QE9BSg/S4U9YHYDvFI/AAAAAAAAA7A/oG2PXm9c6tM/s1600-h/1_fa%C3%A7ade.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 213px;" src="http://3.bp.blogspot.com/_YCTv9QE9BSg/S4U9YHYDvFI/AAAAAAAAA7A/oG2PXm9c6tM/s320/1_fa%C3%A7ade.jpg" alt="" id="BLOGGER_PHOTO_ID_5441823209253223506" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:78%;"&gt;SESC Avenida Paulista, entrance&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;p  style="text-align: justify;font-family:times new roman;"&gt;&lt;span class="testo1"&gt;&lt;span style=";font-size:10;color:black;"  lang="EN-US" &gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;!--EndFragment--&gt; &lt;p style="font-family: arial;"&gt;&lt;/p&gt;&lt;div face="arial" style="text-align: center;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_YCTv9QE9BSg/S4U9xVwktKI/AAAAAAAAA7I/FS_iDTtiY5s/s1600-h/2_Zilla+Nelson+Lenora.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 195px;" src="http://1.bp.blogspot.com/_YCTv9QE9BSg/S4U9xVwktKI/AAAAAAAAA7I/FS_iDTtiY5s/s320/2_Zilla+Nelson+Lenora.jpg" alt="" id="BLOGGER_PHOTO_ID_5441823642610873506" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:78%;"&gt; Installation view&lt;br /&gt;&lt;br /&gt;&lt;/span&gt; &lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_YCTv9QE9BSg/S4apWP_tD9I/AAAAAAAAA-g/Nmqsg1gIkBo/s1600-h/_MG_6940.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 214px;" src="http://2.bp.blogspot.com/_YCTv9QE9BSg/S4apWP_tD9I/AAAAAAAAA-g/Nmqsg1gIkBo/s320/_MG_6940.jpg" alt="" id="BLOGGER_PHOTO_ID_5442223399439765458" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:78%;"&gt;Fabiana de Barros &amp;amp; Michel Favre, &lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="font-style: italic;"&gt;Autopsy&lt;/span&gt;, &lt;/span&gt;&lt;span style="font-size:78%;"&gt;2006&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;p class="MsoNormal" face="times new roman" style="text-align: justify; line-height: normal;"&gt;&lt;span class="testo1"&gt;&lt;span style="color: rgb(0, 0, 0);font-size:10;" lang="EN-US" &gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;!--EndFragment--&gt;&lt;div face="arial" style="text-align: center;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_YCTv9QE9BSg/S4U97SvStHI/AAAAAAAAA7Q/8Q_hp8Px-XU/s1600-h/9_Rochelle+Costi.2jpg.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 203px;" src="http://3.bp.blogspot.com/_YCTv9QE9BSg/S4U97SvStHI/AAAAAAAAA7Q/8Q_hp8Px-XU/s320/9_Rochelle+Costi.2jpg.jpg" alt="" id="BLOGGER_PHOTO_ID_5441823813598884978" border="0" /&gt;&lt;/a&gt;&lt;span style=";font-family:georgia;font-size:78%;"  &gt;Rochelle Costi,&lt;span style="font-style: italic;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="font-style: italic;font-family:georgia;" &gt;Desvios&lt;/span&gt;&lt;span style="font-family:georgia;"&gt;, 2006&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style=";font-family:times new roman;font-size:100%;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;meta name="Title" content=""&gt; &lt;meta name="Keywords" content=""&gt; &lt;meta equiv="Content-Type" content="text/html; charset=utf-8"&gt; &lt;meta name="ProgId" content="Word.Document"&gt; &lt;meta name="Generator" content="Microsoft Word 11"&gt; &lt;meta name="Originator" content="Microsoft Word 11"&gt; &lt;link style="font-family: arial;" rel="File-List" href="file://localhost/Users/Laura/Library/Caches/TemporaryItems/msoclip1/01/clip_filelist.xml"&gt; &lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;o:documentproperties&gt;   &lt;o:template&gt;Normal&lt;/o:Template&gt;   &lt;o:revision&gt;0&lt;/o:Revision&gt;   &lt;o:totaltime&gt;0&lt;/o:TotalTime&gt;   &lt;o:pages&gt;1&lt;/o:Pages&gt;   &lt;o:words&gt;67&lt;/o:Words&gt;   &lt;o:characters&gt;386&lt;/o:Characters&gt;   &lt;o:lines&gt;3&lt;/o:Lines&gt;   &lt;o:paragraphs&gt;1&lt;/o:Paragraphs&gt;   &lt;o:characterswithspaces&gt;474&lt;/o:CharactersWithSpaces&gt;   &lt;o:version&gt;11.0&lt;/o:Version&gt;  &lt;/o:DocumentProperties&gt;  &lt;o:officedocumentsettings&gt;   &lt;o:allowpng/&gt;  &lt;/o:OfficeDocumentSettings&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:worddocument&gt;   &lt;w:zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:donotshowrevisions/&gt;   &lt;w:donotprintrevisions/&gt;   &lt;w:displayhorizontaldrawinggridevery&gt;0&lt;/w:DisplayHorizontalDrawingGridEvery&gt;   &lt;w:displayverticaldrawinggridevery&gt;0&lt;/w:DisplayVerticalDrawingGridEvery&gt;   &lt;w:usemarginsfordrawinggridorigin/&gt;  &lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt; &lt;style&gt; &lt;!--  /* Font Definitions */ @font-face 	{font-family:"Times New Roman"; 	panose-1:0 2 2 6 3 5 4 5 2 3; 	mso-font-charset:0; 	mso-generic-font-family:auto; 	mso-font-pitch:variable; 	mso-font-signature:50331648 0 0 0 1 0;} @font-face 	{font-family:Calibri; 	mso-font-alt:"Stone Sans ITC TT-Bold"; 	mso-font-charset:0; 	mso-generic-font-family:auto; 	mso-font-pitch:variable; 	mso-font-signature:3 0 0 0 1 0;}  /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal 	{mso-style-parent:""; 	margin-top:0cm; 	margin-right:0cm; 	margin-bottom:10.0pt; 	margin-left:0cm; 	line-height:115%; 	mso-pagination:widow-orphan; 	font-size:11.0pt; 	font-family:Calibri; 	mso-ansi-language:IT;} table.MsoNormalTable 	{mso-style-parent:""; 	font-size:10.0pt; 	font-family:"Times New Roman";} @page Section1 	{size:612.0pt 792.0pt; 	margin:72.0pt 90.0pt 72.0pt 90.0pt; 	mso-header-margin:36.0pt; 	mso-footer-margin:36.0pt; 	mso-paper-source:0;} div.Section1 	{page:Section1;} --&gt; &lt;/style&gt;  &lt;!--StartFragment--&gt;  &lt;p class="MsoNormal"  style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;font-family:times new roman;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span lang="EN-US"&gt;- In October 2006 BALCAN EROTIC EPIC, video installations by Marina Abramovic, has been presented at SESC Pinheiros. The exhibition follows the larger version BALKAN EPIC, presented at Hangar Bicocca, Milan in the beginning of 2006. On the occasion of the exhibition Marina Abramovic has given a lecture open to the public at SESC Pinehiros Auditorium. She also participated to the Fiteiro Cultural of Brazilian artist Fabiana de Barros, at PUC University, Sao Paulo.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"  style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;font-family:times new roman;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span lang="EN-US"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"  style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;font-family:times new roman;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_YCTv9QE9BSg/S4fWXSt3gqI/AAAAAAAAA-w/N_1eAYVSeto/s1600-h/006.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 214px;" src="http://2.bp.blogspot.com/_YCTv9QE9BSg/S4fWXSt3gqI/AAAAAAAAA-w/N_1eAYVSeto/s320/006.jpg" alt="" id="BLOGGER_PHOTO_ID_5442554370350088866" border="0" /&gt;&lt;/a&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal; font-family: times new roman;"&gt;&lt;span lang="EN-US"  style="font-size:100%;"&gt;&lt;span style=""&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"  style="margin-bottom: 0.0001pt; text-align: center; line-height: normal;font-family:times new roman;"&gt;&lt;span style="font-size:78%;"&gt;I&lt;/span&gt;&lt;span style="font-size:78%;"&gt;nstallation view&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"  style="margin-bottom: 0.0001pt; text-align: center; line-height: normal;font-family:times new roman;"&gt;&lt;br /&gt;&lt;span lang="EN-US"  style="font-size:78%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;   &lt;!--EndFragment--&gt; &lt;a style="font-family: arial;" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_YCTv9QE9BSg/S4U_AJ2zTPI/AAAAAAAAA7o/TRafRZ-fqd4/s1600-h/027.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 214px;" src="http://3.bp.blogspot.com/_YCTv9QE9BSg/S4U_AJ2zTPI/AAAAAAAAA7o/TRafRZ-fqd4/s320/027.jpg" alt="" id="BLOGGER_PHOTO_ID_5441824996625435890" border="0" /&gt;&lt;/a&gt;&lt;span style=";font-family:times new roman;font-size:100%;"  &gt;     &lt;/span&gt;&lt;meta name="Title" content=""&gt; &lt;meta name="Keywords" content=""&gt; &lt;meta equiv="Content-Type" content="text/html; charset=utf-8"&gt; &lt;meta name="ProgId" content="Word.Document"&gt; &lt;meta name="Generator" content="Microsoft Word 11"&gt; &lt;meta name="Originator" content="Microsoft Word 11"&gt; &lt;link style="font-family: arial;" rel="File-List" href="file://localhost/Users/Laura/Library/Caches/TemporaryItems/msoclip1/01/clip_filelist.xml"&gt; &lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;o:documentproperties&gt;   &lt;o:template&gt;Normal&lt;/o:Template&gt;   &lt;o:revision&gt;0&lt;/o:Revision&gt;   &lt;o:totaltime&gt;0&lt;/o:TotalTime&gt;   &lt;o:pages&gt;1&lt;/o:Pages&gt;   &lt;o:words&gt;160&lt;/o:Words&gt;   &lt;o:characters&gt;913&lt;/o:Characters&gt;   &lt;o:lines&gt;7&lt;/o:Lines&gt;   &lt;o:paragraphs&gt;1&lt;/o:Paragraphs&gt;   &lt;o:characterswithspaces&gt;1121&lt;/o:CharactersWithSpaces&gt;   &lt;o:version&gt;11.0&lt;/o:Version&gt;  &lt;/o:DocumentProperties&gt;  &lt;o:officedocumentsettings&gt;   &lt;o:allowpng/&gt;  &lt;/o:OfficeDocumentSettings&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:worddocument&gt;   &lt;w:zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:donotshowrevisions/&gt;   &lt;w:donotprintrevisions/&gt;   &lt;w:displayhorizontaldrawinggridevery&gt;0&lt;/w:DisplayHorizontalDrawingGridEvery&gt;   &lt;w:displayverticaldrawinggridevery&gt;0&lt;/w:DisplayVerticalDrawingGridEvery&gt;   &lt;w:usemarginsfordrawinggridorigin/&gt;  &lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt; &lt;style&gt; &lt;!--  /* Font Definitions */ @font-face 	{font-family:"Times New Roman"; 	panose-1:0 2 2 6 3 5 4 5 2 3; 	mso-font-charset:0; 	mso-generic-font-family:auto; 	mso-font-pitch:variable; 	mso-font-signature:50331648 0 0 0 1 0;} @font-face 	{font-family:Arial; 	panose-1:0 2 11 6 4 2 2 2 2 2; 	mso-font-charset:0; 	mso-generic-font-family:auto; 	mso-font-pitch:variable; 	mso-font-signature:50331648 0 0 0 1 0;} @font-face 	{font-family:Calibri; 	mso-font-alt:"Stone Sans ITC TT-Bold"; 	mso-font-charset:0; 	mso-generic-font-family:auto; 	mso-font-pitch:variable; 	mso-font-signature:3 0 0 0 1 0;}  /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal 	{mso-style-parent:""; 	margin-top:0cm; 	margin-right:0cm; 	margin-bottom:10.0pt; 	margin-left:0cm; 	line-height:115%; 	mso-pagination:widow-orphan; 	font-size:11.0pt; 	font-family:Calibri; 	mso-ansi-language:IT;} table.MsoNormalTable 	{mso-style-parent:""; 	font-size:10.0pt; 	font-family:"Times New Roman";} @page Section1 	{size:612.0pt 792.0pt; 	margin:72.0pt 90.0pt 72.0pt 90.0pt; 	mso-header-margin:36.0pt; 	mso-footer-margin:36.0pt; 	mso-paper-source:0;} div.Section1 	{page:Section1;} --&gt; &lt;/style&gt;  &lt;!--StartFragment--&gt;  &lt;p class="MsoNormal"  style="margin-bottom: 0.0001pt; text-align: center; line-height: normal;font-family:times new roman;"&gt;&lt;span style="font-size:78%;"&gt;Press conference with Prof. Danilo Santos de Miranda, Marina Abramovic,&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"  style="margin-bottom: 0.0001pt; text-align: center; line-height: normal;font-family:times new roman;"&gt;&lt;span style="font-size:78%;"&gt;Adelina von Fürstenberg&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center; line-height: normal; font-family: arial;"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p class="MsoNormal" face="times new roman" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;"&gt;&lt;span style="font-size:85%;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_YCTv9QE9BSg/S4VB1zc3ADI/AAAAAAAAA8Q/UKCpqqTdAGE/s1600-h/000036.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 212px;" src="http://2.bp.blogspot.com/_YCTv9QE9BSg/S4VB1zc3ADI/AAAAAAAAA8Q/UKCpqqTdAGE/s320/000036.jpg" alt="" id="BLOGGER_PHOTO_ID_5441828117347237938" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:78%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: center; font-family: arial;"&gt;&lt;span style=";font-family:georgia;font-size:85%;"  &gt;&lt;span style="font-size:78%;"&gt;Marina Abramovic lecturing in the &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="font-style: italic;font-family:georgia;" &gt;Fiteiro Cultural&lt;/span&gt;&lt;span style="font-family:georgia;"&gt; of Fabiana de Barros&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;p class="MsoNormal" face="times new roman" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="" lang="EN-US"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: justify; font-family: arial;"&gt;&lt;span style=";font-family:georgia;font-size:100%;"  &gt;- In 2001, SESC Pompeia has hosted THE OVEREXCITED BODY, ART AND SPORT IN CONTEMPORARY SOCIETY, with artworks illustrating all aspects of sport, ranging from its educational role to the importance of sport as a focal point where passions, tension and enthusiasm confront each other to produce anthropological changes. This show was under the patronage of the UN as part of their campaign against racial discrimination, explores crucial issues such as tolerance, fighting against discrimination. As an itinerant art project, it was presented in collaboration with La Gazzetta dello Sport, in Milan (Museo dell’Arengario) in March 2001, in June at the Stadium of Geneva and it reached São Paulo in November 2001. For the Brazilian presentation, the exhibition had a large numbers of additional works and performances. Among others, the Free wrestling performance Amorales vs Amorales. The Mexican artist Carlos Amorales has reactivated one of the most important icons of urban popular culture in Mexico, the masked wrestlers. Four of them has performed at the opening evening at the Theater of SESC Pompeia.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center; font-family: arial;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_YCTv9QE9BSg/S4ZkrC_0GJI/AAAAAAAAA9Q/VNTokpDc88E/s1600-h/Amorales.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 196px;" src="http://1.bp.blogspot.com/_YCTv9QE9BSg/S4ZkrC_0GJI/AAAAAAAAA9Q/VNTokpDc88E/s320/Amorales.jpg" alt="" id="BLOGGER_PHOTO_ID_5442147890425501842" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:78%;"&gt;Carlos Amorales,&lt;/span&gt;&lt;span style="font-style: italic;font-size:78%;" &gt; Amorales vs Amorales &lt;/span&gt;&lt;span style="font-size:78%;"&gt;, 2001 (performance)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style=";font-family:times new roman;font-size:100%;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: center; font-family: arial;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_YCTv9QE9BSg/S4Zk3nVG_WI/AAAAAAAAA9Y/NUl4zMBpb8E/s1600-h/Helio+Oiticica.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 193px;" src="http://1.bp.blogspot.com/_YCTv9QE9BSg/S4Zk3nVG_WI/AAAAAAAAA9Y/NUl4zMBpb8E/s320/Helio+Oiticica.jpg" alt="" id="BLOGGER_PHOTO_ID_5442148106336927074" border="0" /&gt;&lt;/a&gt;&lt;span style=";font-family:georgia;font-size:78%;"  &gt;Helio Oiticica, &lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="font-style: italic;font-family:georgia;" &gt;Billiard Table from Cafè Noturno of Van Gogh&lt;/span&gt;&lt;span style="font-family:georgia;"&gt;, 1966&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;p class="MsoNormal" face="times new roman" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal; font-family: arial;"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p class="MsoNormal" face="times new roman" style="margin-bottom: 0.0001pt; text-align: center; line-height: normal;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_YCTv9QE9BSg/S4VCPQ-m_gI/AAAAAAAAA8g/EzU9WVKPeiE/s1600-h/Leirner_futebol_detail.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 255px;" src="http://3.bp.blogspot.com/_YCTv9QE9BSg/S4VCPQ-m_gI/AAAAAAAAA8g/EzU9WVKPeiE/s320/Leirner_futebol_detail.jpg" alt="" id="BLOGGER_PHOTO_ID_5441828554770152962" border="0" /&gt;&lt;/a&gt;&lt;span style=";font-family:georgia;font-size:100%;"  &gt;&lt;span style="font-size:78%;"&gt;Nelson Leirner, &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="font-style: italic;font-family:georgia;" &gt;Football&lt;/span&gt;&lt;span style="font-family:georgia;"&gt; (detail), 2001&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: center; line-height: normal; font-family: times new roman;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size:78%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; line-height: normal; font-family: arial; text-align: justify;"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; line-height: normal; font-family: times new roman; text-align: justify;"&gt; &lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;o:documentproperties&gt;   &lt;o:template&gt;Normal&lt;/o:Template&gt;   &lt;o:revision&gt;0&lt;/o:Revision&gt;   &lt;o:totaltime&gt;0&lt;/o:TotalTime&gt;   &lt;o:pages&gt;1&lt;/o:Pages&gt;   &lt;o:words&gt;106&lt;/o:Words&gt;   &lt;o:characters&gt;606&lt;/o:Characters&gt;   &lt;o:lines&gt;5&lt;/o:Lines&gt;   &lt;o:paragraphs&gt;1&lt;/o:Paragraphs&gt;   &lt;o:characterswithspaces&gt;744&lt;/o:CharactersWithSpaces&gt;   &lt;o:version&gt;11.0&lt;/o:Version&gt;  &lt;/o:DocumentProperties&gt;  &lt;o:officedocumentsettings&gt;   &lt;o:allowpng/&gt;  &lt;/o:OfficeDocumentSettings&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:worddocument&gt;   &lt;w:zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:donotshowrevisions/&gt;   &lt;w:donotprintrevisions/&gt;   &lt;w:displayhorizontaldrawinggridevery&gt;0&lt;/w:DisplayHorizontalDrawingGridEvery&gt;   &lt;w:displayverticaldrawinggridevery&gt;0&lt;/w:DisplayVerticalDrawingGridEvery&gt;   &lt;w:usemarginsfordrawinggridorigin/&gt;  &lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt; &lt;/p&gt;&lt;div style="text-align: justify;"&gt;&lt;style&gt; &lt;!--  /* Font Definitions */ @font-face 	{font-family:"Times New Roman"; 	panose-1:0 2 2 6 3 5 4 5 2 3; 	mso-font-charset:0; 	mso-generic-font-family:auto; 	mso-font-pitch:variable; 	mso-font-signature:50331648 0 0 0 1 0;} @font-face 	{font-family:Calibri; 	mso-font-alt:"Stone Sans ITC TT-Bold"; 	mso-font-charset:0; 	mso-generic-font-family:auto; 	mso-font-pitch:variable; 	mso-font-signature:3 0 0 0 1 0;}  /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal 	{mso-style-parent:""; 	margin-top:0cm; 	margin-right:0cm; 	margin-bottom:10.0pt; 	margin-left:0cm; 	line-height:115%; 	mso-pagination:widow-orphan; 	font-size:11.0pt; 	font-family:Calibri; 	mso-ansi-language:IT;} table.MsoNormalTable 	{mso-style-parent:""; 	font-size:10.0pt; 	font-family:"Times New Roman";} @page Section1 	{size:612.0pt 792.0pt; 	margin:72.0pt 90.0pt 72.0pt 90.0pt; 	mso-header-margin:36.0pt; 	mso-footer-margin:36.0pt; 	mso-paper-source:0;} div.Section1 	{page:Section1;} --&gt; &lt;/style&gt;  &lt;!--StartFragment--&gt;&lt;span style=";font-family:times new roman;font-size:100%;"  &gt;- In 1998, SESC’s and ART for The World’s partnership started with the itinerant exhibition THE EDGE OF AWARENESS, organized on the occasion of the 50th Anniversary of the World Health Organization (WHO).  More than 40 artists from all five continents created works on themes such as violence, mortality rates,  environmental degradation, homelessness, racism, drugs, AIDS and polio, with the aim of stimulate the conscience of the community by raising issues related to health, well-being and the environment.&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=";font-family:times new roman;font-size:100%;"  &gt;The exhibition, which opened at WHO Headquarters in Geneva, traveled to New York (PS1 and UN Headquarters), New Delhi (Lalitkala Akademi) and  Milan ( Triennale).  In São Paulo, the show has been presented at SESC Pompeia.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style=";font-family:times new roman;font-size:100%;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;p class="MsoNormal" face="times new roman" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal;"&gt;&lt;span lang="EN-US"  style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;div style="text-align: center;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_YCTv9QE9BSg/S4ZlNJ_JfwI/AAAAAAAAA9g/LsTHc4-kkMo/s1600-h/Chen+Zhen.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 215px;" src="http://2.bp.blogspot.com/_YCTv9QE9BSg/S4ZlNJ_JfwI/AAAAAAAAA9g/LsTHc4-kkMo/s320/Chen+Zhen.jpg" alt="" id="BLOGGER_PHOTO_ID_5442148476417310466" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:78%;"&gt;Chen Zhen, &lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="font-style: italic;"&gt;Un-interrupted Voice&lt;/span&gt;, &lt;/span&gt;&lt;span style="font-size:78%;"&gt;1998&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal; font-family: times new roman;"&gt;&lt;br /&gt;&lt;/p&gt;&lt;div style="text-align: center;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_YCTv9QE9BSg/S4VFVJCFV1I/AAAAAAAAA84/G2twynQHOFw/s1600-h/Jaar,+Untitled.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 212px;" src="http://1.bp.blogspot.com/_YCTv9QE9BSg/S4VFVJCFV1I/AAAAAAAAA84/G2twynQHOFw/s320/Jaar,+Untitled.jpg" alt="" id="BLOGGER_PHOTO_ID_5441831954251339602" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:78%;"&gt;Alfredo Jaar, &lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="font-style: italic;"&gt;Billboard&lt;/span&gt;, 1998&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal; font-family: times new roman;"&gt;&lt;span lang="EN-US"  style="font-size:10;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify; line-height: normal; font-family: times new roman;"&gt;&lt;span lang="EN-US"  style="font-size:10;"&gt;&lt;!--[if !supportEmptyParas]--&gt; &lt;!--[endif]--&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;!--EndFragment--&gt;&lt;div style="text-align: center;"&gt;&lt;a style="font-family: times new roman;" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_YCTv9QE9BSg/S4VFdhDD-PI/AAAAAAAAA9A/qKHYzagj-v4/s1600-h/Kcho,+Sol+LeWitt.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 214px;" src="http://1.bp.blogspot.com/_YCTv9QE9BSg/S4VFdhDD-PI/AAAAAAAAA9A/qKHYzagj-v4/s320/Kcho,+Sol+LeWitt.jpg" alt="" id="BLOGGER_PHOTO_ID_5441832098136848626" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:78%;"&gt;Kcho, &lt;/span&gt;&lt;span style="font-style: italic;font-size:78%;" &gt;A&lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="font-style: italic;"&gt;islamento&lt;/span&gt;, and &lt;/span&gt;&lt;span style="font-size:78%;"&gt;Sol LeWitt, &lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="font-style: italic;"&gt;Wall-drawing 565&lt;/span&gt;, (back), 1998&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size:78%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;a style="font-family: times new roman;" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_YCTv9QE9BSg/S4VFnUxORdI/AAAAAAAAA9I/KuYzYzn23mg/s1600-h/Sophie+Ristelhueber.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 214px;" src="http://3.bp.blogspot.com/_YCTv9QE9BSg/S4VFnUxORdI/AAAAAAAAA9I/KuYzYzn23mg/s320/Sophie+Ristelhueber.jpg" alt="" id="BLOGGER_PHOTO_ID_5441832266639492562" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:78%;"&gt;Sophie Ristelhueber, &lt;/span&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="font-style: italic;"&gt;Billboard&lt;/span&gt;, 1998&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 153, 0);font-size:100%;" &gt;&lt;br /&gt;&lt;a href="http://www.sescsp.org.br"&gt;&lt;span style="font-weight: bold; color: rgb(204, 102, 0);font-size:130%;" &gt;www.sescsp.org.br&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="color: rgb(255, 102, 0);font-size:10;" lang="EN-US" &gt;&lt;b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;p&gt;&lt;/p&gt;  &lt;!--EndFragment--&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-682973565991585813?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/682973565991585813/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2010/02/twelve-years-of-projects-together-sesc.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/682973565991585813'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/682973565991585813'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2010/02/twelve-years-of-projects-together-sesc.html' title='SESC Saõ Paulo and ART for The World Twelve Years of Projects Together'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_YCTv9QE9BSg/S4U5m-Ch0pI/AAAAAAAAA6Y/dhwobddjzQg/s72-c/SESC+SP.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-7888167595072073100</id><published>2010-02-11T16:24:00.003+01:00</published><updated>2010-05-18T15:54:29.610+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Stories on Human Rights'/><title type='text'>Stories on Human Rights at ZKM in Karlsruhe</title><content type='html'>&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: 100%;"&gt;O&lt;span style="font-size: small;"&gt;n February 11th 2010,  &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: small; font-style: italic;"&gt;Stories on Human Rights&lt;/span&gt;&lt;span style="font-size: small;"&gt; will be screened at ZKM Centre for Art and Media in Karlsruhe (Germany).&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-7888167595072073100?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/7888167595072073100/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2010/02/storie-on-human-rights-at-zkm-karlsruhe.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/7888167595072073100'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/7888167595072073100'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2010/02/storie-on-human-rights-at-zkm-karlsruhe.html' title='Stories on Human Rights at ZKM in Karlsruhe'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-2220705448361839269</id><published>2010-02-08T18:13:00.005+01:00</published><updated>2010-05-18T15:54:48.163+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Open Care'/><category scheme='http://www.blogger.com/atom/ns#' term='Exhibitions'/><title type='text'>UNA DOMENICA AL PARCO SEMPIONE by Flavio de Marco</title><content type='html'>&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;On Monday, February 8th, ART &lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: small; font-style: italic;"&gt;&lt;span class="Apple-style-span"&gt;for The&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; World presented &lt;span style="font-style: italic;"&gt;Una domenica al Parco Sempione&lt;/span&gt; by Flavio de Marco.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The opening was characterized by an open discussion with the artist and:&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;ul style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Jonny Costantino, filmmaker, director of the magazine “Rifrazioni. Dal cinema all’oltre”, Bologna;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Federico Ferrari, philosopher, Milan;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Francesca Pasini, director of the Fondazione Pierluigi e Natalina Remotti, Camogli (Genova);&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Adriana Polveroni, journalist and art critic, Rome.&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_YCTv9QE9BSg/S3J3rkXKj2I/AAAAAAAAA5o/mPXxyDeXEUU/s1600-h/Invito_Una+domenica+al+Parco+Sempione.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5436539290568527714" src="http://1.bp.blogspot.com/_YCTv9QE9BSg/S3J3rkXKj2I/AAAAAAAAA5o/mPXxyDeXEUU/s400/Invito_Una+domenica+al+Parco+Sempione.jpg" style="cursor: pointer; display: block; height: 400px; margin: 0px auto 10px; text-align: center; width: 180px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_YCTv9QE9BSg/S3k-DahEfWI/AAAAAAAAA6I/wR2WaQ7DMZM/s1600-h/Paesaggio,+AFTW,+8+febbraio+2010.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5438446253405142370" src="http://1.bp.blogspot.com/_YCTv9QE9BSg/S3k-DahEfWI/AAAAAAAAA6I/wR2WaQ7DMZM/s320/Paesaggio,+AFTW,+8+febbraio+2010.jpg" style="cursor: pointer; display: block; height: 214px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;span style="font-size: 78%; font-style: italic;"&gt;Paesaggio (Una domenica al Parco Sempione)&lt;/span&gt;&lt;span style="font-size: 78%;"&gt;, 2010&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: 78%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="http://3.bp.blogspot.com/_YCTv9QE9BSg/S3k_I_SY6RI/AAAAAAAAA6Q/lso1bUths58/s1600-h/DSC01606_1.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5438447448686651666" src="http://3.bp.blogspot.com/_YCTv9QE9BSg/S3k_I_SY6RI/AAAAAAAAA6Q/lso1bUths58/s320/DSC01606_1.jpg" style="cursor: pointer; display: block; height: 320px; margin: 0px auto 10px; text-align: center; width: 290px;" /&gt;&lt;/a&gt;&lt;span style="font-size: 78%;"&gt;Flavio de Marco and Jonny Costantino&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_YCTv9QE9BSg/S3KBQ72YVDI/AAAAAAAAA54/24IWf_G20wA/s1600-h/DSC01615.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5436549828133278770" src="http://4.bp.blogspot.com/_YCTv9QE9BSg/S3KBQ72YVDI/AAAAAAAAA54/24IWf_G20wA/s320/DSC01615.JPG" style="cursor: pointer; display: block; height: 240px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-2220705448361839269?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/2220705448361839269/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2010/02/una-domenica-al-parco-sempione-by.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/2220705448361839269'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/2220705448361839269'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2010/02/una-domenica-al-parco-sempione-by.html' title='UNA DOMENICA AL PARCO SEMPIONE by Flavio de Marco'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_YCTv9QE9BSg/S3J3rkXKj2I/AAAAAAAAA5o/mPXxyDeXEUU/s72-c/Invito_Una+domenica+al+Parco+Sempione.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-4006513972946588509</id><published>2010-01-26T10:58:00.008+01:00</published><updated>2010-05-18T15:56:41.145+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='SESC'/><category scheme='http://www.blogger.com/atom/ns#' term='Exhibitions'/><title type='text'>Urban Manners 2 at SESC Pompeia, Installations Views,  January 21</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_YCTv9QE9BSg/S2APR8HxNSI/AAAAAAAAA0g/7G6gh8ogdVs/s1600-h/1..jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5431357951479723298" src="http://3.bp.blogspot.com/_YCTv9QE9BSg/S2APR8HxNSI/AAAAAAAAA0g/7G6gh8ogdVs/s320/1..jpg" style="cursor: pointer; display: block; height: 214px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;span style="font-size: 85%;"&gt;Probir Gupta, &lt;/span&gt;&lt;span style="font-size: 85%; font-style: italic;"&gt;Marx/ Mao – No face value&lt;/span&gt;&lt;span style="font-size: 85%;"&gt;, 2008&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: 85%;"&gt;photo: Anne de Henning&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_YCTv9QE9BSg/S17ZYiDLb6I/AAAAAAAAAzg/HqA40IRfvO4/s1600-h/IMG_5854.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5431017216135622562" src="http://2.bp.blogspot.com/_YCTv9QE9BSg/S17ZYiDLb6I/AAAAAAAAAzg/HqA40IRfvO4/s320/IMG_5854.JPG" style="cursor: pointer; display: block; height: 240px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;span style="font-size: 85%;"&gt;F&lt;/span&gt;&lt;span style="font-size: 85%;"&gt;rom left to right:&lt;br /&gt;Jitish Kallat&lt;span style="font-style: italic;"&gt;, Artist Making Local Call&lt;/span&gt;, 2005&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: 85%;"&gt;Jitish Kallat, &lt;span style="font-style: italic;"&gt;Aquasaurus&lt;/span&gt;, 2008&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_YCTv9QE9BSg/S2ASORLs_8I/AAAAAAAAA0o/ULW7rJfskPM/s1600-h/il+2b..jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5431361186948775874" src="http://4.bp.blogspot.com/_YCTv9QE9BSg/S2ASORLs_8I/AAAAAAAAA0o/ULW7rJfskPM/s320/il+2b..jpg" style="cursor: pointer; display: block; height: 214px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;span style="font-size: 85%;"&gt;Jitish Kallat, &lt;span style="font-style: italic;"&gt;Aquasaurus&lt;/span&gt;, 2008&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 85%;"&gt;photo: Anne de Henning&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="http://3.bp.blogspot.com/_YCTv9QE9BSg/S2qQGYQR3XI/AAAAAAAAA3w/F6Zr8cXGVsM/s1600-h/IMG_0290.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5434314339640270194" src="http://3.bp.blogspot.com/_YCTv9QE9BSg/S2qQGYQR3XI/AAAAAAAAA3w/F6Zr8cXGVsM/s320/IMG_0290.JPG" style="cursor: pointer; display: block; height: 214px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;span style="font-size: 85%;"&gt;Jitish Kallat&lt;span style="font-style: italic;"&gt;, Artist Making Local Call&lt;/span&gt;, 2005&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_YCTv9QE9BSg/S2qNfxFePoI/AAAAAAAAA3g/0XW9S3cANoU/s1600-h/IMG_0216.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5434311477267676802" src="http://2.bp.blogspot.com/_YCTv9QE9BSg/S2qNfxFePoI/AAAAAAAAA3g/0XW9S3cANoU/s320/IMG_0216.JPG" style="cursor: pointer; display: block; height: 214px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;span style="font-size: 85%;"&gt;Thukral &amp;amp; Tagra, &lt;/span&gt;&lt;span style="font-size: 85%; font-style: italic;"&gt;Delightfully Dreadful - Overcooked, Overdose and Overcast &lt;/span&gt;&lt;span style="font-size: 85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: 85%;"&gt;From the series of "The Dawn of Decadence" , 2009&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;a href="http://3.bp.blogspot.com/_YCTv9QE9BSg/S2ASne6fK7I/AAAAAAAAA0w/NT0aTLj9HPg/s1600-h/4..jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5431361620131392434" src="http://3.bp.blogspot.com/_YCTv9QE9BSg/S2ASne6fK7I/AAAAAAAAA0w/NT0aTLj9HPg/s320/4..jpg" style="cursor: pointer; display: block; height: 214px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;span style="font-size: 85%;"&gt;Ranbir Kaleka, &lt;span style="font-style: italic;"&gt;Man with Cockerel&lt;/span&gt;, 2001 - 2002 (left), Probir Gupta (right)&lt;br /&gt;photo: Anne de Henning&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="http://3.bp.blogspot.com/_YCTv9QE9BSg/S2qPuEaaOTI/AAAAAAAAA3o/4Lnh5qo5GtM/s1600-h/IMG_0158.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5434313921997191474" src="http://3.bp.blogspot.com/_YCTv9QE9BSg/S2qPuEaaOTI/AAAAAAAAA3o/4Lnh5qo5GtM/s320/IMG_0158.JPG" style="cursor: pointer; display: block; height: 320px; margin: 0px auto 10px; text-align: center; width: 214px;" /&gt;&lt;/a&gt;&lt;span style="font-size: 85%;"&gt;Ranbir Kaleka, &lt;span style="font-style: italic;"&gt;Man with Cockerel&lt;/span&gt;, 2001 - 2002&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_YCTv9QE9BSg/S169xqOtb4I/AAAAAAAAAyQ/rKey8vzPSyk/s1600-h/Probir+Guptha.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5430986861502623618" src="http://4.bp.blogspot.com/_YCTv9QE9BSg/S169xqOtb4I/AAAAAAAAAyQ/rKey8vzPSyk/s320/Probir+Guptha.JPG" style="cursor: pointer; display: block; height: 240px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;span style="font-size: 85%;"&gt;Probir Gupta, &lt;span style="font-style: italic;"&gt;The national product (Gandhi) and others&lt;/span&gt;, 2008&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_YCTv9QE9BSg/S17dRk_dsEI/AAAAAAAAA0A/jhPPkNRrV2g/s1600-h/IMG_5836.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5431021494712774722" src="http://4.bp.blogspot.com/_YCTv9QE9BSg/S17dRk_dsEI/AAAAAAAAA0A/jhPPkNRrV2g/s320/IMG_5836.JPG" style="cursor: pointer; display: block; height: 240px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;span style="font-size: 85%;"&gt;Atul Dodiya, &lt;span style="font-style: italic;"&gt;From the series ‘Pale Ancestors’&lt;/span&gt;, 2007 (on the right)&lt;br /&gt;and Probir Gupta (on the left)&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="http://3.bp.blogspot.com/_YCTv9QE9BSg/S2qMjhRwsAI/AAAAAAAAA3Q/IzuEAMmyHCM/s1600-h/IMG_0178.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5434310442232098818" src="http://3.bp.blogspot.com/_YCTv9QE9BSg/S2qMjhRwsAI/AAAAAAAAA3Q/IzuEAMmyHCM/s320/IMG_0178.JPG" style="cursor: pointer; display: block; height: 214px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;a href="http://1.bp.blogspot.com/_YCTv9QE9BSg/S2qM0RMLQYI/AAAAAAAAA3Y/MLDgiCEYcQE/s1600-h/IMG_0138.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5434310729971483010" src="http://1.bp.blogspot.com/_YCTv9QE9BSg/S2qM0RMLQYI/AAAAAAAAA3Y/MLDgiCEYcQE/s320/IMG_0138.JPG" style="cursor: pointer; display: block; height: 214px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;span style="font-size: 85%;"&gt;Atul Dodiya, &lt;span style="font-style: italic;"&gt;From the series ‘Pale Ancestors’&lt;/span&gt;, 2007&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_YCTv9QE9BSg/S169tJOq1cI/AAAAAAAAAyI/wkpiO7VKhhA/s1600-h/IMG_5878.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5430986783924606402" src="http://3.bp.blogspot.com/_YCTv9QE9BSg/S169tJOq1cI/AAAAAAAAAyI/wkpiO7VKhhA/s320/IMG_5878.JPG" style="cursor: pointer; display: block; height: 240px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;span style="font-size: 85%;"&gt;Anita Dube, &lt;span style="font-style: italic;"&gt;Three Texts&lt;/span&gt;, 2009&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_YCTv9QE9BSg/S169nqzZouI/AAAAAAAAAyA/B2HcGJAEIEI/s1600-h/IMG_5869.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5430986689857823458" src="http://4.bp.blogspot.com/_YCTv9QE9BSg/S169nqzZouI/AAAAAAAAAyA/B2HcGJAEIEI/s320/IMG_5869.JPG" style="cursor: pointer; display: block; height: 240px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;span style="font-size: 85%;"&gt;Reena Saini Kallat, &lt;span style="font-style: italic;"&gt;Walls of the Womb&lt;/span&gt;, 2007&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_YCTv9QE9BSg/S2ATGhbbnrI/AAAAAAAAA04/xfrbQM8TsZU/s1600-h/8b..jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5431362153382387378" src="http://4.bp.blogspot.com/_YCTv9QE9BSg/S2ATGhbbnrI/AAAAAAAAA04/xfrbQM8TsZU/s320/8b..jpg" style="cursor: pointer; display: block; height: 214px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;span style="font-size: 85%;"&gt;Reena Saini Kallat, &lt;span style="font-style: italic;"&gt;Walls of the Womb&lt;/span&gt;, 2007&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 85%;"&gt;photo: Anne de Henning&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="http://2.bp.blogspot.com/_YCTv9QE9BSg/S2qRuA0BcdI/AAAAAAAAA4I/0FFM82pY8zs/s1600-h/IMG_0300.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5434316120054133202" src="http://2.bp.blogspot.com/_YCTv9QE9BSg/S2qRuA0BcdI/AAAAAAAAA4I/0FFM82pY8zs/s320/IMG_0300.JPG" style="cursor: pointer; display: block; height: 214px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;span style="font-size: 85%;"&gt;Avinash Veeraraghavan, &lt;span style="font-style: italic;"&gt;I love My India&lt;/span&gt;, 2002&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_YCTv9QE9BSg/S169bae2rlI/AAAAAAAAAxw/_AVfM6xbDLk/s1600-h/IMG_5866.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5430986479318249042" src="http://4.bp.blogspot.com/_YCTv9QE9BSg/S169bae2rlI/AAAAAAAAAxw/_AVfM6xbDLk/s320/IMG_5866.JPG" style="cursor: pointer; display: block; height: 240px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_YCTv9QE9BSg/S17bLG_matI/AAAAAAAAAzw/Cu6AwKKq6nE/s1600-h/IMG_5867.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5431019184557812434" src="http://3.bp.blogspot.com/_YCTv9QE9BSg/S17bLG_matI/AAAAAAAAAzw/Cu6AwKKq6nE/s320/IMG_5867.JPG" style="cursor: pointer; display: block; height: 240px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;span style="font-size: 85%;"&gt;Subodh Gupta,  &lt;span style="font-style: italic;"&gt;Hungry God&lt;/span&gt;,  2005 – 2006&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_YCTv9QE9BSg/S17VRxR-IUI/AAAAAAAAAzI/CpF-NP50xtg/s1600-h/low+res_sheba.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5431012701918601538" src="http://2.bp.blogspot.com/_YCTv9QE9BSg/S17VRxR-IUI/AAAAAAAAAzI/CpF-NP50xtg/s320/low+res_sheba.jpg" style="cursor: pointer; display: block; height: 231px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;a href="http://3.bp.blogspot.com/_YCTv9QE9BSg/S17cj9k773I/AAAAAAAAAz4/GKXrEO_DH00/s1600-h/IMG_5884.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5431020711038414706" src="http://3.bp.blogspot.com/_YCTv9QE9BSg/S17cj9k773I/AAAAAAAAAz4/GKXrEO_DH00/s320/IMG_5884.JPG" style="cursor: pointer; display: block; height: 320px; margin: 0px auto 10px; text-align: center; width: 240px;" /&gt;&lt;/a&gt;&lt;span style="font-size: 85%;"&gt;Sheba Chhachhi, &lt;span style="font-style: italic;"&gt;Neelkanth (Bluethroat): poison/ nectar&lt;/span&gt;, 2003 – 2008&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_YCTv9QE9BSg/S169FcXugFI/AAAAAAAAAxI/PvTaySZpvi8/s1600-h/IMG_5840.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5430986101868101714" src="http://4.bp.blogspot.com/_YCTv9QE9BSg/S169FcXugFI/AAAAAAAAAxI/PvTaySZpvi8/s320/IMG_5840.JPG" style="cursor: pointer; display: block; height: 240px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;span style="font-size: 85%;"&gt;Thukral &amp;amp; Tagra, Now in Your Neighborhood, 2008&lt;br /&gt;and Ragubir Singh (right), 1977-1997&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="http://3.bp.blogspot.com/_YCTv9QE9BSg/S2qSQJ4CObI/AAAAAAAAA4Q/JJXTRyfjyBs/s1600-h/IMG_0330.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5434316706602432946" src="http://3.bp.blogspot.com/_YCTv9QE9BSg/S2qSQJ4CObI/AAAAAAAAA4Q/JJXTRyfjyBs/s320/IMG_0330.JPG" style="cursor: pointer; display: block; height: 214px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;span style="font-size: 85%;"&gt;Ragubir Singh, &lt;span style="font-style: italic;"&gt;Barber and Goddess Kali&lt;/span&gt;, 1986&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="http://4.bp.blogspot.com/_YCTv9QE9BSg/S2ATeVpc7UI/AAAAAAAAA1A/2mq02AbM0cw/s1600-h/ultimo.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5431362562536828226" src="http://4.bp.blogspot.com/_YCTv9QE9BSg/S2ATeVpc7UI/AAAAAAAAA1A/2mq02AbM0cw/s320/ultimo.jpg" style="cursor: pointer; display: block; height: 214px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;span style="font-size: 85%;"&gt;Installation View with Thukral &amp;amp; Tagra, &lt;span style="font-style: italic;"&gt;Now in Your Neighborhood&lt;/span&gt;, 2008 (detail)&lt;br /&gt;photo: Anne de Henning&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 85%;"&gt; &lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: left;"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;URBAN MANNERS 2&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Curators: Adelina von Fürstenberg,  Geneva in collaboration with&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Peter Nagy, New Delhi&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Installation Project: Arch. Uliva Velo, Florence in  collaboration&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;with  Arch.  Marcio Medina, Saõ Paulo&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Exhibition Coordinator: Michela Negrini, Milan&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Organization: ART &lt;/span&gt;&lt;span style="font-size: small; font-style: italic;"&gt;for The&lt;/span&gt;&lt;span style="font-size: small;"&gt;  World, Genèva- Milan&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Production: COM TATO, Sao Paulo&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;ART &lt;span style="font-style: italic;"&gt;for The&lt;/span&gt; World  thanks Prof. Danilo Santos de Miranda, Regional Director of SESC Saõ  Paulo and Mrs. Elisa Maria Americano Saintivi, Gerente of SESC Pompeia  and all the team of SESC.&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: small;"&gt;SESC Pompeia is an Architectural  Project by Arch. Lina Bo Bardi, 1977&lt;/span&gt;&lt;/div&gt;&lt;span style="color: #ff6600; font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: small; font-weight: bold;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: #ff6600; font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: small; font-weight: bold;"&gt;Opening and After Hours Fun in Saõ Paulo, January 2010&lt;/span&gt;&lt;span style="color: #ff6600; font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: small;"&gt; &lt;/span&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="font-size: 85%;"&gt;&lt;span style="color: #ff6600; font-size: 130%;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: small;"&gt;&lt;br /&gt;Photos by Anne de Henning&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_YCTv9QE9BSg/S2AtAXLN0AI/AAAAAAAAA1w/h6XE5TPyrXM/s1600-h/1a.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5431390634853126146" src="http://1.bp.blogspot.com/_YCTv9QE9BSg/S2AtAXLN0AI/AAAAAAAAA1w/h6XE5TPyrXM/s320/1a.jpg" style="cursor: pointer; display: block; height: 214px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;span style="font-size: 85%;"&gt;Thukral and  Tagra on TVCultura’s interview&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_YCTv9QE9BSg/S2AtFz8-C-I/AAAAAAAAA14/RxR0wYKpVRw/s1600-h/3a.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5431390728477346786" src="http://4.bp.blogspot.com/_YCTv9QE9BSg/S2AtFz8-C-I/AAAAAAAAA14/RxR0wYKpVRw/s320/3a.jpg" style="cursor: pointer; display: block; height: 214px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;span style="font-size: 85%;"&gt;Michela Negrini, Adelina von Fürstenberg, Anne de Henning, Uliva Velo&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_YCTv9QE9BSg/S2AtU2abueI/AAAAAAAAA2A/juUZrZPvLiA/s1600-h/4a.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5431390986835835362" src="http://1.bp.blogspot.com/_YCTv9QE9BSg/S2AtU2abueI/AAAAAAAAA2A/juUZrZPvLiA/s320/4a.JPG" style="cursor: pointer; display: block; height: 240px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;span style="font-size: 85%;"&gt;Marcio Medina&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_YCTv9QE9BSg/S2AtbZSAAeI/AAAAAAAAA2I/dWv7qEjZlzA/s1600-h/5a.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5431391099274920418" src="http://4.bp.blogspot.com/_YCTv9QE9BSg/S2AtbZSAAeI/AAAAAAAAA2I/dWv7qEjZlzA/s320/5a.jpg" style="cursor: pointer; display: block; height: 214px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;span style="font-size: 85%;"&gt;Igor Valas, Sheba Chachichi, Fabiana de Barro&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_YCTv9QE9BSg/S2Ati4ysBjI/AAAAAAAAA2Q/IogxkVLtlQs/s1600-h/6a.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5431391227992606258" src="http://2.bp.blogspot.com/_YCTv9QE9BSg/S2Ati4ysBjI/AAAAAAAAA2Q/IogxkVLtlQs/s320/6a.jpg" style="cursor: pointer; display: block; height: 240px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;span style="font-size: 85%;"&gt;Adelina with Lula&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="http://4.bp.blogspot.com/_YCTv9QE9BSg/S3J9z5bwLyI/AAAAAAAAA5w/wwWu6xpr9CQ/s1600-h/7a.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5436546030733635362" src="http://4.bp.blogspot.com/_YCTv9QE9BSg/S3J9z5bwLyI/AAAAAAAAA5w/wwWu6xpr9CQ/s320/7a.jpg" style="cursor: pointer; display: block; height: 240px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;span style="font-size: 85%;"&gt;Michela and Uliva&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="http://3.bp.blogspot.com/_YCTv9QE9BSg/S2At2nYePCI/AAAAAAAAA2g/1Z-GRMZ05hQ/s1600-h/8a.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5431391566916631586" src="http://3.bp.blogspot.com/_YCTv9QE9BSg/S2At2nYePCI/AAAAAAAAA2g/1Z-GRMZ05hQ/s320/8a.jpg" style="cursor: pointer; display: block; height: 240px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;span style="font-size: 85%;"&gt;Thukral and  Tagra&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_YCTv9QE9BSg/S2At8a19lwI/AAAAAAAAA2o/E4jEiVb5Nz8/s1600-h/9a.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5431391666629875458" src="http://1.bp.blogspot.com/_YCTv9QE9BSg/S2At8a19lwI/AAAAAAAAA2o/E4jEiVb5Nz8/s320/9a.jpg" style="cursor: pointer; display: block; height: 240px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;span style="font-size: 85%;"&gt;Fabiana and Sheba&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="http://3.bp.blogspot.com/_YCTv9QE9BSg/S2AuFtIqLtI/AAAAAAAAA2w/fpDFQFOYkIE/s1600-h/10a.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5431391826158956242" src="http://3.bp.blogspot.com/_YCTv9QE9BSg/S2AuFtIqLtI/AAAAAAAAA2w/fpDFQFOYkIE/s320/10a.jpg" style="cursor: pointer; display: block; height: 240px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;span style="font-size: 85%;"&gt;Marcos Augusto Machado Gonçalves and Leonora De Barros&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="http://3.bp.blogspot.com/_YCTv9QE9BSg/S2AuLyTJciI/AAAAAAAAA24/XEV5Eb7foRQ/s1600-h/11a.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5431391930624340514" src="http://3.bp.blogspot.com/_YCTv9QE9BSg/S2AuLyTJciI/AAAAAAAAA24/XEV5Eb7foRQ/s320/11a.jpg" style="cursor: pointer; display: block; height: 214px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;span style="font-size: 85%;"&gt;Ivan Giannini and Sheba&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="http://1.bp.blogspot.com/_YCTv9QE9BSg/S2AuTD1SNdI/AAAAAAAAA3A/gY8zJoHgqdY/s1600-h/13a.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5431392055590008274" src="http://1.bp.blogspot.com/_YCTv9QE9BSg/S2AuTD1SNdI/AAAAAAAAA3A/gY8zJoHgqdY/s320/13a.jpg" style="cursor: pointer; display: block; height: 320px; margin: 0px auto 10px; text-align: center; width: 214px;" /&gt;&lt;/a&gt;&lt;span style="font-size: 85%;"&gt;Ivan and Anna Giannini&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="http://4.bp.blogspot.com/_YCTv9QE9BSg/S2AuZJu9HRI/AAAAAAAAA3I/d0HxiWKOPZM/s1600-h/14a.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5431392160253287698" src="http://4.bp.blogspot.com/_YCTv9QE9BSg/S2AuZJu9HRI/AAAAAAAAA3I/d0HxiWKOPZM/s320/14a.jpg" style="cursor: pointer; display: block; height: 214px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_YCTv9QE9BSg/S2As2gh3F2I/AAAAAAAAA1o/spjhjeoKpbc/s1600-h/15a.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5431390465565333346" src="http://4.bp.blogspot.com/_YCTv9QE9BSg/S2As2gh3F2I/AAAAAAAAA1o/spjhjeoKpbc/s320/15a.jpg" style="cursor: pointer; display: block; height: 214px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;span style="font-size: 85%;"&gt;Thukral and  Tagra hanging around in Villa Maddalena&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;a href="http://4.bp.blogspot.com/_YCTv9QE9BSg/S2As2gh3F2I/AAAAAAAAA1o/spjhjeoKpbc/s1600-h/15a.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;span style="font-size: 85%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-4006513972946588509?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/4006513972946588509/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html#comment-form' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/4006513972946588509'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/4006513972946588509'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html' title='Urban Manners 2 at SESC Pompeia, Installations Views,  January 21'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_YCTv9QE9BSg/S2APR8HxNSI/AAAAAAAAA0g/7G6gh8ogdVs/s72-c/1..jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-4611737117697626059</id><published>2010-01-12T15:17:00.004+01:00</published><updated>2010-05-18T16:00:02.182+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='SESC'/><category scheme='http://www.blogger.com/atom/ns#' term='Exhibitions'/><title type='text'>Invitation to Urban Manners 2 at  SESC Pompeia, Sao Paulo, Brazil</title><content type='html'>&lt;span style="font-size: 100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;On &lt;b&gt;January 21, 2010 &lt;span style="font-style: italic;"&gt;Urban Manners 2 - Artistas Contemporâneos da Índia&lt;/span&gt;&lt;/b&gt; will  open at SESC Pompeia in Sao Paulo.&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;The exhibition will feature the works of eleven Indian artists who propose a path that reveals all the striking contradictions of contemporary India.&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;The artists who have been invited to Sao Paulo are sculptors, painters and video artists whose works are inspired by the issues that distinguish Indian society, such as immigration, environmental protection, the loss of traditional values, poverty and wealth in a globalized world.&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: 100%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_YCTv9QE9BSg/S0yFnxcOf8I/AAAAAAAAAvo/tsbyB1F_hRg/s1600-h/e-invitation_URBAN+MANNERS+2.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5425858569407725506" src="http://4.bp.blogspot.com/_YCTv9QE9BSg/S0yFnxcOf8I/AAAAAAAAAvo/tsbyB1F_hRg/s400/e-invitation_URBAN+MANNERS+2.jpg" style="cursor: pointer; display: block; height: 400px; margin: 0px auto 10px; text-align: center; width: 298px;" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-4611737117697626059?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/4611737117697626059/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2010/01/opening-of-urban-manners-2-at-sesc.html#comment-form' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/4611737117697626059'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/4611737117697626059'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2010/01/opening-of-urban-manners-2-at-sesc.html' title='Invitation to Urban Manners 2 at  SESC Pompeia, Sao Paulo, Brazil'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_YCTv9QE9BSg/S0yFnxcOf8I/AAAAAAAAAvo/tsbyB1F_hRg/s72-c/e-invitation_URBAN+MANNERS+2.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-5098758186677765555</id><published>2010-01-07T11:44:00.006+01:00</published><updated>2010-05-18T16:02:58.595+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Playgrounds and Toys'/><title type='text'>At the 3rd Edition of Shenzhen &amp; Hong Kong Bi-City Biennale of Urbanism\Architecture, China, 2009-2010</title><content type='html'>&lt;span style="font-size: 85%;"&gt;&lt;span lang="FR" style="font-family: Georgia;"&gt;&lt;span style="color: #cc6600; font-size: 130%; font-weight: bold;"&gt;&lt;br /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;CHEN ZHEN's &lt;/span&gt;&lt;span style="font-style: italic;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;Danser la Musique  &lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #cc6600; font-style: italic;"&gt;            &lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://3.bp.blogspot.com/_YCTv9QE9BSg/S0W9e7_w-qI/AAAAAAAAAu4/1g9tNPMc1x0/s1600-h/danser_la_musique1-1.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5423949665436498594" src="http://3.bp.blogspot.com/_YCTv9QE9BSg/S0W9e7_w-qI/AAAAAAAAAu4/1g9tNPMc1x0/s320/danser_la_musique1-1.jpg" style="cursor: pointer; display: block; height: 214px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: small;"&gt;&lt;span lang="FR"&gt;&lt;b&gt;Title:&lt;/b&gt; &lt;span style="font-style: italic;"&gt;Danser la Musique&lt;/span&gt;, 2000-2009&lt;o:p _moz-userdefined=""&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;span lang="FR"&gt;&lt;br /&gt;&lt;b&gt;Size:&lt;/b&gt; 500 x 500 x 350 cm (h)&lt;o:p _moz-userdefined=""&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;span lang="FR"&gt;&lt;br /&gt;&lt;b&gt;Medium:&lt;/b&gt; Steel, Iron, Nylon, Hemp, Cannon Shells, Bullet Shells, Buddhists bells&lt;o:p _moz-userdefined=""&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;span lang="FR"&gt;&lt;br /&gt;&lt;b&gt;Edition:&lt;/b&gt; &lt;span style="color: #0a0a0a;"&gt;Numbered  1/3&lt;o:p _moz-userdefined=""&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;span lang="FR" style="color: #0a0a0a;"&gt;&lt;br /&gt;&lt;b&gt;Building Period:&lt;/b&gt; October-November, 2009&lt;/span&gt;&lt;span lang="FR"&gt;&lt;o:p _moz-userdefined=""&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;span lang="FR"&gt;&lt;br /&gt;&lt;b&gt;Site:&lt;/b&gt; Yitian Holiday Plaza, Shenzhen, China&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: small;"&gt;&lt;span lang="FR"&gt;&lt;o:p _moz-userdefined=""&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;span lang="FR"&gt;&lt;br /&gt;&lt;b&gt;Exhibiton’s Date&lt;/b&gt;: 06.12.2009 -28.02.2010&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: small;"&gt;&lt;span lang="FR" style="color: #0e000d;"&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: small;"&gt;&lt;span lang="FR" style="color: #0e000d;"&gt;&lt;i&gt;The Playground has been realized thanks to Mrs Liu Ying Mei, Shanghai, China with the support of the Association des Amis de Chen Zhen, Paris.&lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: small;"&gt;&lt;span lang="FR" style="color: #0e000d;"&gt; &lt;i&gt;The artist is represented by Galleria Continua / Italy, Beijing, Le Moulin&lt;/i&gt;.&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: small;"&gt;&lt;span lang="FR" style="color: #0e000d;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span lang="FR"&gt;Chen Zhen strongly believed that art has the power to surpass politics and science, bringing people's feelings to consciousness.&lt;b&gt; &lt;/b&gt;Using his wise hands and intense mind, &lt;b&gt;Chen has put at the center of his creations the concern for humanity, society, nature and destiny, his vision of oriental and western cultures, a multi-cultural approach, the desire of eliminating odium through an equality-based dialogue.&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: 13pt;"&gt;&lt;a href="http://1.bp.blogspot.com/_YCTv9QE9BSg/S0W96Wxg8JI/AAAAAAAAAvA/M4hkBwD2TjQ/s1600-h/danser_la_musique-2.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5423950136480952466" src="http://1.bp.blogspot.com/_YCTv9QE9BSg/S0W96Wxg8JI/AAAAAAAAAvA/M4hkBwD2TjQ/s320/danser_la_musique-2.jpg" style="cursor: pointer; display: block; height: 214px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; margin-bottom: 13pt; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span lang="FR"&gt;The installation &lt;b&gt;&lt;i&gt;Danser la musique&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;span lang="FR"&gt; by Chen Zhen is composed by a square trampoline, four large Buddhist bells with cannon shells hanging in its four corners, hundreds of smaller bells with bullet shells hanging on the trampoline, Children dance on the trampoline and the sound of the music coming from the bells.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_YCTv9QE9BSg/S0W-KPEWlWI/AAAAAAAAAvI/hpJ_jCWAxhc/s1600-h/Chen+Zhen,+model+2000.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5423950409290388834" src="http://2.bp.blogspot.com/_YCTv9QE9BSg/S0W-KPEWlWI/AAAAAAAAAvI/hpJ_jCWAxhc/s320/Chen+Zhen,+model+2000.jpg" style="cursor: pointer; display: block; height: 240px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;span style="font-size: 78%;"&gt;&lt;span style="font-style: italic;"&gt;Danser la Musique &lt;/span&gt;(model, 2000)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: 85%;"&gt;&lt;span lang="FR" style="font-family: Georgia;"&gt;&lt;b&gt;&lt;span style="color: black;"&gt;F&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;b&gt;rom 2000 on, ART &lt;/b&gt;&lt;/span&gt;&lt;b&gt;&lt;i style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;for The&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span lang="FR" style="font-family: Georgia; font-size: small;"&gt;&lt;b&gt; World has organized a serie of travelling exhibitions of more then 40 artworks on the theme of&lt;/b&gt; &lt;b&gt;&lt;i style="color: black;"&gt;Playgrounds&amp;amp;Toys&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;span lang="FR" style="font-family: Georgia; font-size: small;"&gt; designed by artists and architects from all over&lt;/span&gt;&lt;span lang="FR" style="font-family: Georgia; font-size: small;"&gt; the world. In every place in which the exhibition is held, a local jury choose his favorite playground. In January 2001, during the venue at &lt;/span&gt;&lt;span style="font-family: Georgia; font-size: small;"&gt;the Andersen Museum in&lt;/span&gt;&lt;span lang="FR" style="font-family: Georgia; font-size: small;"&gt; Rome, Chen Zhen's project &lt;i&gt;Danser la Musique&lt;/i&gt;&lt;/span&gt;&lt;span lang="FR" style="font-family: Georgia; font-size: small;"&gt; was chosen from a jury composed by UN, UNHCR and UNESCO’s representatives, Giordano Boetti, the son of  the artist Alighiero Boetti and the  Children Psycanalist Prof. Giovanni Bollea.&lt;o:p _moz-userdefined=""&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size: 85%;"&gt;&lt;span lang="FR" style="font-family: Georgia; font-size: small;"&gt;&lt;i&gt; &lt;/i&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 85%;"&gt;&lt;span lang="FR" style="font-family: Georgia; font-size: small;"&gt;&lt;i&gt; &lt;b&gt;Danser la Musique&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;b&gt;&lt;span lang="FR" style="font-family: Georgia; font-size: small;"&gt; aims to combine both the form and the function of dance and music. The work expresses the artist’s concern for disadvantaged children &lt;/span&gt;&lt;span style="font-family: Georgia; font-size: small;"&gt;suffering from social injustices and for those living in the most unacceptable conditions&lt;/span&gt;&lt;/b&gt;&lt;span lang="FR" style="font-family: Georgia; font-size: small;"&gt;&lt;b&gt; in various regions of the world. &lt;/b&gt;The hope is that this playground will help to turn sorrow into happiness, making children still feel the joy and strength of life while facing poverty and war.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: 85%;"&gt;&lt;span lang="FR" style="font-family: Georgia; font-size: small;"&gt; &lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://2.bp.blogspot.com/_YCTv9QE9BSg/S0W-3CrWZmI/AAAAAAAAAvQ/tGpIV1RPXqg/s1600-h/danser_la_musique4.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5423951179058407010" src="http://2.bp.blogspot.com/_YCTv9QE9BSg/S0W-3CrWZmI/AAAAAAAAAvQ/tGpIV1RPXqg/s320/danser_la_musique4.jpg" style="cursor: pointer; display: block; height: 214px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: small;"&gt;&lt;span lang="FR"&gt;The children dancing on the trampoline make the brass bells strike against each other and against the small bells placed on the ground, creating a fantastic and happy music. Four people can play the big buddhists bells at the four corners of the trampoline, giving life to the big dancing musical instrument and intensifying the theme of the work, which exemplifies a material world that is within sight but beyond reach. The "bell tone" of the church and the "thunder" of guns arise one from another, as in the unavoidable reality in which live many children of numerous countries and regions of the world. The brilliant and sweet rings of the little bells, together with the sounds and rhythms of happy dancing, awake their innocence and senses, relieving their little hearts from the despair of poverty and war. &lt;o:p _moz-userdefined=""&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 85%;"&gt;&lt;span lang="FR" style="font-family: Georgia; font-size: small;"&gt;&lt;i&gt; Danser la Musique&lt;/i&gt;&lt;/span&gt;&lt;span lang="FR" style="font-family: Georgia;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: small;"&gt;  is a playground resonating with joy and awareness.&lt;/span&gt;&lt;o:p _moz-userdefined=""&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: 13pt; text-align: left;"&gt;&lt;span style="font-size: 85%;"&gt;&lt;span lang="FR" style="font-family: Georgia;"&gt;&lt;o:p _moz-userdefined=""&gt;&lt;/o:p&gt;&lt;/span&gt;  &lt;/span&gt;  &lt;span lang="FR" style="color: red; font-family: Georgia; font-size: 85%;"&gt;&lt;b&gt;&lt;o:p _moz-userdefined=""&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;a href="http://2.bp.blogspot.com/_YCTv9QE9BSg/S0W_XZ0tX6I/AAAAAAAAAvY/HUZ9OztJU9E/s1600-h/danser_la_musique6.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5423951735027490722" src="http://2.bp.blogspot.com/_YCTv9QE9BSg/S0W_XZ0tX6I/AAAAAAAAAvY/HUZ9OztJU9E/s320/danser_la_musique6.jpg" style="cursor: pointer; display: block; height: 214px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;span lang="FR" style="font-family: Georgia;"&gt;&lt;b&gt;&lt;span style="font-size: 85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;b&gt;&lt;span lang="FR" style="font-family: Georgia;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: small;"&gt;Artist’s biography&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;o:p _moz-userdefined="" style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;span style="font-size: 85%;"&gt;&lt;span lang="FR" style="font-family: Georgia; font-size: small;"&gt; Chen Zhen was born in 1955 in Shanghai where he studied and then taught at the Shanghai Fine Arts &amp;amp; Crafts School and at the Shanghai Theatre Academy. In 1986, he moved to France where he studied at the Institut des Hautes Etudes en Arts Plastiques of Paris. He then worked as Professor at the Institut and &lt;span style="letter-spacing: 0.5pt;"&gt;Ecole Nationale Supérieure des Beaux-arts in Paris and at the Ecole Nationale Superieure D'Art in Nancy. Between 1990 and 2000, Chen was awarded six art scholarships from French and American institutions and participated to nearly one hundred exhibitions, where he presented internationally acclaimed installations. He was listed as one of the most influential installation artist of the Nineties. His unrestricted style walks through the Chinese and western cultures, seeking a balance between unifying the senses of the audience and presenting the artist’s unique language and philosophy. Chen’s work brings to the extreme the idea of diversity that pervaded the art world during the last years of his life.&lt;/span&gt;&lt;/span&gt;&lt;span lang="FR" style="font-family: Arial;"&gt;&lt;o:p _moz-userdefined=""&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;span lang="FR" style="font-family: Georgia;"&gt;&lt;b&gt;&lt;o:p _moz-userdefined=""&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-5098758186677765555?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/5098758186677765555/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2010/01/at-3rd-edition-of-shenzhen-hong-kong-bi.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/5098758186677765555'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/5098758186677765555'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2010/01/at-3rd-edition-of-shenzhen-hong-kong-bi.html' title='At the 3rd Edition of Shenzhen &amp; Hong Kong Bi-City Biennale of Urbanism\Architecture, China, 2009-2010'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_YCTv9QE9BSg/S0W9e7_w-qI/AAAAAAAAAu4/1g9tNPMc1x0/s72-c/danser_la_musique1-1.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-5255520583780076903</id><published>2009-12-16T17:11:00.001+01:00</published><updated>2010-03-31T12:50:02.284+02:00</updated><title type='text'>ART for The World's New Year wishes</title><content type='html'>&lt;span style="font-family: georgia; font-size: small;"&gt;We will be closing ART &lt;/span&gt;&lt;span style="font-family: georgia; font-size: small; font-style: italic;"&gt;for The &lt;/span&gt;&lt;span style="font-family: georgia; font-size: 100%;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: small;"&gt;World's offices for Winter Holidays, from December 17, 2009 until January 6, 2010.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="http://4.bp.blogspot.com/_YCTv9QE9BSg/SykG4ouuAFI/AAAAAAAAAuw/eYsVDiTXjwI/s1600-h/osos1160.gif" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5415867596965544018" src="http://4.bp.blogspot.com/_YCTv9QE9BSg/SykG4ouuAFI/AAAAAAAAAuw/eYsVDiTXjwI/s400/osos1160.gif" style="cursor: pointer; display: block; height: 186px; margin: 0px auto 10px; text-align: center; width: 400px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-family: georgia; font-size: 100%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-5255520583780076903?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/5255520583780076903/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2009/12/art-for-worlds-new-year-wishes.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/5255520583780076903'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/5255520583780076903'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2009/12/art-for-worlds-new-year-wishes.html' title='ART for The World&apos;s New Year wishes'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_YCTv9QE9BSg/SykG4ouuAFI/AAAAAAAAAuw/eYsVDiTXjwI/s72-c/osos1160.gif' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-1717902843881163751</id><published>2009-12-10T14:54:00.008+01:00</published><updated>2010-05-18T16:03:36.402+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Stories on Human Rights'/><category scheme='http://www.blogger.com/atom/ns#' term='Press'/><title type='text'>Stories on Human Rights on La Repubblica</title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;span style="font-family: georgia; font-size: 100%;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: small;"&gt;On December 8, &lt;/span&gt;&lt;b&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: small; font-style: italic;"&gt;La Repubblica&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: small;"&gt; published an interview with Adelina von Fürstenberg on the film project "Stories on Human Rights" .&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: georgia; font-size: 100%;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: small;"&gt; The interview and the short movies are also available on the newspaper's website at the following link:&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-family: georgia; font-size: 100%;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: small;"&gt;&lt;a href="http://www.repubblica.it/2009/12/sezioni/esteri/diritti-umani/diritti-umani/diritti-umani.html"&gt; http://www.repubblica.it/2009/12/sezioni/esteri/diritti-umani/diritti-umani/diritti-umani.html&lt;/a&gt;&lt;/span&gt;  &lt;/span&gt;&lt;/div&gt;&lt;span style="font-family: georgia; font-size: 100%;"&gt; &lt;/span&gt;&lt;span style="font-size: 100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_YCTv9QE9BSg/SyD_Yg9DPHI/AAAAAAAAAt4/7_VqxbTWycg/s1600-h/La+Repubblica+_intervista+Adelina+081209.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5413607548727278706" src="http://4.bp.blogspot.com/_YCTv9QE9BSg/SyD_Yg9DPHI/AAAAAAAAAt4/7_VqxbTWycg/s400/La+Repubblica+_intervista+Adelina+081209.jpg" style="cursor: pointer; display: block; height: 287px; margin: 0px auto 10px; text-align: center; width: 400px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: 130%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: 130%;"&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-1717902843881163751?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/1717902843881163751/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2009/12/storie-on-human-rights-on-la-repubblica.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/1717902843881163751'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/1717902843881163751'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2009/12/storie-on-human-rights-on-la-repubblica.html' title='Stories on Human Rights on La Repubblica'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_YCTv9QE9BSg/SyD_Yg9DPHI/AAAAAAAAAt4/7_VqxbTWycg/s72-c/La+Repubblica+_intervista+Adelina+081209.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-6074532374376204568</id><published>2009-12-09T15:38:00.008+01:00</published><updated>2010-06-02T22:15:59.060+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Commitment for Human Rights'/><title type='text'>Some of our past projects: ART for The World’s Commitment for Human Rights and its collaborations with International Institutions</title><content type='html'>&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;b&gt;&lt;span style="font-size: small;"&gt;ART &lt;/span&gt;&lt;span style="font-size: small; font-style: italic;"&gt;for The &lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;World’s activities are based on the ideals of Human Rights, Dignity, Freedom, Peace and Solidarity enshrined in the Universal Declaration of Human Rights as well as proclaimed as fundamental values by the Charter of Fundamental Rights of the European Union.&lt;/b&gt; Therefore, since its foundation, ART &lt;/span&gt;&lt;span style="font-size: small; font-style: italic;"&gt;for The &lt;/span&gt;&lt;span style="font-size: small;"&gt;World’s major commitment has been to organize events (art exhibitions, cinema, concerts, conferences and lectures, etc.) in close collaboration with the artists' community and with the international institutions such as the &lt;b&gt;United Nations,&lt;/b&gt; the &lt;b&gt;World Health Organization (WHO)&lt;/b&gt;, the &lt;b&gt;High Commissioner for Refugees (HCR)&lt;/b&gt;, the &lt;b&gt;High Commissioner for Human Rights (OHCHR)&lt;/b&gt;, the &lt;b&gt;European Parliament,&lt;/b&gt; the &lt;b&gt;European Commission,&lt;/b&gt; the &lt;b&gt;Council of Europe,&lt;/b&gt; as well as NGOs such as &lt;b&gt;SESC Sao Paulo&lt;/b&gt;, or &lt;b&gt;Deepalaya Foundation&lt;/b&gt; in New Delhi.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;ART &lt;/span&gt;&lt;span style="font-size: small; font-style: italic;"&gt;for The&lt;/span&gt;&lt;span style="font-size: small;"&gt; World is a direct outgrowth of the exhibition &lt;/span&gt;&lt;span style="font-size: small; font-style: italic;"&gt;Dialogues of Peace&lt;/span&gt;&lt;span style="font-size: small;"&gt; conceived to commemorate the 50th Anniversary of the United Nations in 1995. From then onwards, many projects have been organized in collaboration with international institutions to foster the defense and knowledge of Human Rights around the world. ART &lt;/span&gt;&lt;span style="font-size: small; font-style: italic;"&gt;for The&lt;/span&gt;&lt;span style="font-size: small;"&gt; World’s initiatives indissolubly join aesthetic as well as humanitarian purposes, with a view to raising public attention on the issues that stir up our society:&lt;/span&gt;&lt;/div&gt;&lt;ul style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;li&gt;&lt;span style="font-size: small;"&gt;2008          &lt;/span&gt;&lt;span style="font-size: small; font-style: italic; font-weight: bold;"&gt;Stories on Human Rights&lt;/span&gt;&lt;span style="font-size: small;"&gt; (60th Anniversary of the Universal Declaration of     Human Rights)&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;ul style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;li&gt;&lt;span style="font-size: small;"&gt;2005          &lt;/span&gt;&lt;span style="font-size: small; font-style: italic; font-weight: bold;"&gt;Donna Donne&lt;/span&gt;&lt;span style="font-size: small;"&gt; (10th Anniversary of the Beijing Conference) &lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;ul style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;li&gt;&lt;span style="font-size: small;"&gt;2001          &lt;/span&gt;&lt;span style="font-size: small; font-style: italic; font-weight: bold;"&gt;The Overexcited Body, Art and Sport in Contemporary Society&lt;/span&gt;&lt;span style="font-size: small;"&gt; (in the context of  the UN program of the  Elimination for Racial Discrimination)&lt;/span&gt; &lt;/li&gt;&lt;/ul&gt;&lt;ul style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;li&gt;&lt;span style="font-size: small;"&gt;2000-01      &lt;/span&gt;&lt;span style="font-size: small; font-style: italic; font-weight: bold;"&gt;Alfredo Jaar, The Silence -The Rwanda project&lt;/span&gt;&lt;span style="font-size: small; font-weight: bold;"&gt; &lt;/span&gt;&lt;span style="font-size: small;"&gt;(50th Anniversary of the UN High Commissioner for Refugees)&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;ul style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;li&gt;&lt;span style="font-size: small;"&gt;2000 onwards      &lt;/span&gt;&lt;span style="font-size: small; font-style: italic; font-weight: bold;"&gt;Playgrounds&amp;amp;Toys&lt;/span&gt;&lt;span style="font-size: small; font-weight: bold;"&gt; &lt;/span&gt;&lt;span style="font-size: small;"&gt;(50th Anniversary of the the UN High Commissioner for Refugees)&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;ul style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;li&gt;&lt;span style="font-size: small;"&gt;2000         &lt;/span&gt;&lt;span style="font-size: small; font-style: italic; font-weight: bold;"&gt;Art and Social Realities&lt;/span&gt;&lt;span style="font-size: small;"&gt; (in collaboration with the UN High Commissioner for Refugees, in the context of the 2000 International Summit on Social Development)&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;ul style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;li&gt;&lt;span style="font-size: small;"&gt;1998-99    &lt;/span&gt;&lt;span style="font-size: small; font-style: italic; font-weight: bold;"&gt;The Edge of Awareness&lt;/span&gt;&lt;span style="font-size: small;"&gt; (50th Anniversary of the World Health Organization)&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;ul style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;li&gt;&lt;span style="font-size: small;"&gt;1995            &lt;/span&gt;&lt;span style="font-size: small; font-style: italic; font-weight: bold;"&gt;Dialogues of Peace&lt;/span&gt;&lt;span style="font-size: small;"&gt; (50th Anniversary of the United Nations)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;span style="font-size: small;"&gt;&lt;/span&gt;       &lt;/li&gt;&lt;/ul&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="color: #cc6600; font-size: small; font-weight: bold;"&gt;2008 Stories on Human Rights&lt;/span&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Born under the auspices of the UN High Commissioner for Human Rights – &lt;/span&gt;&lt;b&gt;&lt;span style="font-size: small; font-style: italic;"&gt;Stories on Human Rights&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: small;"&gt; i&lt;/span&gt;&lt;span style="font-size: small;"&gt;s a film project created and produced in 2008 by ART &lt;/span&gt;&lt;span style="font-size: small; font-style: italic;"&gt;for The&lt;/span&gt;&lt;span style="font-size: small;"&gt; World on the occasion of the  60th anniversary of the Universal Declaration of Human Rights. The long feature &lt;b&gt;i&lt;/b&gt;s composed by 22 short-movies by filmmakers and artists from all over the world (S. Bodrov, Z. Jia, P. Trapero, A. Weerasethakul, M. Abramovic, A. Sissako, etc.). Each short is based on one of the themes highlighted in the Universal Declaration: culture, development, dignity and justice, environment, gender and participation. The film has been screened in approximately 50 festivals around the world as well as in museums, in cultural institutions and in public screenings in different cities around the word.&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;object width="320" height="266" class="BLOG_video_class" id="BLOG_video-e11f2fd81f102b89" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"&gt;&lt;param name="movie" value="http://www.youtube.com/get_player"&gt;&lt;param name="bgcolor" value="#FFFFFF"&gt;&lt;param name="allowfullscreen" value="true"&gt;&lt;param name="flashvars" value="flvurl=http://v11.nonxt1.googlevideo.com/videoplayback?id%3De11f2fd81f102b89%26itag%3D5%26app%3Dblogger%26ip%3D0.0.0.0%26ipbits%3D0%26expire%3D1329847260%26sparams%3Did,itag,ip,ipbits,expire%26signature%3D1B366DB0BDCC115F2A26ACB4D1D655754A6844FB.83421A77777C914060B1C189C6872AD2FC1365BC%26key%3Dck1&amp;amp;iurl=http://video.google.com/ThumbnailServer2?app%3Dblogger%26contentid%3De11f2fd81f102b89%26offsetms%3D5000%26itag%3Dw160%26sigh%3DOraeLyVPVPD4KklkxZ5Fip_uXi0&amp;amp;autoplay=0&amp;amp;ps=blogger"&gt;&lt;embed src="http://www.youtube.com/get_player" type="application/x-shockwave-flash"width="320" height="266" bgcolor="#FFFFFF"flashvars="flvurl=http://v11.nonxt1.googlevideo.com/videoplayback?id%3De11f2fd81f102b89%26itag%3D5%26app%3Dblogger%26ip%3D0.0.0.0%26ipbits%3D0%26expire%3D1329847260%26sparams%3Did,itag,ip,ipbits,expire%26signature%3D1B366DB0BDCC115F2A26ACB4D1D655754A6844FB.83421A77777C914060B1C189C6872AD2FC1365BC%26key%3Dck1&amp;iurl=http://video.google.com/ThumbnailServer2?app%3Dblogger%26contentid%3De11f2fd81f102b89%26offsetms%3D5000%26itag%3Dw160%26sigh%3DOraeLyVPVPD4KklkxZ5Fip_uXi0&amp;autoplay=0&amp;ps=blogger"allowFullScreen="true" /&gt;&lt;/object&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="color: #cc6600; font-weight: bold;"&gt;2005-07 Donna Donne &lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="color: #cc6600; font-weight: bold;"&gt;(Florence, Geneva/Carouge, Sao Paulo)&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;Donna Donne&lt;/span&gt; is a cycle of traveling contemporary art exhibitions on gender issue, conceived in 2005 to mark the occasion of the 10th anniversary of the Beijing Conference. Focused on the implications of the social and political role of women in contemporary culture, the exhibition was hosted in different cities and premises: in Florence (Palazzo Strozzi, 2005), in Geneva (Musèe de Carouge, 2005) and in Sao Paulo (SESC Avenida Paulista, 2007) and involved young as well as well-known artists from all over the world (G. Amer, W. Du, S. Fleury, N. Goldin,  Kimsooja, Y. Pei-Ming,  T. Moffatt, S. Neshat, etc.)&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_YCTv9QE9BSg/Sx-6bb94svI/AAAAAAAAAso/d8vbyrjVymQ/s1600-h/Foto+1.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5413250257649185522" src="http://3.bp.blogspot.com/_YCTv9QE9BSg/Sx-6bb94svI/AAAAAAAAAso/d8vbyrjVymQ/s320/Foto+1.jpg" style="cursor: pointer; display: block; height: 223px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;span style="font-size: 78%;"&gt;                                                                                                                           I&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;nstallation view at Palazzo Strozzi, Florence&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: 78%;"&gt;from left to right: Wang Du, &lt;span style="font-style: italic;"&gt;Enter! &lt;/span&gt;(2004);&lt;br /&gt;Zilla Leutenegger, &lt;span style="font-style: italic;"&gt;Aeffle&lt;/span&gt; (2005);&lt;br /&gt;Andrea Marescalchi, &lt;span style="font-style: italic;"&gt;Luna&lt;/span&gt; (2005)&lt;br /&gt;photo: Serge Domingie and Marco Rabatti&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="color: #cc6600; font-size: small; font-weight: bold;"&gt;2001 The Overexcited Body &lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="color: #cc6600; font-size: small; font-weight: bold;"&gt;(Milan, Sao Paulo)&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="font-size: small; font-style: italic;"&gt;The Overexcited Body&lt;/span&gt;&lt;span style="font-size: small;"&gt; focuses on all aspects of sports, from the role of educating young people to their importance as a common ground where passion, tension, and enthusiasm have clashed to produce social and anthropological changes, and opened up to exchanges and encounters with the different cultures of our globalized world. The exhibition displayed a series of contemporary works by international artists (J. Armleder, N. Hirakawa, J. Kosuth, G. Toderi, N.Ward, P. di Bello, etc.) and was presented in Milan (Palazzo dell’Arengario and Velodrom Vigorelli), in Geneva (Stadium de la Praille) and in Sao Paulo (SESC Pompeia).&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_YCTv9QE9BSg/SyDNm_dm0hI/AAAAAAAAAtY/PDfQ233UlRQ/s1600-h/Sylvie+Fleury+%26+Barbara+Kruger.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5413552821853671954" src="http://4.bp.blogspot.com/_YCTv9QE9BSg/SyDNm_dm0hI/AAAAAAAAAtY/PDfQ233UlRQ/s320/Sylvie+Fleury+%26+Barbara+Kruger.jpg" style="cursor: pointer; display: block; height: 275px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: 78%;"&gt;Installation view at SESC Pompeia, Sao Paulo&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="color: #cc6600; font-size: small; font-weight: bold;"&gt;2000-01 Alfredo Jaar, The Silence - The Rwanda Project &lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="color: #cc6600; font-size: small; font-weight: bold;"&gt;(Geneva)&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="font-size: small; font-style: italic;"&gt;The Silence&lt;/span&gt;&lt;span style="font-size: small;"&gt; by Alfredo Jaar – exhibition organized at the occasion of the 50th anniversary of the UN High Commissioner for Refugees  –  was hosted in Geneva at International Red Cross and Red Crescent Museum. The photos installation derived from the artist's experiences in Rwanda in 1994, where he travelled to record the testimonies of the survivors of a genocide that claimed the lives of one million people.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_YCTv9QE9BSg/Sx-7KbZVbnI/AAAAAAAAAsw/Hy_cPmHgXrs/s1600-h/Foto3.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5413251064949730930" src="http://4.bp.blogspot.com/_YCTv9QE9BSg/Sx-7KbZVbnI/AAAAAAAAAsw/Hy_cPmHgXrs/s320/Foto3.jpg" style="cursor: pointer; display: block; height: 250px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;span style="font-size: 78%;"&gt;                                                                                                                                      &lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;Alfredo Jaar,&lt;/span&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-style: italic;"&gt; The Silence&lt;/span&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;, 2000&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;span style="font-size: 78%;"&gt;                                                                                                   Installation view at the  International Red Cross Museum, Geneva&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;span style="color: #cc6600; font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #cc6600; font-weight: bold;"&gt; &lt;/span&gt;&lt;span style="color: #cc6600; font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: small;"&gt;2000 onwards  Playgrounds&amp;amp;Toys&lt;/span&gt;&lt;br /&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;In 2000, on the occasion of  the 50th anniversary of the the UN High Commissioner for Refugees, ART &lt;/span&gt;&lt;span style="font-size: small; font-style: italic;"&gt;for The &lt;/span&gt;&lt;span style="font-size: small;"&gt;World has conceived the project &lt;/span&gt;&lt;span style="font-size: small; font-style: italic;"&gt;Playgrounds &amp;amp; Toys &lt;/span&gt;&lt;span style="font-size: small;"&gt;for Refugee Children, and since then has built playgrounds designed by artists and designers in differents premises around the world: India, Armenia, UK, Greece, among others.&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_YCTv9QE9BSg/Sx-8200ddaI/AAAAAAAAAs4/YU4RrLnN47s/s1600-h/Angelidakis+Yerevan.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5413252927200261538" src="http://2.bp.blogspot.com/_YCTv9QE9BSg/Sx-8200ddaI/AAAAAAAAAs4/YU4RrLnN47s/s320/Angelidakis+Yerevan.jpg" style="cursor: pointer; display: block; height: 241px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;                                                           &lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: 78%;"&gt;Andreas Angelidakis &lt;span style="font-style: italic;"&gt;Armenak&lt;/span&gt;, John Kirakossian School, Yerevan 2003&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size: 78%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #cc6600; font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: small; font-weight: bold;"&gt;2000 Art and Social Realities&lt;/span&gt;&lt;br /&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="color: #cc6600; font-size: small; font-weight: bold;"&gt;(Geneva)&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Within the context of the Geneva 2000 International Summit on Social Development, &lt;/span&gt;&lt;span style="font-size: small; font-style: italic;"&gt;Art and Social Realities&lt;/span&gt;&lt;span style="font-size: small;"&gt; is  an interdisciplinary project organized in collaboration with the UN High Commissioner for Refugees and dealing with the themes of refugees, emigration and exclusion. The exhibition, hosted by the Visitors Centre of the High Commissioner for refugees, featured the works by the artists Vito Acconcia and Kim Sooja, the architect Shigeru Ban and the photographer Gilles Delmas.&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;div style="text-align: left;"&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_YCTv9QE9BSg/Sx--ssZvnoI/AAAAAAAAAtA/4X1bbz_CyoY/s1600-h/Shigeru+Ban+_Paper+Loghouse.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5413254952165285506" src="http://3.bp.blogspot.com/_YCTv9QE9BSg/Sx--ssZvnoI/AAAAAAAAAtA/4X1bbz_CyoY/s320/Shigeru+Ban+_Paper+Loghouse.jpg" style="cursor: pointer; display: block; height: 208px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: 78%;"&gt;Shigeru Ban, &lt;span style="font-style: italic;"&gt;Paper Loghouse&lt;/span&gt;,1996/99&lt;br /&gt;Installation view at visitors center of the High Commissioner for Refugees&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;&lt;br style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;" /&gt; &lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="color: #cc6600; font-weight: bold;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: #cc6600; font-weight: bold;"&gt; &lt;span style="font-size: small;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;1998-99 The Edge of Awareness &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="color: #cc6600; font-size: small; font-weight: bold;"&gt;(Geneva, New York, Sao Paulo, New Delhi)&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;On the occasion of the 50th Anniversary of the World Health Organization, ART &lt;/span&gt;&lt;span style="font-size: small; font-style: italic;"&gt;for The &lt;/span&gt;&lt;span style="font-size: small;"&gt;World was invited to present in 1998-99 an international itinerant exhibition of contemporary art, to be shown in Geneva (WHO headquarters), New York (UN building, P.S.1), São Paulo (SESC Pompeia) and New Delhi (Lalitkala Akademi). The works on show raised vital questions about issues such as violence, mortality rates, natural disasters, environmental degradation, homelessness, racism, drugs, AIDS, polio. Among the participating artists: V. Acconci, F.De Barros, Kcho, H. Hakansson, I. Kabakov, Sol LeWitt, P. Steir, etc.&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_YCTv9QE9BSg/Sx_KGyijhRI/AAAAAAAAAtI/QzuI_v246sM/s1600-h/Foto+5.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5413267495117358354" src="http://4.bp.blogspot.com/_YCTv9QE9BSg/Sx_KGyijhRI/AAAAAAAAAtI/QzuI_v246sM/s320/Foto+5.jpg" style="cursor: pointer; display: block; height: 214px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;                                              &lt;span style="font-size: 78%;"&gt;                                                                                      &lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;Vito Acconci,&lt;/span&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-style: italic;"&gt; Untitled &lt;/span&gt;&lt;br style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;" /&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt; Installation view&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="color: #cc6600; font-weight: bold;"&gt;1995 Dialogues of Peace &lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="color: #cc6600; font-weight: bold;"&gt;(Geneva)&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;Dialogues of Peace &lt;/span&gt;was organized on the occasion of the 50th Anniversary of the United Nations at the UN headquarters in Geneva. In this exhibition, sixty artists from all over the world (R. Rauschenberg, C. Zhen, T. Kawamata, P. Kirkeby, etc.) presented works dedicated to the encouragement of tolerance and solidarity through the universal language of art for a peaceful coexistence between people. Dialogues of Peace was the starting point for ART &lt;span style="font-style: italic;"&gt;for The&lt;/span&gt; World's future action: to develop a new and creative forms of collaboration between artists, institutions and other members of the international community towards a meaningful dialogue between people of different cultures.&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_YCTv9QE9BSg/SydkqLr568I/AAAAAAAAAuo/HsX4KvXAXOk/s1600-h/scann2020.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5415407752790535106" src="http://3.bp.blogspot.com/_YCTv9QE9BSg/SydkqLr568I/AAAAAAAAAuo/HsX4KvXAXOk/s320/scann2020.jpg" style="cursor: pointer; display: block; height: 205px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: 78%;"&gt;Daniel Buren, &lt;span style="font-style: italic;"&gt;Cabane éclatée aux miroirs&lt;/span&gt;, 1995&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: center;"&gt;&lt;span style="font-size: 78%;"&gt;                 United Nations headquarters, Geneva&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style="font-size: 78%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-6074532374376204568?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/6074532374376204568/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2009/12/art-for-worlds-commitment-for-human.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/6074532374376204568'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/6074532374376204568'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2009/12/art-for-worlds-commitment-for-human.html' title='Some of our past projects: ART for The World’s Commitment for Human Rights and its collaborations with International Institutions'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_YCTv9QE9BSg/Sx-6bb94svI/AAAAAAAAAso/d8vbyrjVymQ/s72-c/Foto+1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-6822389905570120088</id><published>2009-12-03T11:01:00.003+01:00</published><updated>2010-05-18T16:08:18.133+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Stories on Human Rights'/><title type='text'>Where  "Stories on Human  Rights"  can be viewed in December 2009 and January 2010</title><content type='html'>&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;1)&lt;span style="font-weight: bold;"&gt; Dole (France)&lt;/span&gt;, December 4:  Soirée spéciale Histoires de Droits de l'homme&lt;br /&gt;&lt;br /&gt;2) &lt;span style="font-weight: bold;"&gt;Luxembourg&lt;/span&gt;,  December 10: Special screening on Human Rights Day, Amnesty International event&lt;br /&gt;&lt;br /&gt;3) &lt;span style="font-weight: bold;"&gt;Thessaloniki (Greece)&lt;/span&gt;, December  11 - January 31:  Video installation at the Archaeological Museum&lt;br /&gt;&lt;br /&gt;4) &lt;span style="font-weight: bold;"&gt;Amsterdam (The Netherlands)&lt;/span&gt;,  December 17-21: Euro-Arab Film Festival&lt;br /&gt;&lt;br /&gt;5) &lt;span style="font-weight: bold;"&gt;Bondi Beach (Australia)&lt;/span&gt;,  January 8-17: 19th Flickerfest International Short Film Festival&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-6822389905570120088?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/6822389905570120088/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2009/12/where-stories-on-human-rights-can-be.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/6822389905570120088'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/6822389905570120088'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2009/12/where-stories-on-human-rights-can-be.html' title='Where  &quot;Stories on Human  Rights&quot;  can be viewed in December 2009 and January 2010'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-3798028833710635221</id><published>2009-12-01T14:49:00.004+01:00</published><updated>2010-05-18T16:08:51.629+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Open Care'/><category scheme='http://www.blogger.com/atom/ns#' term='Exhibitions'/><title type='text'>QUESTIONI DI LINGUA by Claudio Citterio, Diego Morandini and Luisa Protti</title><content type='html'>&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-size: 100%;"&gt;On Monday, November 30th, ART &lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: 100%; font-style: italic;"&gt;&lt;span class="Apple-style-span"&gt;for The&lt;/span&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: 100%;"&gt; World presented &lt;b&gt;&lt;span style="font-style: italic;"&gt;QUESTIONI DI LINGUA&lt;/span&gt; by Claudio Citterio, Diego Morandini and Luisa Protti.&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-size: 100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-size: 100%;"&gt;The opening was characterized by an open discussion with the artists and:&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;ul style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;li style="text-align: justify;"&gt;&lt;b&gt;Giorgio Colombo&lt;/b&gt; - photographer, Contemporary Art Archives&lt;/li&gt;&lt;li style="text-align: justify;"&gt;&lt;b&gt;Massimo Minini&lt;/b&gt; - gallerist, Galleria Massimo Minini, Brescia&lt;/li&gt;&lt;li style="text-align: justify;"&gt;&lt;b&gt;Valter Rosa&lt;/b&gt; - conservatore c/o the Museum Diotti, Casalmaggiore (Cremona) and professor of History of Modern Art c/o Accademia di Belle Arti di Brera, Milan&lt;/li&gt;&lt;li style="text-align: justify;"&gt;&lt;b&gt;Francesco Tedeschi&lt;/b&gt; - art critic and professor of History of Contemporary Art c/o the Cattolica University, Milan&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_YCTv9QE9BSg/S1h9RYE0hjI/AAAAAAAAAxA/ZZKSfLfg464/s1600-h/IMG_2131+copy.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5429227088269051442" src="http://4.bp.blogspot.com/_YCTv9QE9BSg/S1h9RYE0hjI/AAAAAAAAAxA/ZZKSfLfg464/s320/IMG_2131+copy.jpg" style="cursor: pointer; display: block; height: 206px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;    &lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: 85%;"&gt;Installation view&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: 85%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_YCTv9QE9BSg/SxUfcCztGhI/AAAAAAAAAsA/5kd6groprRY/s1600/PB300046.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5410265094006053394" src="http://1.bp.blogspot.com/_YCTv9QE9BSg/SxUfcCztGhI/AAAAAAAAAsA/5kd6groprRY/s320/PB300046.JPG" style="cursor: pointer; display: block; height: 240px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;span style="font-size: 85%;"&gt;Luciano Fabro, &lt;span style="font-style: italic;"&gt;L'Italia ipocrita&lt;/span&gt;, 1996 (Private collection, Milan)&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="http://2.bp.blogspot.com/_YCTv9QE9BSg/S1h8azP8WoI/AAAAAAAAAw4/qHOPHVNZNuM/s1600-h/IMG_2374+copy+2.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5429226150670654082" src="http://2.bp.blogspot.com/_YCTv9QE9BSg/S1h8azP8WoI/AAAAAAAAAw4/qHOPHVNZNuM/s320/IMG_2374+copy+2.jpg" style="display: block; height: 206px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;span style="font-size: 85%;"&gt;Luisa Protti,&lt;span style="font-style: italic;"&gt; Gelateria, &lt;/span&gt;2006&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;a href="http://3.bp.blogspot.com/_YCTv9QE9BSg/SxUfkUnSTLI/AAAAAAAAAsI/2l6DukYf4aU/s1600/PB300051.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5410265236224756914" src="http://3.bp.blogspot.com/_YCTv9QE9BSg/SxUfkUnSTLI/AAAAAAAAAsI/2l6DukYf4aU/s320/PB300051.JPG" style="cursor: pointer; display: block; height: 240px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_YCTv9QE9BSg/SxUfp8Xj78I/AAAAAAAAAsQ/lJsQg-9hHgE/s1600/PB300055.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5410265332795568066" src="http://2.bp.blogspot.com/_YCTv9QE9BSg/SxUfp8Xj78I/AAAAAAAAAsQ/lJsQg-9hHgE/s320/PB300055.JPG" style="cursor: pointer; display: block; height: 240px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_YCTv9QE9BSg/SxUfvlw-5QI/AAAAAAAAAsY/NrFRhTTEKco/s1600/PB300064.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5410265429807392002" src="http://4.bp.blogspot.com/_YCTv9QE9BSg/SxUfvlw-5QI/AAAAAAAAAsY/NrFRhTTEKco/s320/PB300064.JPG" style="cursor: pointer; display: block; height: 240px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_YCTv9QE9BSg/SxUf0m6raZI/AAAAAAAAAsg/seJywV6u8HI/s1600/PB300068.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5410265516015839634" src="http://1.bp.blogspot.com/_YCTv9QE9BSg/SxUf0m6raZI/AAAAAAAAAsg/seJywV6u8HI/s320/PB300068.JPG" style="cursor: pointer; display: block; height: 240px; margin: 0px auto 10px; text-align: center; width: 320px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6588353545863124970-3798028833710635221?l=art-for-the-world.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://art-for-the-world.blogspot.com/feeds/3798028833710635221/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://art-for-the-world.blogspot.com/2009/12/questioni-di-lingua-by-claudio-citterio.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/3798028833710635221'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6588353545863124970/posts/default/3798028833710635221'/><link rel='alternate' type='text/html' href='http://art-for-the-world.blogspot.com/2009/12/questioni-di-lingua-by-claudio-citterio.html' title='QUESTIONI DI LINGUA by Claudio Citterio, Diego Morandini and Luisa Protti'/><author><name>ART for The world</name><uri>http://www.blogger.com/profile/09959226819557382454</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_YCTv9QE9BSg/S1h9RYE0hjI/AAAAAAAAAxA/ZZKSfLfg464/s72-c/IMG_2131+copy.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6588353545863124970.post-6104911414103610563</id><published>2009-11-18T12:17:00.006+01:00</published><updated>2010-06-02T22:17:51.218+02:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Exhibitions on Islands'/><title type='text'>Some of our past projects: ART for The World's Exhibitions on Islands</title><content type='html'>&lt;span style="color: black;"&gt;S&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;ince its foundation, ART &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: black; font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: small; font-style: italic;"&gt;for The&lt;/span&gt;&lt;span style="color: black; font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: small;"&gt; World presents its projects in sites which normally do not belong to the traditional contemporary art circuit, such as ancient monuments, monasteries, public buildings, schools, islands, parks, stadium and other open spaces.&lt;/span&gt;&lt;br /&gt;&lt;span style="color: black; font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: small;"&gt;In &lt;/span&gt;&lt;span style="color: black; font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: small;"&gt;particular, &lt;/span&gt;&lt;span style="color: black; font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: small;"&gt;since 1998 ART &lt;/span&gt;&lt;span style="color: black; font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: small; font-style: italic;"&gt;for The&lt;/span&gt;&lt;span style="color: black; font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; font-size: sma
